Parents and tour group leaders always pack a few useful guide books when planning a trip to France. Now the children have their own book to pack too. Bonjour France! is designed to entertain children on holiday, to give them hours of fun tasks to complete, and to introduce them to the language and culture of the country they are visitors. With a tough polypropelene outer cover, a keepsake pocket and tear-off postcard for sending scores and pictures back to the Young Travellers Club.
When straitlaced earl, Will Sutton, is challenged to turn the obstinate American ward of his friend into a biddable lady suitable for the Marriage Mart, he gladly takes the wager. Then has to decide whether the prize--a prime racing stud horse--is worth changing the impudent beauty's temperament he's come to enjoy. Greatly. One headstrong miss. One stuffy lord. One friendly wager. What could go wrong? Will Sutton, the Earl of Grandleigh, believes he can save the family’s impoverished estate by investing in a racehorse, but the price is too steep. His brother-in-law offers him a deal: tutor his American ward in proper English customs, so she’ll be marriage material, and Will can have one of his horses. Maybe Miss Georgia Duvall prefers being a jockey, is obstinate and high spirited, but once she’s cleaned up and presentable, he’ll have no trouble finding her a quality suitor. She might even be quite pretty beneath the racetrack dust. The last thing Georgia Duvall wants is to be married off to an English peer. But she won’t defy her father’s wishes, and sets her cap for the oldest lord she can find—a man who’ll die quickly and leave her alone to manage her inheritance. The Earl of Grandleigh might think he’ll teach her manners and marry her off to someone younger than eighty, but there hasn’t been an obstacle yet Georgia can’t overcome. Including a stuffy, overbearing English lord.
This is the first book to examine the various uses of the Arthurian legend in Hollywood film, covering films from the 1920s to the present. The authors use five representational categories: intertextual collage (or cult film); melodrama, which focuses on the love triangle; conservative propaganda, pervasive during the Cold War; the Hollywood epic; and the postmodern quest, which commonly employs the grail portion of the legend. Arguing that filmmakers rely on the audience's rudimentary familiarity with the legend, the authors show that only certain features of the legend are activated at any particular time. This fascinating study shows us how the legend has been adapted and how through the popular medium of Hollywood films, the Arthurian legend has survived and flourished.
In Classical American Philosophy: Poiesis in the Public Square, Rebecca Farinas takes seven major figures from the American philosophical canon and examines their relationship with an artistic or scientific interlocutor. It is a unique insight into the origins of American philosophy and through case studies such as the friendship between Alain Locke and the biologist E.E. Just and the collaboration between Jane Addams and George Herbert Mead, Farinas provides a new insight into these thinkers' ideas. Her new perspective allows her to move beyond relational aesthetics to consider these theorists' phenomenological, metaphysical, religious and cosmological ideas and reapply them to the modern world. Indeed, the partnerships she examines have proved especially valuable to newer philosophical fields like value theory, ethics, pedagogy and semiotics. Her links between art and science also provide new vantage points on our society's continuing artistic endeavours and technological advances and introduce an exciting new perspective on early American philosophy and its ensuing movements.
In the woods, a killer waits, surrounded by the graves of his victims, anticipating his next kill. In the woods, a wolf stalks his prey, surrendering only to the laws of nature, not of man ...
An Exhibition History of Victorian Leeds is a groundbreaking account of the city’s cultural history through its public exhibitions. Offering a vivid analysis of these striking displays in appropriated spaces, it explores Leeds’ relationship with fine and decorative arts, industrial culture and the sciences over the course of the nineteenth century. This significant contribution to urban history establishes Leeds’ importance to the development of British art and design, collecting practices and museum culture, firmly situated in their regional, national and international contexts. From temporary exhibitions in music halls and cloth halls, hospitals and military barracks emerged the networks and structures that informed the development of the city’s permanent cultural institutions. The book closes with the first comprehensive history of the establishment of Leeds Art Gallery, its inaugural exhibitions and founding donations, which would go on to form one of the strongest collections of fine art in the country.
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