Reiland Rabaka's Books

Du Bois's Dialectics

Black Radical Politics and the Reconstruction of Critical Social Theory

By: Reiland Rabaka

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Du Bois's Dialectics

Black Radical Politics and the Reconstruction of Critical Social Theory

By: Reiland Rabaka

With chapters that undertake ideological critiques of education, religion, the politics of reparations, and the problematics of black radical politics in contemporary culture and society, Du Bois's Dialectics employs Du Bois as its critical theoretical point of departure and demonstrates his (and Africana Studies') contributions to, as well as contemporary critical theory's connections to, critical pedagogy, sociology of religion, and reparations theory. Rabaka offers the first critical theoretical treatment of the W. E. B. Du Bois-Booker T. Washington debate, which lucidly highlights Du Bois's transition from a bourgeois black liberal to a black radical and revolutionary democratic socialist.

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358

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Lexington Books

Published Date

ISBN 10

0739119583

ISBN 13

9780739119587

W.E.B. Du Bois and the Problems of the Twenty-first Century

An Essay on Africana Critical Theory

By: Reiland Rabaka

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W.E.B. Du Bois and the Problems of the Twenty-first Century

An Essay on Africana Critical Theory

By: Reiland Rabaka

W. E. B. Du Bois and the Problems of the Twenty-First Century utilizes Du Bois's thought and texts to develop an informed critical theory of contemporary society. This book broadens the base of critical theory, making it more multicultural, transethnic, transgender, and non-Western European philosophy focused by placing it in dialogue with theory and phenomena that had been heretofore woefully neglected. Taking the preeminent black intellectual of the twentieth century as his primary point of departure, Reiland Rabaka identifies and analyzes several key contributions that Du Bois and the black racial tradition offer to those interested in redeveloping and racially revising contemporary critical social theory. With chapters on critical race theory, postcolonial theory, feminism, and Marxism, this volume builds bridges from Africana Studies to disparate discursive communities, accessibly demonstrating Du Bois's, and the black radical tradition's, contributions to, and the potential impact on, a wide-range of new social scientific research and radical political struggles.

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418

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Lexington Books

Published Date

ISBN 10

0739116827

ISBN 13

9780739116821

Against Epistemic Apartheid

W.E.B. Du Bois and the Disciplinary Decadence of Sociology

By: Reiland Rabaka

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Against Epistemic Apartheid

W.E.B. Du Bois and the Disciplinary Decadence of Sociology

By: Reiland Rabaka

In this intellectual history-making volume, multiple award-winning W. E. B. Du Bois scholar Reiland Rabaka offers the first book-length treatment of Du Bois's seminal sociological discourse: from Du Bois as inventor of the sociology of race to Du Bois as the first sociologist of American religion; from Du Bois as a pioneer of urban and rural sociology to Du Bois as innovator of the sociology of gender and inaugurator of intersectional sociology; and, finally, from Du Bois as groundbreaking sociologist of education and critical criminologist to Du Bois as dialectical critic of the disciplinary decadence of sociology and the American academy. Against Epistemic Apartheid brings new and intensive archival research into critical dialogue with the watershed work of classical and contemporary, male and female, black and white, national and international sociologists and critical social theorists' Du Bois studies. Against Epistemic Apartheid offers an accessible introduction to Du Bois's major contributions to sociology and, therefore, will be of interest to scholars and students not only in sociology, but also African American studies, American studies, cultural studies, critical race studies, gender studies, and postcolonial studies, as well as scholars and students in 'traditional' disciplines such as history, philosophy, political science, economics, education, and religion.

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442

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Lexington Books

Published Date

ISBN 10

0739145991

ISBN 13

9780739145999

Africana Critical Theory

Reconstructing The Black Radical Tradition, From W. E. B. Du Bois and C. L. R. James to Frantz Fanon and Amilcar Cabral

By: Reiland Rabaka

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Africana Critical Theory

Reconstructing The Black Radical Tradition, From W. E. B. Du Bois and C. L. R. James to Frantz Fanon and Amilcar Cabral

By: Reiland Rabaka

Building on and going far beyond W.E.B. Du Bois and the Problems of the Twenty-First Century and Du Bois's Dialectics, Reiland Rabaka's Africana Critical Theory innovatively identifies and analyzes continental and diasporan African contributions to classical and contemporary critical theory. This book represents a climatic critical theoretical clincher that cogently demonstrates how Du Bois's rarely discussed dialectical thought, interdisciplinarity, intellectual history-making radical political activism, and world-historical multiple liberation movement leadership helped to inaugurate a distinct Africana tradition of critical theory. With chapters on W.E.B. Du Bois, C.L.R. James, Negritude (Aime Cesaire and Leopold Senghor), Frantz Fanon and Amilcar Cabral, Africana Critical Theory endeavors to accessibly offer contemporary critical theorists an intellectual archaeology of the Africana tradition of critical theory and a much-needed dialectical deconstruction and reconstruction of black radical politics. These six seminal figures' collective thought and texts clearly cuts across several disciplines and, therefore, closes the chasm between Africana Studies and critical theory, constantly demanding that intellectuals not simply think deep thoughts, develop new theories, and theoretically support radical politics, but be and constantly become political activists, social organizers and cultural workers - that is, folk the Italian critical theorist Antonio Gramsci referred to as 'organic intellectuals.' In this sense, then, the series of studies gathered in Africana Critical Theory contribute not only to African Studies, African American Studies, Caribbean Studies, Cultural Studies, Gender Studies, and Postcolonial Studies, but also to contemporary critical theoretical discourse across an amazingly wide-range of 'traditional' disciplines, and radical political activism outside of (and, in many instances, absolutely against) Europe's ivory towers and the absurdities of the American academy.

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454

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Lexington Books

Published Date

ISBN 10

0739133098

ISBN 13

9780739133095

Hip Hop's Inheritance

From the Harlem Renaissance to the Hip Hop Feminist Movement

By: Reiland Rabaka

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Hip Hop's Inheritance

From the Harlem Renaissance to the Hip Hop Feminist Movement

By: Reiland Rabaka

Hip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, "inherited" from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980s and 1990s postmodern aesthetics. By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to "Obama's America," Hip Hop's Inheritance demonstrates that the hip hop generation is not the first generation of young black (and white) folk preoccupied with spirituality and sexuality, race and religion, entertainment and athletics, or ghetto culture and bourgeois culture. Taking interdisciplinarity and intersectionality seriously, Hip Hop's Inheritance employs the epistemologies and methodologies from a wide range of academic and organic intellectual/activist communities in its efforts to advance an intellectual history and critical theory of hip hop culture. Drawing from academic and organic intellectual/activist communities as diverse as African American studies and women's studies, postcolonial studies and sexuality studies, history and philosophy, politics and economics, and sociology and ethnomusicology, Hip Hop's Inheritance calls into question one-dimensional and monodisciplinary interpretations or, rather, misinterpretations, of a multidimensional and multivalent form of popular culture that has increasingly come to include cultural criticism, social commentary, and political analysis.

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266

Publisher

Lexington Books

Published Date

ISBN 10

0739164805

ISBN 13

9780739164808

Civil Rights Music

The Soundtracks of the Civil Rights Movement

By: Reiland Rabaka

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Civil Rights Music

The Soundtracks of the Civil Rights Movement

By: Reiland Rabaka

While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.

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273

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Lexington Books

Published Date

ISBN 10

1498531792

ISBN 13

9781498531795

The Negritude Movement

W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea

By: Reiland Rabaka

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The Negritude Movement

W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea

By: Reiland Rabaka

The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory (W.E.B. Du Bois, the New Negro Movement, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism). By viewing Negritude as an “insurgent idea” (to invoke this book’s intentionally incendiary subtitle), as opposed to merely a form of poetics and aesthetics, The Negritude Movement explores Negritude as a “traveling theory” (à la Edward Said’s concept) that consistently crisscrossed the Atlantic Ocean in the twentieth century: from Harlem to Haiti, Haiti to Paris, Paris to Martinique, Martinique to Senegal, and on and on ad infinitum. The Negritude Movement maps the movements of proto-Negritude concepts from Du Bois’s discourse in The Souls of Black Folk through to post-Negritude concepts in Fanon’s Black Skin, White Masks and The Wretched of the Earth. Utilizing Negritude as a conceptual framework to, on the one hand, explore the Africana intellectual tradition in the twentieth century, and, on the other hand, demonstrate discursive continuity between Du Bois and Fanon, as well as the Harlem Renaissance and Negritude Movement, The Negritude Movement ultimately accents what Negritude contributed to arguably its greatest intellectual heir, Frantz Fanon, and the development of his distinct critical theory, Fanonism. Rabaka argues that if Fanon and Fanonism remain relevant in the twenty-first century, then, to a certain extent, Negritude remains relevant in the twenty-first century.

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453

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Lexington Books

Published Date

ISBN 10

1498511368

ISBN 13

9781498511360

Black Women's Liberation Movement Music

Soul Sisters, Black Feminist Funksters, and Afro-Disco Divas

By: Reiland Rabaka

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Black Women's Liberation Movement Music

Soul Sisters, Black Feminist Funksters, and Afro-Disco Divas

By: Reiland Rabaka

Black Women’s Liberation Movement Music argues that the Black Women’s Liberation Movement of the mid-to-late 1960s and 1970s was a unique combination of Black political feminism, Black literary feminism, and Black musical feminism, among other forms of Black feminism. This book critically explores the ways the soundtracks of the Black Women’s Liberation Movement often overlapped with those of other 1960s and 1970s social, political, and cultural movements, such as the Black Power Movement, Women’s Liberation Movement, and Sexual Revolution. The soul, funk, and disco music of the Black Women’s Liberation Movement era is simultaneously interpreted as universalist, feminist (in a general sense), and Black female-focused. This music’s incredible ability to be interpreted in so many different ways speaks to the importance and power of Black women’s music and the fact that it has multiple meanings for a multitude of people. Within the worlds of both Black Popular Movement Studies and Black Popular Music Studies there has been a long-standing tendency to almost exclusively associate Black women’s music of the mid-to-late 1960s and 1970s with the Black male-dominated Black Power Movement or the White female-dominated Women’s Liberation Movement. However, this book reveals that much of the soul, funk, and disco performed by Black women was most often the very popular music of a very unpopular and unsung movement: The Black Women’s Liberation Movement. Black Women’s Liberation Movement Music is an invaluable resource for students, teachers, and researchers of Popular Music Studies, American Studies, African American Studies, Critical Race Studies, Gender Studies, and Sexuality Studies.

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Page Count

190

Publisher

Taylor & Francis

Published Date

ISBN 10

1000966798

ISBN 13

9781000966794

W.E.B. Du Bois and the Problems of the Twenty-First Century

An Essay on Africana Critical Theory

By: Reiland Rabaka

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W.E.B. Du Bois and the Problems of the Twenty-First Century

An Essay on Africana Critical Theory

By: Reiland Rabaka

W.E.B. Du Bois and the Problems of the Twenty-First Century utilizes Du Bois's thought and texts to develop an Africana Studies-informed critical theory of contemporary society.

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297

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Lexington Books

Published Date

ISBN 10

0739162349

ISBN 13

9780739162347

Du Bois

A Critical Introduction

By: Reiland Rabaka

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Du Bois

A Critical Introduction

By: Reiland Rabaka

W.E.B Du Bois is widely considered one of the most accomplished and controversial African American intellectuals in U.S. history. A pioneering historian, sociologist, political economist, and civil rights activist, his masterpiece The Souls of Black Folk remains one of the most widely read books in the history of American literature. In this new book, Reiland Rabaka critically explores Du Bois’s multidimensional legacy, lucidly introducing his main contributions in areas ranging from American sociology and critical race studies to black feminism and black Marxism. Rabaka argues that Du Bois’s corpus, particularly when attention is given to his contributions to the critique of racism, sexism, capitalism and colonialism, can be persuasively interpreted as both an undeniable and unprecedented contribution to the origins and evolution of one of our most important contemporary critical concepts: intersectionality. Du Bois: A Critical Introduction is an indispensable resource for scholars and students of history, sociology, politics, and economics. It will also be very valuable for those working in interdisciplinary fields, ranging from African American studies, critical race studies, and critical white studies to black feminism, black Marxism, and black internationalism.

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194

Publisher

John Wiley & Sons

Published Date

ISBN 10

1509519289

ISBN 13

9781509519286

Black Power Music!

Protest Songs, Message Music, and the Black Power Movement

By: Reiland Rabaka

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Black Power Music!

Protest Songs, Message Music, and the Black Power Movement

By: Reiland Rabaka

Black Power Music! Protest Songs, Message Music, and the Black Power Movement critically explores the soundtracks of the Black Power Movement as forms of "movement music." That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term "Black Power music" can be seen as a code word for African American protest songs and message music between 1965 and 1975. "Black Power music" is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement.

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221

Publisher

Routledge

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ISBN 10

1000594319

ISBN 13

9781000594317

The Negritude Movement

W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea

By: Reiland Rabaka

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The Negritude Movement

W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea

By: Reiland Rabaka

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453

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Lexington Books

Published Date

ISBN 10

1498511368

ISBN 13

9781498511360

Du Bois

A Critical Introduction

By: Reiland Rabaka

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Du Bois

A Critical Introduction

By: Reiland Rabaka

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224

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John Wiley & Sons

Published Date

ISBN 10

1509519262

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9781509519262

Civil Rights Music

The Soundtracks of the Civil Rights Movement

By: Reiland Rabaka

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Civil Rights Music

The Soundtracks of the Civil Rights Movement

By: Reiland Rabaka

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273

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Lexington Books

Published Date

ISBN 10

1498531792

ISBN 13

9781498531795

Hip Hop's Amnesia

From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement

By: Reiland Rabaka

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Hip Hop's Amnesia

From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement

By: Reiland Rabaka

Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans' unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of "African American movement music." Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for.

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386

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Lexington Books

Published Date

ISBN 10

0739174924

ISBN 13

9780739174920

The Hip Hop Movement

From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation

By: Reiland Rabaka

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The Hip Hop Movement

From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation

By: Reiland Rabaka

The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.

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Page Count

432

Publisher

Lexington Books

Published Date

ISBN 10

0739181173

ISBN 13

9780739181171

Concepts of Cabralism

Amilcar Cabral and Africana Critical Theory

By: Reiland Rabaka

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Concepts of Cabralism

Amilcar Cabral and Africana Critical Theory

By: Reiland Rabaka

By examining Amilcar Cabral’s theories and praxes, as well as several of the antecedents and major influences on the evolution of his radical politics and critical social theory, Concepts of Cabralism:Amilcar Cabral and Africana Critical Theory simultaneously reintroduces, chronicles, and analyzes several of the core characteristics of the Africana tradition of critical theory. Reiland Rabaka’s primary preoccupation is with Cabral’s theoretical and political legacies—that is to say, with the ways in which he constructed, deconstructed, and reconstructed theory and the aims, objectives, and concrete outcomes of his theoretical applications and discursive practices. The book begins with the Negritude Movement, and specifically the work of Léopold Senghor, Aimé Césaire, and Jean-Paul Sartre. Next, it shifts the focus to Frantz Fanon’s discourse on radical disalienation and revolutionary decolonization. Finally, it offers an extended engagement of Cabral’s critical theory and contributions to the Africana tradition of critical theory. Ultimately, Concepts of Cabralism chronicles and critiques, revisits and revises the black radical tradition with an eye toward the ways in which classical black radicalism informs, or should inform, not only contemporary black radicalism, African nationalism, and Pan-Africanism, but also contemporary efforts to create a new anti-racist, anti-sexist, anti-capitalist, anti-colonialist, and anti-imperialist critical theory of contemporary society—what has come to be called “Africana critical theory.”

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Page Count

387

Publisher

Lexington Books

Published Date

ISBN 10

0739192116

ISBN 13

9780739192115

Enduring Legacies

By: Arturo J. Aldama,Elisa Facio,Daryl Maeda,Reiland Rabaka

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Enduring Legacies

By: Arturo J. Aldama,Elisa Facio,Daryl Maeda,Reiland Rabaka

Traditional accounts of Colorado's history often reflect an Anglocentric perspective that begins with the 1859 Pikes Peak Gold Rush and Colorado's establishment as a state in 1876. Enduring Legacies expands the study of Colorado's past and present by adopting a borderlands perspective that emphasizes the multiplicity of peoples who have inhabited this region. Addressing the dearth of scholarship on the varied communities within Colorado-a zone in which collisions structured by forces of race, nation, class, gender, and sexuality inevitably lead to the transformation of cultures and the emergence of new identities-this volume is the first to bring together comparative scholarship on historical and contemporary issues that span groups from Chicanas and Chicanos to African Americans to Asian Americans. This book will be relevant to students, academics, and general readers interested in Colorado history and ethnic studies.

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Page Count

441

Publisher

University Press of Colorado

Published Date

ISBN 10

145710959X

ISBN 13

9781457109591

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