This book considers contested responsibilities between the public and private sectors over the use of online data, detailing exactly how digital human rights evolved in specific European states and gradually became a part of the European Union framework of legal protections. The author uniquely examines why and how European lawmakers linked digital data protection to fundamental human rights, something heretofore not explained in other works on general data governance and data privacy. In particular, this work examines the utilization of national and European Union institutional arrangements as a location for activism by legal and academic consultants and by first-mover states who legislated digital human rights beginning in the 1970s. By tracing the way that EU Member States and non-state actors utilized the structure of EU bodies to create the new norm of digital human rights, readers will learn about the process of expanding the scope of human rights protections within multiple dimensions of European political space. The project will be informative to scholar, student, and layperson, as it examines a new and evolving area of technology governance – the human rights of digital data use by the public and private sectors.
A lavishly illustrated inside account of one of avant-garde film’s most original outsiders, the filmmaker Robert Beavers. Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers’s dramatic life of itinerancy and resistance to commercial circulation has obscured his recognition as one of today’s most significant living filmmakers. In Double Vision, Rebekah Rutkoff, the first scholar to have full access to Beavers’s writing archive, sheds light on this deeply original underground figure and reveals the way Beavers’s films explore nonoptical seeing—awareness itself—as an outcome of cinematic sight. Born in the United States, Beavers moved to Europe as a teenager with his partner, filmmaker Gregory Markopoulos, in 1967. Over the following decades, he developed a unique cinematic language that fuses spiritual aims with cultural critique and braids domestic and erotic self-portraiture with studies of colored light and his own filmmaking process. Rutkoff uses the concept of “double vision” as a means to explore the poetic feedback loop between Beavers’s filmmaking and writing practices, examine his life story and art next to those of Markopoulos, and demonstrate how his films defy standard art historical genealogies and binary thought. Richly illustrated with compelling film stills, many never before seen, Rutkoff’s account of the outsider artist stands as the most detailed, knowledgeable, and fully researched to date. Double Vision celebrates Beavers’s singular achievement and promises to make him known to all those who have not yet encountered his work.
The dramatic inside story of the Tamil refugee family which became a cause célèbre all around Australia, and the epic fight by a small rural community to set them free. It was dawn in the small rural town of Biloela. Loud thumps on the front door signalled the start of a four-year odyssey that would catapult Priya and her family into the heart of a national debate. For the first time, Priya shares the story of her childhood in war-torn Sri Lanka and her perilous escape across the Indian Ocean on an overcrowded fishing boat. Alone in a strange country, she had to make a new life without family or friends. She married Nades, another refugee, and settled with him in Biloela, where they had two daughters, Kopica and Tharnicaa. The shocking dawn raid in 2018 was the first of multiple attempts by the Australian government to deport the family. But the people of Biloela wouldn't have it. A small group swung into action and built an extraordinarily powerful social media campaign that gathered support from hundreds of thousands of ordinary Australians around the country. Journalist Rebekah Holt first met the family in detention, and recounts the dramatic behind-the-scenes efforts to prevent the family from being deported. After a change of government, Priya, Nades and the girls were granted the permanent visas they needed, and were able to return home to Biloela—the happy ending they always wanted. 'The story behind the headlines. The sheer brutality of bureaucracy and the fierce love of a mother. What an incredible woman Priya is.' Justine Clarke, actor 'An amazing story that shows how powerful we can all be when we authentically join together.' Claudia Karvan, actor 'This book tore my heart out and had me crying tears of anger and devastation but also hope and love.' Susie Youssef, writer and actor 'Priya's deeply moving account of seeking asylum is a powerful story of survival, humanity and hope and how the persistence of a small town finally brought home a family to a place of healing.' Leah Vandenberg, actor and Play School presenter
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