The book discusses the image of the prophet and the role of prophecy in Modern Hebrew Poetry. The first part of the book presents the prophetic archetypal biographies of prophets, heroes and artists in Hebrew and European mythologies. It also examines the historical facts which lead to the departure of the prophet from Hebrew literature following the destruction of the second temple. Finally, it addresses the necessity of reappearance of the prophet in the 18th and 19th centuries in Hebrew thought and literature and provides a short history of that reappearance in Haskala literature. The second part focuses upon three major “prophets poets”: Haim N. Bialik, Avraham Shlonski and Uri Z. Greenberg. The book may be of interest to scholars of Literature, Judaism, Philosophy, Science of Religion, Anthropology, Folklore and Rhetoric.
In Job's final concession to God, he uses a phrase generally translated from the Hebrew as, "Wherefore I abhor myself, and repent in dust and ashes" (afar va-eifer). A very small number of scholars see this translation as forced. While most translations have Job referring to himself with the words afar va-eifer, this small group of scholars does not believe the Hebrew to be so clear. They maintain that the phrase afar va-eifer could just as easily be translated as referring to God. In this translation of the text, Job is calling God "dust and ashes." Can Job truly be referring to God, not himself, as dust and ashes? How dare he? And if he did, what did this mean theologically? If this linguistic analysis is correct, how are we to understand not only the ending of the book, but also the entire story of Job? These are the questions From Job to the Shoah strives to answer. The conclusions it reaches have profound theological implications, especially in our modern era when the "dust and ashes" of the six million Jews murdered in the Holocaust still hang heavily above us.
We designed these 18, 30-minute lectures for listening in the comfort of ones home or elsewhere, such as during a daily commute, an exercise routine, an extended car or plane trip, or just a stroll around town. In any case, the learner will come to appreciate Professor Kimelmans clarity of presentation, quality of analysis and precision of delivery.Whether religious or secular, denominational or not, the learner will find this audio coursebook informative, delightful and inspiring.
The book discusses the image of the prophet and the role of prophecy in Modern Hebrew Poetry. The first part of the book presents the prophetic archetypal biographies of prophets, heroes and artists in Hebrew and European mythologies. It also examines the historical facts which lead to the departure of the prophet from Hebrew literature following the destruction of the second temple. Finally, it addresses the necessity of reappearance of the prophet in the 18th and 19th centuries in Hebrew thought and literature and provides a short history of that reappearance in Haskala literature. The second part focuses upon three major “prophets poets”: Haim N. Bialik, Avraham Shlonski and Uri Z. Greenberg. The book may be of interest to scholars of Literature, Judaism, Philosophy, Science of Religion, Anthropology, Folklore and Rhetoric.
This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.
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