Published by Viking in 1991 and issued as a paperback through Penguin Books in 1992, Snow White became an instant classic for both academic and general audiences interested in how women use humor and what others (men) think about funny women. Barreca, who draws on the work of scholars, writers, and comedians to illuminate a sharp critique of the gender-specific aspects of humor, provides laughs and provokes arguments as she shows how humor helps women break rules and occupy center stage. Barreca's new introduction provides a funny and fierce, up-to-the-minute account of the fate of women's humor over the past twenty years, mapping what has changed in our culture--and questioning what hasn't.
In Untamed and Unabashed, Regina Barreca, noted authority on women and humor, examines the use of humor in the works of Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Bowen, Muriel Spark, and Fay Weldon. She analyzes the ways that each writer uses comedic devices, especially those involving language itself, and discusses the gendered basis of their humor, providing a provocative feminist perspective on gender and comedy. Each of the essays argues that conservative critics have misread and misunderstood the importance of humor in the works of these women authors, and that women's humor serves to explode conventions oppressive to women and to offer women readers a critique of, and an alternative perspective on, the dominant cultural ideologies that contain and oppress them. The book concludes that these authors strategically deployed humor, coded in forms that women readers-but not men readers-would recognize and understand, as a means of educating and empowering those women readers. Barreca asserts that much of women's comic play has to do with power and its systematic misappropriation, allowing women to gain perspective by ridiculing the implicit insanities of a patriarchal culture. Using detailed persuasive new readings of various works of each of her chosen authors, she shows how the straightjacket of conventional femininity is challenged, confronted, and finally, thrown off. This volume demonstrates that comedy can effectively channel anger and rebellion by first making them appear to be acceptable and temporary phenomena, and then by harnessing the released energies, rather than dispersing them. This kind of comedy, which is at the heart of Untamed and Unabashed, terrifies those who hold order dear. It should.
Two of the country's most original humor writers confront myths and stereotypes to establish once and for all that women are funnier than men--and vice versa. Illustrations.
In this collection of hilarious essays that mull everything from the horror of chin hairs to why the "glass ceiling" is better described as a thick layer of men, Barreca tells women to stop believing the lies and conquer the world.
In this collection of hilarious essays that mull everything from the horror of chin hairs to why the "glass ceiling" is better described as a thick layer of men, Barreca tells women to stop believing the lies and conquer the world.
In Untamed and Unabashed, Regina Barreca, noted authority on women and humor, examines the use of humor in the works of Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Bowen, Muriel Spark, and Fay Weldon. She analyzes the ways that each writer uses comedic devices, especially those involving language itself, and discusses the gendered basis of their humor, providing a provocative feminist perspective on gender and comedy. Each of the essays argues that conservative critics have misread and misunderstood the importance of humor in the works of these women authors, and that women's humor serves to explode conventions oppressive to women and to offer women readers a critique of, and an alternative perspective on, the dominant cultural ideologies that contain and oppress them. The book concludes that these authors strategically deployed humor, coded in forms that women readers-but not men readers-would recognize and understand, as a means of educating and empowering those women readers. Barreca asserts that much of women's comic play has to do with power and its systematic misappropriation, allowing women to gain perspective by ridiculing the implicit insanities of a patriarchal culture. Using detailed persuasive new readings of various works of each of her chosen authors, she shows how the straightjacket of conventional femininity is challenged, confronted, and finally, thrown off. This volume demonstrates that comedy can effectively channel anger and rebellion by first making them appear to be acceptable and temporary phenomena, and then by harnessing the released energies, rather than dispersing them. This kind of comedy, which is at the heart of Untamed and Unabashed, terrifies those who hold order dear. It should.
Two of the country's most original humor writers confront myths and stereotypes to establish once and for all that women are funnier than men--and vice versa. Illustrations.
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