There are things on this Earth that go bump in the night, and there are people who find the strength to hunt them down. Almon, one such person, is only a teenager, but he's done more than he can say in a minute. He knows everything out there, but one thing plagues him. What's so different about Morticia-Casketine?
There are things on this Earth that go bump in the night, and there are people who find the strength to hunt them down. Almon, one such person, is only a teenager, but he's done more than he can say in a minute. He knows everything out there, but one thing plagues him. What's so different about Morticia-Casketine?
This book presents Robert S. Hartman’s formal theory of value and critically examines many other twentieth century value theorists in its light, including A.J. Ayer, Kurt Baier, Brand Blanshard, Paul Edwards, Albert Einstein, William K. Frankena, R.M. Hare, Nicolai Hartmann, Martin Heidegger, G.E. Moore, P.H. Nowell-Smith, Jose Ortega y Gasset, Charles Stevenson, Paul W. Taylor, Stephen E. Toulmin, and J.O. Urmson. Open Access funding for this volume has been provided by the Robert S. Hartman Institute.
This book critically explores answers to the big question, What produced our universe around fifteen billion years ago in a Big Bang? It critiques contemporary atheistic cosmologies, including Steady State, Oscillationism, Big Fizz, Big Divide, and Big Accident, that affirm the eternity and self-sufficiency of the universe without God. This study defends and revises Process Theology and arguments for God's existence from the universe's life-supporting order and contingent existence.
This book features two old philosophical friends engaged in lively personal and intellectual conversations. Wary of any dogmatism, their dialogues explore the Big Bang and the joy of grandchildren, value theory and terrorism, God and art, metaphor and meaning, while assessing the thought of Robert S. Hartman, Alfred North Whitehead, Charles Hartshorne, H. Richard Niebuhr, and others.
Christian Democracy, which may briefly be defined as organised political action by Catholic democrats, has been a major political force in Western Europe since the Second World War, not least in France. The aim of this book, first published in 1973, is to trace the Development of Christian Democracy in France from its origins in the 1830s to the present day, discussing its theories and its importance in French history and politics, with particular (but by no means exclusive) reference to the Fourth Republic (1946-58) when the MRP was one of the key centre parties. Dr Irving provides a thorough analysis of MRP, its economic, foreign and colonial policies, and gives reasons for the relative decline of French Christian Democracy in the 1960s. This French movement has been little understood in Britain and a throrough history has been badly needed. This study will be valuable to all those who, in the context of a United Europe, wish to understand the political forces at work at its conception. It will be valuable especially to students of modern history and politics.
Has the neuromuscular junction been over-exposed or is it perhaps already a closed book? I asked myself this at a recent International Congress when an American colleague complained that the Journal of Physiology had articles on nothing but the neuromuscular junction, while another colleague asked why I was editing a volume on a subject about which everything was already known. It is worrying to think that these views may be shared by other people. I hope that this volume will convince my two colleagues and other readers that the neuromuscular junction is very much alive and continues to attract the interest of many workers from a variety of fields; strange as it may seem, the synapse between a motor nerve ending and muscle fibre, with its relatively simple architecture, is one of the most inter esting sites in the body-I do hope we have done it justice. The various chapters of this volume present a cross section of knowledge as viewed by a group of 13 individuals, actively engaged in research. Multi-author volumes such as this are frequently criticised on the grounds that chapters or sec tions overlap. I believe that such criticium is only valid where the overlap is repetitious. Where it results in the reader having available discussions of material from differing stand-points, overlap becomes a valuable feature of this type of publication.
S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society. The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.
It was at the time when I was wandering around hungry in Kristiania, that strange city no one leaves before it has set its mark on them...' Hunger is the first-person story of a young man desperately trying to establish himself in the city as a writer, living in shabby lodgings where he can seldom afford to pay the rent, eating almost nothing, and engaging spasmodically and manically with landladies, eccentric elderly men, policemen, shopkeepers, pawnbrokers, and others on the way. He wanders around the streets, sits on benches trying to write, spends a night locked in a pitch-dark police cell, thinks, slides into remarkably inventive reveries, speculates on his mental health, his ethical comportment, his relation to the divinity, the topics he might write about. The traces of a consistent narrative logic are uncertain and blurred; the voice of the narrator keeps shifting between pragmatic appraisal of his situation, wild fantasies, manic outbursts, anger, and despair. This is a story that lies on the threshold of modernism, anticipating many of the dislocations that narrative will be subject to in the decades to come. This new translation seeks to restore the startling freshness and epidermal unease of Hamsun's breakthrough story of 1890. It remains faithful to the style and voice of the text, the shifts of tense, the indirect free style, and the constant changes of register as the inner monologue moves between poetic sensitivity, wild fantasies, manic outbursts, and hyperbolic emotion. Tore Rem's introduction provides an updated and fresh account of the genesis of Hunger, its book history and its reception. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Few other countries are so interrelated with the World around us in political, economic, and social respects as the Netherlands. This means that the Dutch government needs to be alert in its response to the risks and opportunities presented by a rapidly changing world. Addressing this issue, The Scientific Council for Government Policy (WRR) is offering some reflections in this report, guided by the question how the Netherlands can develop a foreign policy strategy that matches the changing power relations in the world and the radically changed character of international relations. The answer.
This book covers a variety of approaches to the main issues usually covered by philosophy of religion textbooks, such as the meaning of "religion," six ways of relating theology to philosophy, naturalism versus supernaturalism and their respective difficulties, an explanation and defense of process theism or panentheism, God's attributes, critiques and defenses of the ontological, cosmological, and teleological arguments, religious experience including pluralistic and monistic mysticism, verification after death, and the future of reason and religion. In dealing with the arguments for the existence of God, theism wins. Though published some decades ago, there is very little in this book that the author would change today.
The author compares and contrasts faith-based and science-based understandings of human nature, as seen through the lens of his own life's experiences and journey.
The nature of colour should change -no longer just a thin layer of change, but something that genuinely alters perception" -this stipulation of Rem Koolhaas is echoes by the world famous architects and designers Alessandro Mendini and Norman Foster. In this volume, they present between them a total of 90 colours -each covering half a page -accompanied by comments on the background, the significance and the applications of the colours. Studies of colours from each office form the basis of this book, and were previously only available in extravagant individual editions. With this comprehensive and consistent presentation of the varying approaches to colour, we have a compendium which shows the wide use of colour in today's technologically advanced architecture with its modern, post-modern and deconstructive orientation. The range of examples of the colours in practice includes load-bearing structures, facades, interior design, furnishing and the entire specturm of product design.
The band tell their own story through a collection of quotes. Originating from Georgia, REM recieved critical acclaim for their early albums and live performances. They eventually enjoyed success with the albums Out of Time, Automatic for the People, Monster and New Adventures in Hi-Fi.
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