Numerous writers have made declarations of love to cities, but Against Venice speaks not of love, but of dislike. It is a counterblast to intellectuals who regard Venice as the city where existentialism should be experienced, at parties in the palazzi of friends. Debray criticises this world in a refreshingly irreverent way, luring the traveller back to this seductive city.
Debray's purpose in this major new book is to trace the episodes of the genesis of God, his itinerary and the costs of his survival. "God: An Itinerary" uses the histories of the Eternal and of the West to illuminate one another and to throw light on contemporary civilization itself.
American civilization’s dominance over Europe—and what to do about it In 1900, an American of taste was a European in exile; in 2000, a trendy European is a frustrated American—or one waiting for a visa. Régis Debray explores America’s global cultural ascendancy in this provocative and witty analysis of our contemporary condition. Whereas Europe once foregrounded the importance of time and writing, America is a civilization of spectacle and kinetics, blind to the tragic complexities of human life. A measure of America’s success is how its jargon has been adopted by European languages, but there is much more than that to the States’ infiltration into all aspects of modern life. For Debray, the dominance of American civilization is a historical fait accompli. Yet he envisions a sanctuary for the best of Europe modelled on Vienna at the cusp of the twentieth century, where art and literature flowered in the rich soil of a decaying empire. For decades to come, Europe can still offer a rich cultural seedbed. “Some will call it decadence,” writes Debray, “others liberation. Why not both?”
Revolution in the Revolution? is a brilliant, pragmatic assessment of the situation in Latin America in the 1960s. First published in 1967, it became a controversial handbook for guerrilla warfare and revolution, read alongside Che’s own pamphlets, with which it can compete in terms of historical importance and insight to this day. Lucid and compelling, it spares no personage, no institution, and no concept, taking on not only Russian and Chinese strategies but Trotskyism as well. The year it was published, Debray was convicted of guerrilla activities in Bolivia and sentenced to thirty years in prison. He was released in 1970, following an international campaign, which included appeals by Jean-Paul Sartre, André Malraux, Charles de Gaulle and Pope Paul VI.
Revolution in the Revolution? is a brilliant, pragmatic assessment of the situation in Latin America in the 1960s. First published in 1967, it became a controversial handbook for guerrilla warfare and revolution, read alongside Che’s own pamphlets, with which it can compete in terms of historical importance and insight to this day. Lucid and compelling, it spares no personage, no institution, and no concept, taking on not only Russian and Chinese strategies but Trotskyism as well. The year it was published, Debray was convicted of guerrilla activities in Bolivia and sentenced to thirty years in prison. He was released in 1970, following an international campaign, which included appeals by Jean-Paul Sartre, André Malraux, Charles de Gaulle and Pope Paul VI.
Debray's purpose in this major new book is to trace the episodes of the genesis of God, his itinerary and the costs of his survival. "God: An Itinerary" uses the histories of the Eternal and of the West to illuminate one another and to throw light on contemporary civilization itself.
American civilization’s dominance over Europe—and what to do about it In 1900, an American of taste was a European in exile; in 2000, a trendy European is a frustrated American—or one waiting for a visa. Régis Debray explores America’s global cultural ascendancy in this provocative and witty analysis of our contemporary condition. Whereas Europe once foregrounded the importance of time and writing, America is a civilization of spectacle and kinetics, blind to the tragic complexities of human life. A measure of America’s success is how its jargon has been adopted by European languages, but there is much more than that to the States’ infiltration into all aspects of modern life. For Debray, the dominance of American civilization is a historical fait accompli. Yet he envisions a sanctuary for the best of Europe modelled on Vienna at the cusp of the twentieth century, where art and literature flowered in the rich soil of a decaying empire. For decades to come, Europe can still offer a rich cultural seedbed. “Some will call it decadence,” writes Debray, “others liberation. Why not both?”
Numerous writers have made declarations of love to cities, but Against Venice speaks not of love, but of dislike. It is a counterblast to intellectuals who regard Venice as the city where existentialism should be experienced, at parties in the palazzi of friends. Debray criticises this world in a refreshingly irreverent way, luring the traveller back to this seductive city.
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