This volume addresses the key question of the intersection of sociology and politics, and asks what a non-Marxist cultural perspective can offer the Left. Written by leading scholars, it develops new conceptions of social critique, new techniques of interpretive analysis, and new concepts for the sociology of democratic practice. It is a volume for the twenty-first-century, where global and local meet, when critical theory must examine its most fundamental presuppositions.
This book collates notes, information and newspaper articles about the history of Cullercoats. It is split into four parts covering: 1292 - 1849 1850 - 1950 The streets, houses & occupants of Cullercoats The births, deaths & marriages in Cullercoats This book can be useful reference material about the history of Cullercoats if you are interested in the local history, looking for past family members for your family tree, curious about who previously lived at an address in Cullercoats and the way of life and how Cullercoats became the village it is today. This book includes snippets such as how much items cost at the time, wages and news reports.
Volume five of the Mercer Commentary on the Bible comprises commentaries on the deuterocanonical/apocryphal books which Martin Luther called useful and good for reading yet did not consider of the same authority as Scripture. Volume five of the Mercer Commentary on the Bible includes commentaries from the critically acclaimed Mercer Commentary on the Bible and appropriate articles from the equally well-received Mercer Dictionary of the Bible. This convenient yet thorough edition is for the classroom and for anyone who wishes to focus study on these particular texts.Drawing upon original document from the United States and Scotland, Ferguson has assembled a biography of John Couper, a St. Simons Island plantation owner renowned for his humane treatment of slave, bold horticultural experiments, lifelong civic service, and his far-reaching generosity.
Who Was Mrs. Musterman? We often think of women who came of age in 1900 as submissive flowers waiting to be plucked, but not Lillian Johnson. No, this remarkable woman left her small Virginia town and headed to the big city -- Baltimore -- to become a milliner. She took her creativity to Annapolis, Maryland, where she created Gainsborough hats, married, and became Mrs. Musterman. When her third child was born, her husband fell ill and suddenly she became the sole breadwinner of the family. Then her employer died. What was she to do? How would she survive? If she can possibly succeed, she must have her own shop and years of crowning the heads of the women of Annapolis. She once said, "Nothing is impossible if you really want to do it.
Karma isn’t a mystery. Karma isn’t an esoteric philosophy. Karma is a natural law--the Law of Cause and Effect--and, just like gravity, it is constantly at work in the world and in your life, whether you know it or believe in it or not. The book you are holding will give you the knowledge and tools necessary to discover and understand the playing-out of karma in your physical, mental, psychological, social, and spiritual life. It will help you to make sense of your life-circumstances and provide a road map for traveling to a more fulfilling, joyous, and purposeful future.
Ghost Town II: Boot Hill and Beyond is a collection of short stories that includes “Christina’s Samplers,” “Hornbook II,” “Number 131,” “Spirits of Petroleum,” “Tapping the Admiral,” “The Didgeri Dude,” “The Dust Devil,” “The Hornbook,” “Medicine Wheel,” “The Obsidian Mirror,” “The Ophir Bonanza,” “The Singing Cowboy,” “The Water Witch,” “Valentine,” and “Veritas.” The stories are a bit of a cross between “Gunsmoke” and “The Twilight Zone.” American history is full of quirky events that lend themselves to the imaginative story telling in this thoughtful and entertaining collection. These stories provide those interested in the strange and inexplicable with literary retellings of American history through spooky stories about the Old West. About the Author Richard Brent Reed was born in Houston, Texas in 1951. He currently resides in Riverside, California. Reed was a history teacher for several years. He also ran a traveling theatre group and had his own law practice. He has been very involved with the Riverside Dickens Festival and is also a member of a Masonic lodge. His interests include gardening, geology, history, and politics.
In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.
Carved from central Comancheria, Erath (EE-rath) County was created by stock raisers and settlers with little to lose but hopes and dreams. Bisected by Grand Prairie and Western Cross Timbers, this is where East Texas ends and West Texas begins. The Bosque and Paluxy Rivers welcomed ranchers, farmers, millers, and ginners. Rustlers, deserters, train robbers, vigilantes, lawmen, and Texas Rangers soon followed. Faith, education, life, and death cultivated villages with churches, schools, stores, and cemeteries in walking distance. Bridges, roads, and railways meant the life or death of a township. This volume commemorates the people, places, and events of lost communities that made the "Cowboy Capital of the World" what it is today. An eighth-generation Texan and sixth-generation Erathian, Sheryl Reed Rascher has over 30 years of experience with Lockheed Martin business and program management. Currently serving as president of the Erath County Genealogical Society, she is also a member of San Angelo Genealogical and Historical Society, Texas State Genealogical Society, and The Daughters of the Republic of Texas and a past member of Fort Worth Genealogical Society Board of Directors. This book contains photographs generously shared by the Ralph and Dossie Rogers Historic Images Collection, the Stephenville Historical House Museum, Dublin Historical Museum, and numerous friends.
The book may have numerous typos or missing text. It is not illustrated or indexed. However, purchasers can download a free scanned copy of the original rare book from the publisher's website. You can also preview the book there. Purchasers are also entitled to a trial membership in the publisher's book club where they can select from more than a million books for free. Original Publisher: Pub. by subscription Publication date: 1870 Subjects: Brooklyn (New York, N.Y.); Bushwick (New York, N.Y.); Williamsburg (New York, N.Y.); Bushwick, N.Y; History / United States / General; History / United States / State
Introduction : marking time -- What is slow art? (when images swell into events and events condense into images) -- Living pictures -- Before slow art -- Slow art emerges in modernity I : secularization from Diderot to Wilde -- Slow art emerges in modernity II : the great age of speed -- Slow fiction, film, video, performance, 1960 to 2010 -- Slow photography, painting, installation art, sculpture, 1960 to 2010 -- Angel and devil of slow art
Describes nine of the most notable airplane pilots in history, from the Wright brothers to Amelia Earhart, and includes famous astronauts including Neil Armstrong and Sally Ride.
The publishing history of William Wordsworth's writings is complex and often obscure. These two volumes set out, for the first time, a comprehensive, detailed bibliographic description of every edition of Wordsworth's writings up to 1930. The great variety of forms in which readers encountered both authorized and unauthorized texts by Wordsworth is revealed, not only as produced during his lifetime but also during the years of his largest sales, popularity and influence, the late nineteenth and early twentieth centuries. The bibliography provides new information about hundreds of printings and their internal and external designs, processes of production, sales, contents and variant texts and illustrations. More than a record of the transmission and reception of Wordsworth and his writings, it offers invaluable new data for the study of British publishing history and the reception and readership of British Romantic literature.
A century ago, the Brevard Rosenwald School in Transylvania County, North Carolina, opened its doors to African American students from the community and the surrounding area. It was a microcosm of the community it served; teachers and pupils lived on the same streets, shopped in the same stores, worshiped at the same churches, and teachers and parents served on the same committees, confronted similar social and economic problems, and sought each other's advice about issues in daily life. This book is a history of the school, with special attention given to the years 1920 to 1966, and its attempts to improve the education of African Americans in the South. It also focuses on the school's beginnings, development, significance to the community, closing, and the integration process and the Rosenwald community today. The author also presents narratives from former students about their experiences and educational goals, pursuits and accomplishments at the school and later in their lives.
In Black Chicago’s First Century, Christopher Robert Reed provides the first comprehensive study of an African American population in a nineteenth-century northern city beyond the eastern seaboard. Reed’s study covers the first one hundred years of African American settlement and achievements in the Windy City, encompassing a range of activities and events that span the antebellum, Civil War, Reconstruction, and post-Reconstruction periods. The author takes us from a time when black Chicago provided both workers and soldiers for the Union cause to the ensuing decades that saw the rise and development of a stratified class structure and growth in employment, politics, and culture. Just as the city was transformed in its first century of existence, so were its black inhabitants. Methodologically relying on the federal pension records of Civil War soldiers at the National Archives, as well as previously neglected photographic evidence, manuscripts, contemporary newspapers, and secondary sources, Reed captures the lives of Chicago’s vast army of ordinary black men and women. He places black Chicagoans within the context of northern urban history, providing a better understanding of the similarities and differences among them. We learn of the conditions African Americans faced before and after Emancipation. We learn how the black community changed and developed over time: we learn how these people endured—how they educated their children, how they worked, organized, and played. Black Chicago’s First Century is a balanced and coherent work. Anyone with an interest in urban history or African American studies will find much value in this book.
Well before the creation of the United States, the Cherokee people administered their own social policy—a form of what today might be called social welfare—based on matrilineal descent, egalitarian relations, kinship obligations, and communal landholding. The ethic of gadugi, or work coordinated for the social good, was at the heart of this system. Serving the Nation explores the role of such traditions in shaping the alternative social welfare system of the Cherokee Nation, as well as their influence on the U.S. government’s social policies. Faced with removal and civil war in the early and mid-nineteenth century, the Cherokee Nation asserted its right to build institutions administered by Cherokee people, both as an affirmation of their national sovereignty and as a community imperative. The Cherokee Nation protected and defended key features of its traditional social service policy, extended social welfare protections to those deemed Cherokee according to citizenship laws, and modified its policies over time to continue fulfilling its people's expectations. Julie L. Reed examines these policies alongside public health concerns, medical practices, and legislation defining care and education for orphans, the mentally ill, the differently abled, the incarcerated, the sick, and the poor. Changing federal and state policies and practices exacerbated divisions based on class, language, and education, and challenged the ability of Cherokees individually and collectively to meet the social welfare needs of their kin and communities. The Cherokee response led to more centralized national government solutions for upholding social welfare and justice, as well as to the continuation of older cultural norms. Offering insights gleaned from reconsidered and overlooked historical sources, this book enhances our understanding of the history and workings of social welfare policy and services, not only in the Cherokee Nation but also in the United States. Serving the Nation is published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
In the third book of the series, Andy unveils a scientific breakthrough that will make time travel practical. He and Mark, and new friend Amy, test the enhanced program and discover that something has gone wrong! The trio becomes separated in the past and returning home seems impossible. But the friends are determined to reunite, and the only way to accomplish their goal is to travel the roads that lead to the one place that they desperately wanted to avoid-the banks of the Little Bighorn River. Along the way the time travelers meet Sioux leaders Sitting Bull and Crazy Horse, ride with General George Armstrong Custer and the U.S. Seventh Cavalry, and become part of the history of Custer's Last Stand! "A great story for youth, told with verve and remarkable fidelity to history." -Robert M.Utley, author of Cavalier in Buckskin: George Armstrong Custer and the Western Military Frontier and The Lance and the Shield: The Life and Time of Sitting Bull "Woody Reed had done an admirable job of capturing the spirit and the flow of action at the Battle of the Little Bighorn. He has been fair to the Seventh Calvary and the courageous American Indians who opposed Gorge Armstrong Custer and the troopers who role with him. The imaginative ingredients of Reed's book aside, he has succeeded in bringing a sense of history to the young, an in that endeavor alone, he is to be applauded." -Larry Sklenar, author of To Hell With Honor: Custer and the Little Bighorn "The Andy & Mark books put you into some pf the most exciting moments of the U.S. history. The awesome plot lines and interesting characters make history much more fun to learn. These books are great for anyone who enjoys history and science fiction!" -Steve Wieners, Chemical Engineering Student, University of Massachusetts, Amherst
This book presents a provocatively, outrageously assertive exposure of fools in their not infrequently bizarre manifestations, the object being to leave no halfwits behind. It explores the world of the fool from many perspectives, including Engines of Limited Cognition: Dumb Bells, Dumb Clucks and Dumb Waiters; Imprudence and Its Imbecilic Implications; Fools, Eccentrics & Sons of Momus; and Idiotic Opportunities: Putting Fools to Work. This is not to infer (or even hint) that either the author or his readership is in any demonstrable sense of the word foolish, now or at any other time. After all, no fool would write a book like this, and no fool would read it. Precisely who does read it is a discretely personal decision we leave to those gifted with more than ordinarily inquiring minds. Indeed, those who elect to come along for the ride are likely to find their minds piqued, tickled and enriched by this tour de farce. True to form, Reed illustrates Ambrose Bierce's definition of educational -- 'that which discloses to the wise and disguises from the fools their lack of understanding.' Abundantly documented, endlessly subtle, hopelessly eccentric and deadly funny, the book blends history, sociology, literature, philosophy, etymology and even theology, all with a good laugh.
This is a major reference work about the overlapping fields of television, cable and video. With both technical and popular appeal, this book covers the following areas: advertising, agencies, associations, companies, unions, broadcasting, cable-casting, engineering, events, general production and programming.
From the early days of minstrelsy to Black Broadway, this book is the story of African American entertainment as seen through the eyes of some of its most famous as well as others of its practitioners. The book moves from the beginning of African American participation in show business up through the present age. Will Marion Cook and Billy McClain are discovered in action at the very dawn of black parity in the entertainment field; six chapters later, the young Sammy Davis, Jr., breaks through the invisible ceiling that has kept those before him "in their place." In between, the likes of Valaida Snow, Nora Holt, Billy Strayhorn, Hazel Scott, Dinah Washington, and others are found making contributions to the fight against racism both in and out of "the business.
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