When, at the age of forty-three, you have never yet married, the dreams you once possessed of finding your 'prince charming' and living happily ever after have a way of fading off into a ridiculous waste of time and energy." Love Worth Waiting For is one woman's true story, proving that dreams do come true! Once in a while, right in the middle of an ordinary life, love can come along and bring you a fairy tale--even at the age of forty-three! But how does one begin to comprehend when that husband she had waited for, the one who was all she ever wanted, falls asleep beside her one night, two-and-a-half years later, and never wakes again? Becky Yount recounts for us one of the most beautiful and touching love stories ever lived. She openly shares the unimaginable pain of suddenly losing her young husband, without even the chance to say goodbye. She then allows us to feel her struggle as she finally surrenders her brokenness to God and begins the painful road toward healing. Believing that God never wastes our pain, the author has chosen to share her story. It is her sincere desire to remind each of us of God's ever-present love, to prove His ability to answer our most personal prayers, and to encourage those who have found love to cherish it.
In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist’s book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker’s production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker’s sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and the fairy tale and with internationally known stories including Roots, Beloved, and Uncle Tom’s Cabin. Walker’s interruption of these familiar works , along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race, especially when aligned with power and desire. Breaking these implicit rules makes them visible—and, in turn, highlights viewers’ reliance on them for narrative legibility. As this study reveals, Walker’s engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture. Peabody also shows how Walker uses her tools and strategies to unsettle cultural histories abroad when she works outside the United States. These stories, Peabody reminds us, not only change the way people remember history but also shape the entertainment industry. Ultimately, Consuming Stories shifts the critical conversation away from the visual legacy of historical racism toward the present-day role of the entertainment industry—and its consumers—in processes of racialization.
Sedalia's rich architectural history began when visionaries erected wood-frame buildings prior to the Civil War. Stately brick structures later lined its downtown streets, signifying Sedalia's status as Queen of the Prairie. Throughout Sedalia's history, new generations have brought fresh ideas to enliven the city's commerce and culture. This book is a tribute to Sedalia's visionaries, past and present, and their legacy.
In the early 1900s, Allen Lewis Hoskins and his siblings left Leslie County, Kentucky, and moved to Mingo County, West Virginia. After Al met and married Lucy Patterson from Franklin County, Virginia, he never could have known that more than a hundred years later, members of his extended family would quietly wonder, Where do we really come from? And how did we get to where we live today? Rebecca Hoskins Goodwin relies on DNA, extensive research, photographs, and other personal documents to share the fascinating story of her family in the context of Appalachian history, as they progressed from immigrant to settler to farmer and from mining to law enforcement to politics. As Goodwin sets her familys lives against the backdrop of their times, it soon becomes evident that despite hardship, violence, and war, generations of the Hoskins family have relied on the strong ties of kinship to push on toward the frontier and, ultimately, the American Dream. Did You Tell Them Who You Are? offers a compelling look back into the Hoskins family history in an effort to answer questions for not only todays generation, but also generations to come. If you are a student of Appalachian history, you will be intrigued by how historical events affected one family. If you are looking for a pleasant read that will entertain and inform you, I recommend Did You Tell Them Who You Are? Sue Sergi, president and CEO, the Clay Center for the Arts and Sciences, Charleston, West Virginia
George R. Smith borrowed money to buy 337 acres of treeless prairie in 1856, never dreaming the central Missouri town he founded would become the "Queen of the Prairie." He did not foresee his "Sedville," now Sedalia, attracting thousands of tourists through the annual Scott Joplin International Ragtime Festival and the Missouri State Fair. Smith did envision another type of visitor--steam engines that streamed through town daily. Smith's passion for the railroad launched Sedalia, and two major railroad shops sustained the city for more than a century. They provided the base for the now flourishing seat of Pettis County. Since Sedalia's official beginning in 1860, countless people have furthered Smith's vision by leaving their distinctive mark on the community. This book celebrates their contributions and shares their stories through more than 225 photographs, many previously unpublished.
From the international bestselling author of Black, White, and Jewish comes a "wonderfully insightful" (Associated Press) book that's destined to become a motherhood classic. Now in trade. Like many women her age, thirty-four-year-old Rebecca Walker was brought up to be skeptical of motherhood. As an adult she longed for a baby but feared losing her independence. In this very smart memoir, Walker explores some of the larger sociological trends of her generation while delivering her own story about the emotional and intellectual transformation that led her to motherhood.
Named one of Time magazine's most influential leaders of her generation, celebrated writer Rebecca Walker delivers her stunning debut novel--a heartbreaking, unforgettable love story in the tradition of Julian Barnes's The Sense of an Ending and Marguerite Duras's The Lover.
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