Scales and modes are the building blocks of music. This is true for all the many music cultures of the world. This compendium covers the different scales as they are used in the Western tradition, including ie. the Greek, Byzantine, Octamodes, Takemitsu modes, Heptamodes, Octamodes, as well as modes in religious music and jazz, and synthetic scales created by some the most famous composers of the western music. Non-western scales cover Arabic, Persian, Turkish, Azerbaijani, Indian Ragas, Bali, Thai, Laos, Burma and the scales of some ethnic minorities in South East Asia. The wealth of information in this book is organized geographically, introducing and explaining over 500 different scales and modes. The use of the scales, the interval relations and structures are explained in illustrations. This compendium is an invaluable resource to everyone interested in the theory of the world’s music cultures, be it an individual musician, composer, arranger, musicologist, theorist, or jazz musician finding inspiration for the solos. See the sample pages for more information.
The Rhythm in Arabian Music brings together a wealth of information previously available only in Arabian language. The book discusses the instruments, their usage, the rhythmic patterns and how rhythms are used in traditional and Arabian classical music. The book discusses the relationship of the Arabian rhythmic conception to other cultures, the rhythm in poetry, in reading the Quran, the rhythmic modes and ornamentation and the function of the rhythm. See the sample pages for more information. This compendium is an invaluable resource to all drum circles, percussion groups, individual musicians, composers, arrangers, musicologists and everyone interested in the rhythmic diversity of the Arabic cultures.
The Rhythm in African Music is a compendium like no other to the rhythmic diversity of African music. The book contains 495 pages and 360 audio tracks (fetched from an outside server). Numerous traditional instruments are explored and explained, hundreds of different rhythmic patterns are showcased in word, notation samples and other examples in mnemotic notation. A glossary of terms, a catalogue of instruments and geographical information about different African-originated rhythm patterns. See the screenshot of the TOC and foreword for more! This compendium is an invaluable resource to all drum circles, percussion groups, individual musicians, composers, arrangers, musicologists and everyone interested in the huge diversity of African music, including the Caribbean music as an offspring of African music.
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