Female Infanticide in India is a theoretical and discursive intervention in the field of postcolonial feminist theory. It focuses on the devaluation of women through an examination of the practice of female infanticide in colonial India and the reemergence of this practice in the form of femicide (selective killing of female fetuses) in postcolonial India. The authors argue that femicide is seen as part of the continuum of violence on, and devaluation of, the postcolonial girl-child and woman. In order to fully understand the material and discursive practices through which the limited and localized crime of female infanticide in colonial India became a generalized practice of femicide in postcolonial India, the authors closely examine the progressivist British-colonial history of the discovery, reform, and eradication of the practice of female infanticide. Contemporary tactics of resistance are offered in the closing chapters.
Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory. Her book treats film as part of the larger cultural production of India and provides a historical sense of the cross genre borrowings, traditions and debates that have deeply influenced Indian cinema and its viewers.
Why Would I Be Married Here? examines marriage migration undertaken by rural bachelors in North India, unable to marry locally, who travel across the breadth of India seeking brides who do not share the same caste, ethnicity, language, or customs as themselves. Combining rich ethnographic evidence with Dalit feminist and political economy frameworks, Reena Kukreja connects the macro-political violent process of neoliberalism to the micro-personal level of marriage and intimate gender relations to analyze the lived reality of this set of migrant brides in cross-region marriages among dominant-peasant caste Hindus and Meo Muslims in rural North India. Why Would I Be Married Here? reveals how predatory capitalism links with patriarchy to dispossess many poor women from India's marginalized Dalit and Muslim communities of marriage choices in their local communities. It reveals how, within the context of the increasing spread of capitalist relations, these women's pragmatic cross-region migration for marriage needs to be reframed as an exercise of their agency that simultaneously exposes them to new forms of gender subordination and internal othering of caste discrimination and ethnocentrism in conjugal communities. Why Would I Be Married Here? offers powerful examples of how contemporary forces of neoliberalism reshape the structural oppressions compelling poor women from marginalized communities worldwide into making compromised choices about their bodies, their labor, and their lives.
Set against the contemporary thinking of the city as a spectacle, SpaceDBodyDRitual: Performativity in the City establishes everyday life in the city as a ground for authentic experience. Reena Tiwari emphasizes the city as a space of lived experience-an intricately layered space giving people a poetic experience, responding to their memories and desires. She also explores the conflict between two ideas: the idea of thee 'city as text' to be read and understood from a distance, and the 'city as body,' where the body, after writing the text through its performance, achieves the capacity to read and understand it. SpaceDBodyDRitual demonstrates that the abstract 'seeing' embedded in the 'city as a text' is underwritten by the idea of power operating at deeper levels in the city. This hidden power is the power of the user's body in space. Furthermore, Tiwari proposes that an understanding of the 'city as body' through lived experience-through rhythmanalysis, where rhythms of everyday and extra everyday practices are understood-leads to the design of an environment that is evocative and is able to generate a bodily response from the user. To understand the rhythms, it becomes essential to know the way users inhabit, understand and map or present the city spaces by their bodies. SpaceDBodyDRitual will compel its readership to think of the parameters of spatial design as cultural generator.
1. Know Your State’ series provides the entire description of the state 2. Present edition on Haryana has been divided into 6 Units 3. It provides Chapterwise theory for thorough learning 4. More than 1100 MCQs are provided for practice 5. Special section for Current Affairs for a quick look 6. The book contains detailed information on “Haryana” along with latest current updates 7. Highly useful for HPSC and other state-level exams. ‘Know Your State – Haryana’ that has been designed as a reference book to provide comprehensive information about the state. This book provides detailed study of History, Geography, Economy, Polity, Art & Culture, Centre and State Government welfare schemes in a systematic chapter by chapter manner that results in the marked improvement in the performances of the students. A separate section has been allotted to Current Affairs. Theories given in the book are supported by Box, Tables, Map, and Figures for the clear presentation that leads better understanding among readers. Multiple Choice Questions are provided at end of each chapter which test the understanding each concept from exam point of view. Students who are preparing for Haryana Public Service Commission (HPSC) and other state level exams will find this book as quick relevant and easy route for achieving success in the examination. TABLE OF CONTENT Haryana Basic Information, Ancient History of Haryana, Medieval History of Haryana, Modern History of Haryana, Geographical Features and Climate of Haryana, Drainage System of Haryana, Soil and Mineral Resources in Haryana, Forest and Wildlife of Haryana, Agriculture and Animal Husbandry of Haryana, Industries of Haryana, Energy and Irrigation Resources in Haryana, Transportation and Communication in Haryana, Tourism in Haryana, Formation of Haryana State, Haryana Legislative and State Structure, Haryana Judiciary, Haryana Local Self Government District Profile of Haryana, Language and Literature of Haryana, Arts and Crafts of Haryana, Music and Dance of Haryana, Fairs and Festivals of Haryana, Sports in Haryana, Education in Haryana, Famous Personalities of Haryana, Awards and Honors in Haryana, Social Welfare Scheme in Haryana, Demographic Profile of Haryana, Current Affairs.
Female Infanticide in India is a theoretical and discursive intervention in the field of postcolonial feminist theory. It focuses on the devaluation of women through an examination of the practice of female infanticide in colonial India and the reemergence of this practice in the form of femicide (selective killing of female fetuses) in postcolonial India. The authors argue that femicide is seen as part of the continuum of violence on, and devaluation of, the postcolonial girl-child and woman. In order to fully understand the material and discursive practices through which the limited and localized crime of female infanticide in colonial India became a generalized practice of femicide in postcolonial India, the authors closely examine the progressivist British-colonial history of the discovery, reform, and eradication of the practice of female infanticide. Contemporary tactics of resistance are offered in the closing chapters.
Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory. Her book treats film as part of the larger cultural production of India and provides a historical sense of the cross genre borrowings, traditions and debates that have deeply influenced Indian cinema and its viewers.
This book explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labor in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory.
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