A study containing a combination of theory, ethnography and history, focusing upon critical issues of economic organization and change. Labour organization, land tenure and the division of labour by age and sex are treated in the context of both practical and theoretical problems.
A collection of short ghost stories by Victorian writer Rhoda Broughton. Includes: 'The Truth, the Whole Truth, and Nothing But the Truth', 'The Man with the Nose', 'Behold, it was a Dream ', 'Poor Pretty Bobby', and 'Under the Cloak'. Broughton uses the tales to comment on taboo subjects such as female sexuality and women's attitudes to money, as well as developing her interest in psychology and otherness, whilst consolidating her reputation as a sensational writer who never failed to tell a gripping tale.
The connection between people and companion animals has received considerable attention from scholars. In her original and provocative ethnography Livestock/Deadstock, sociologist Rhoda Wilkie asks, how do the men and women who work on farms, in livestock auction markets, and slaughterhouses, interact with—or disengage from—the animals they encounter in their jobs? Wilkie provides a nuanced appreciation of how those men and women who breed, rear, show, fatten, market, medically treat, and slaughter livestock, make sense of their interactions with the animals that constitute the focus of their work lives. Using a sociologically informed perspective, Wilkie explores their attitudes and behaviors to explain how agricultural workers think, feel, and relate to food animals. Livestock/Deadstock looks at both people and animals in the division of labor and shows how commercial and hobby productive contexts provide male and female handlers with varying opportunities to bond with and/or distance themselves from livestock. Exploring the experiences of stockpeople, hobby farmers, auction workers, vets and slaughterers, she offers timely insight into the multifaceted, gendered, and contradictory nature of human roles in food animal production.
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