Desire and Distance constitutes an important new departure in contemporary phenomenological thought, a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty, though it departs in significant and original ways from their work. Barbaras's overall goal is to develop a philosophy of what "life" isone that would do justice to the question of embodiment and its role in perception and the formation of the human subject. Barbaras posits that desire and distance inform the concept of "life." Levinas identified a similar structure in Descartes's notion of the infinite. For Barbaras, desire and distance are anchored not in meaning, but in a rethinking of the philosophy of biology and, in consequence, cosmology. Barbaras elaborates and extends the formal structure of desire and distance by drawing on motifs as yet unexplored in the French phenomenological tradition, especially the notions of "life" and the "life-world," which are prominent in the later Husserl but also appear in non-phenomenological thinkers such as Bergson. Barbaras then filters these notions (especially "life") through Merleau-Ponty.
Part I. Toward ontology -- The dualism of phenomenology of perception -- The other (Autrui) -- The problem of expression -- From speech to being -- Phenomenology and ontology -- Part II. Philosophical interrogation -- The "diplopia" of cartesian ontology -- Fact and essence : phenomenology -- Being and nothingness : dialectic -- Philosophical interrogation -- Part III. The visible -- Introduction -- The flesh : the visible and the invisible -- Dimensionality : the thing and the world -- Originary spatio-temporality -- Merleau-Ponty's leibnizianism -- Part IV. The invisible -- Introduction -- The inner frame of intersubjectivity -- Desire -- The flesh of ideality -- The last chiasm.
Part I. Toward ontology -- The dualism of phenomenology of perception -- The other (Autrui) -- The problem of expression -- From speech to being -- Phenomenology and ontology -- Part II. Philosophical interrogation -- The "diplopia" of cartesian ontology -- Fact and essence : phenomenology -- Being and nothingness : dialectic -- Philosophical interrogation -- Part III. The visible -- Introduction -- The flesh : the visible and the invisible -- Dimensionality : the thing and the world -- Originary spatio-temporality -- Merleau-Ponty's leibnizianism -- Part IV. The invisible -- Introduction -- The inner frame of intersubjectivity -- Desire -- The flesh of ideality -- The last chiasm.
In Introduction to a Phenomenology of Life, renowned French philosopher Renaud Barbaras aims to construct the basis for a phenomenology of life. Called an introduction because it has to deal with philosophical limits and presuppositions, it is much more, as Barbaras investigates life in its phenomenological senses, approached through the duality of its intransitive and transitive senses. Originally published in French (Introduction à une phénoménologie de la vie) Introduction to a Phenomenology of Life first defines the problem of life phenomenologically, then studies the failures of the phenomenological movement to adequately think about life, and finally elaborates a new, original, and productive approach to the problem. Combining original interpretations and expert readings of philosophers such as Heidegger, Henry, Bergson, and Merleau-Ponty, Barbaras offers a powerful and important contribution to phenomenology and continental thought.
Desire and Distance constitutes an important new departure in contemporary phenomenological thought, a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty, though it departs in significant and original ways from their work. Barbaras's overall goal is to develop a philosophy of what "life" isone that would do justice to the question of embodiment and its role in perception and the formation of the human subject. Barbaras posits that desire and distance inform the concept of "life." Levinas identified a similar structure in Descartes's notion of the infinite. For Barbaras, desire and distance are anchored not in meaning, but in a rethinking of the philosophy of biology and, in consequence, cosmology. Barbaras elaborates and extends the formal structure of desire and distance by drawing on motifs as yet unexplored in the French phenomenological tradition, especially the notions of "life" and the "life-world," which are prominent in the later Husserl but also appear in non-phenomenological thinkers such as Bergson. Barbaras then filters these notions (especially "life") through Merleau-Ponty.
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