Three novels in one volume following the artistic and eccentric Aubrey family in the years surrounding the Great War. In The Fountain Overflows,Papa Aubrey’s wife and twin daughters, Mary and Rose, are piano prodigies, his young son, Richard Quin, is a lively boy, and his eldest daughter, Cordelia, is a beautiful and driven young woman with musical aspirations. But the talented and eccentric Aubrey family rarely enjoys a moment of harmony, as its members struggle to overcome the effects of their patriarch’s spendthrift ways. Now they must move so that their father can find stable employment. Despite the daunting odds, the Aubreys hope that art will save them from the cacophony of a life sliding toward poverty. In The Real Night, a talented musician and her kin ponder what being young women on their own will entail. Abandoned by their feckless father, Rose and her family must move beyond their comfortable drawing room to discover a world of kind patrons, music teachers, and concert hall acclaim, but also domestic strife, anti-Semitism, and social pressure to marry. Set before World War I, Rebecca West’s intimate, eloquent family portrait brings to life a time when women recognized their own voices and the joys of living off one’s own talents. In Cousin Rosamund, Mary and Rose Aubrey have found success as accomplished pianists in the years after the war. But despite their travels and material rewards, they remain apart from society. When their cherished cousin Rosamund surprises them by marrying a man they feel is beneath her, the sisters must reconsider what love means to them and how they can find a sense of spiritual wellbeing on their own, without the guidance of their family. “Very few writers have managed to be more knowledgeable and profound in their thinking,” said the Los Angeles Times about Rebecca West, and the Saga of the Century is a collection of three absorbing novels inspired partly by her own life.
In the second installment of Rebecca West’s Saga of the Century trilogy, Rose Aubrey, her sisters, and her cousin stand on the brink of adulthood and a new era for women They have put down their schoolbooks and put up their hair, but a talented musician and her kin ponder what being a young woman on one’s own will entail. Abandoned by their feckless father, Rose and her family must move beyond their comfortable drawing room to discover a world of kind patrons, music teachers, and concert hall acclaim, but also domestic strife, anti-Semitism, and social pressure to marry. Set before World War I, Rebecca West’s intimate, eloquent family portrait brings to life a time when women recognized their own voices and the joys of living off one’s own talents.
A talented, eccentric London family tries to find their place in the world in this semiautobiographical novel by a New York Times–bestselling author. Papa Aubrey’s wife and twin daughters, Mary and Rose, are piano prodigies, his young son Richard Quin is a lively boy, and his eldest daughter Cordelia is a beautiful and driven young woman with musical aspirations. But the talented and eccentric Aubrey family rarely enjoys a moment of harmony, as its members struggle to overcome the effects of their patriarch’s spendthrift ways. Now they must move so that their father, a noted journalist, can find stable employment. Throughout, it is the Aubreys’ hope that art will save them from the cacophony of a life sliding toward poverty. In this eloquent and winning portrait, West’s compelling characters must uncover their true talent for kindness in order to thrive in the world that exists outside of their life as a family.
DIVThe third installment of West’s Saga of the Century trilogy—now available as an ebook/div DIVIn the final novel following the Aubrey family, marriage and love alter the sisterly bonds that have seen them through poverty, war, and scandal/div DIVIn the years after the war, Mary and Rose Aubrey have found success as accomplished pianists. In spite of their travels and material rewards, they remain apart from society. When their cherished cousin Rosamund surprises them by marrying a man they feel is beneath her, the sisters must reconsider what love means to them and how they can find a sense of spiritual wellbeing on their own, without the guidance of their family./divDIV /divDIVFilled with thoughtful observations on romantic and filial love, West’s final chronicle of the Aubreys deftly draws readers into her endearing characters’ most intimate story yet./div
Women and Mass Consumer Society in Postwar France examines the emergence of a citizen consumer role for women during postwar modernization and reconstruction in France, integrating the history of economic modernization with that of women and the family. This role both celebrated the power of the woman consumer and created a gendered form of citizenship that did not disrupt the sexual hierarchy of home, polity and marketplace. Redefining needs and renegotiating concepts of taste, value and thrift, women and their families drove mass consumer society through their demands and purchases at the same time that their very need to consume came to define them.
In the early eighteenth century, the household accountant was traditionally female. Socio-linguistic acts of feminized accounting are examined alongside property, originality, and the development of the early novel.
A New York Times bestseller! This “infectious and contagious” (“Stone Cold” Steve Austin) memoir from WWE superstar Rebecca Quin—a.k.a. The Man, a.k.a. Becky Lynch—delves into her earliest wrestling days, her scrappy beginnings, and her meteoric rise to fame. Raised in Dublin, Ireland, in a devoutly Catholic family, Rebecca Quin constantly invented new ways to make her mother worry—roughhousing with the neighborhood kids, hosting secret parties while her parents were away, enrolling in a warehouse wrestling school, nearly breaking her neck and almost kneecapping a WWE star before her own wrestling career even began—and she was always in search of a thrilling escape from the ordinary. Rebecca’s childhood love of wrestling set her on an unlikely path. With few female wrestlers to look to for guidance, Rebecca pursued a wrestling career hoping to change the culture and move it away from the antiquated disrespect so often directed at the elite female athletes who grace the ring. Even as a teenager, she knew that she would stop at nothing to earn a space among the greatest wrestlers of our time and to pave a new path for female fighters. Culled from decades of journal entries, this “endearing debut memoir” (Publishers Weekly) offers a candid depiction of the complex woman behind the character Rebecca Quin plays on TV.
Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolution Is to Defend Culture takes its title from a slogan – devised by artists and writers at a meeting in October 1960 and adopted by the First National Congress of Writers and Artists the following August – which sought to highlight the intrinsic importance of culture to the Revolution. Departing from popular top-down conceptions of Cuban policy-formation, this book establishes the close involvement of the Cuban people in cultural processes and the contribution of Cuba’s artists and writers to the policy and praxis of the Revolution. Ample space is dedicated to discussions that remain hugely pertinent to those working in the cultural field, such as the relationship between art and ideology, engagement and autonomy, form and content. As the capitalist world struggles to articulate the value of the arts in anything other than economic terms, this book provides us with an entirely different way of thinking about culture and the policies underlying it.
A New York Times bestseller! This “infectious and contagious” (“Stone Cold” Steve Austin) memoir from WWE superstar Rebecca Quin—a.k.a. The Man, a.k.a. Becky Lynch—delves into her earliest wrestling days, her scrappy beginnings, and her meteoric rise to fame. Raised in Dublin, Ireland, in a devoutly Catholic family, Rebecca Quin constantly invented new ways to make her mother worry—roughhousing with the neighborhood kids, hosting secret parties while her parents were away, enrolling in a warehouse wrestling school, nearly breaking her neck and almost kneecapping a WWE star before her own wrestling career even began—and she was always in search of a thrilling escape from the ordinary. Rebecca’s childhood love of wrestling set her on an unlikely path. With few female wrestlers to look to for guidance, Rebecca pursued a wrestling career hoping to change the culture and move it away from the antiquated disrespect so often directed at the elite female athletes who grace the ring. Even as a teenager, she knew that she would stop at nothing to earn a space among the greatest wrestlers of our time and to pave a new path for female fighters. Culled from decades of journal entries, this “endearing debut memoir” (Publishers Weekly) offers a candid depiction of the complex woman behind the character Rebecca Quin plays on TV.
Long before postmodern or deconstructionist ideas became current, Simone Weil was concerned with recognizing the absence of consistency and the continual presence of reversals and contradictions in life. She was someone for whom the task of clarifying her perceptions of reality and meaning was an ongoing one. She challenged contemporary views on such complex issues as human nature, good and evil, divinity and truth. Weil's work offers a voice for those segments of society that are generally under-represented, misrepresented or totally silent in conventional historical and philosophical writings. In this introduction to Simone Weil's ideas, and the political and intellectual circumstances of her work, the authors make Weil's complex and at times elusive ideas accessible to readers. They delineate how her ideas evolved, and provide compelling excerpts from her writings to let her speak for herself. In addition, the authors provide their own interpretation of Weil's work.
TALES OF A YOUNG COUPLE'S YEAR WORKING IN THE OUTBACK VIVIDLY TOLD IN "BULLDUST IN MY BRA'. A dream year of working in Outback Australia offered more than Rebecca Long Chaney had anticipated. She had more heat and dust, more exhaustion building fence, more hours herding berserk feral cattle, more snakes and spiders in her sleeping quarters--and more adventure than she'd ever imagined! Bulldust In My Bra is the lively, funny story of a brainy and brave woman who took a hiatus from her career as a successful agricultural journalist to travel with her husband into the farthest reaches of the Outback. Their objective: find a cattle station that would accept them as ranch hands and work till they dropped every day. Chaney had grown up on a dairy farm and traveled widely reporting about the agricultural industry. Her husband Lee was the herdsman on a dairy farm. But they wanted a new challenge, and what would be better than the Australian Outback? On the way to Australia, the Chaneys stopped in Tonga, New Zealand and Papua New Guinea for escapades hiking and exploring, but their real adventure began when they arrived in Western Australia with their eager faces and American accents. Their "home" was a ruined shed with wide cracks to the wind and stars, a drippy shower over a mud hole, and lizards that darted across the walls. Chaney soon got over her dismay and came to love their primitive conditions, including the poisonous huntsman spider who was their "shack mate." Her anecdotes, amusing and sad, are full of vivid detail and exude the love she felt for the rough landscape and hardworking people who live there. Her understanding of herself changed, as did her relationship with her husband. The highlights of their months in Australia was the lengthy task of gathering and processing the thousands of cattle that ran wild on the tens of thousands of Ashburton acres. Over several months, the crew chased them on horseback and with adapted cards called "bull-buggies." There was tagging, dehorning, and castrating to be done in the cattle yards. Bulls were separated and hauled in multiunit "road trains" to shipping yards. The hundreds of running cattle churned up the dry earth into a fine "bulldust" that settled on everything--the mark of long days in the bush. Chaney describes their mustering days with such verve that the grueling work seems more like adventure sport than the life work on an Outback station. Bulldust In My Bra is a witty and rewarding account of a couple's life-changing year traveling and working half a world from home.
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