Rebecca Petrie was lifeless when her friends found her at the bottom of the stairway. She had been descending the steps following a ladies' prayer gathering when she lost consciousness, falling head first down the stairs. She broke her neck at the second vertebrae which stopped her heart and paralyzed her lungs.After five and a half months in the ICU, a number of surgeries, and another 14 months in hospital rehabilitation, she has emerged even more convinced of God's love and all-sufficient grace. This book tells her story.Now, as before the fateful accident in 2001, Rebecca Petrie is a woman of God called to encourage and help those God has placed around her. She and her husband, Paul have lived in Belgium for over 20 years and continue to facilitate gatherings around Jesus in countries across Europe, North America and Africa.
L'amore è onorevole ma talvolta anche egoista. L'amore è un promemoria dei miei torti. L'amore si è spezzato durante il giudizio ma ha tenuto duro di fronte alla verità. E la verità era che mi aveva ferito, eppure lo amavo. Mi aveva lasciato, eppure lo avevo inseguito. Ma con Léo Baudin avevo chiuso. Non appena finito il semestre, avrei detto addio a Parigi, ma fino ad allora avrei scoperto tutti i suoi segreti. Quelli sussurrati alle sue spalle. Quelli che spingevano l'intera città a spiare ogni sua mossa. Quelli che lo tenevano in ostaggio. Ma conoscere i suoi segreti significava conoscere lui. E conoscerlo significava cadere ulteriormente ai piedi dell'uomo che mi aveva già ferito così tanto. Lo odiavo per avermi spezzato il cuore, ma ormai avrei dovuto imparare: "Le cose che odiamo diventano le cose che amiamo". E proprio quando pensavo che niente avrebbe più potuto separarci, i fantasmi del suo passato erano tornati in vita con una verità che nessuno dei due si aspettava. E bugie che nessuno di noi poteva immaginare. Man mano che ogni pezzo veniva svelato, la scelta tra potere, saggezza e amore si faceva più difficile. Le conseguenze delle nostre scelte sarebbero state giudicate da questa città. Ma quando tutto fallisce, l'amore continua a sperare. Contro ogni previsione, l'amore persevera sempre.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In 1916, when Rebecca West was not yet twenty-five years old, George Bernard Shaw wrote: 'Rebecca can handle a pen as brilliantly as ever I could and much more savagely.' These early writings, collected ehre for the first time, established Rebecca West's reputation as a brilliant journalist and a dedicated yet undogmatic feminist and socialist. From the age of nineteen, writing articles for The Freewoman, and later the Clarion, she displayed her characteristic fierce intelligence, her passion and her biting wit in articles on women's suffrage, imperialism, the Labour Party, and trade unionism as well as literature, religion, domesticity, men and crime. Whether reviewing the latest novel by H.G. Wells ('the sex obsession that lay clotted on Ann Veronica... like cold white sauce'), describing police brutality against suffragettes ('An Orgy of Disorder and Cruelty'), or arguing for better conditions for working women ('Women ought to understand that in submitting themselves to this swindle of underpayment, they are not only insulting themselves, but doing a deadly injury to the community'), she demonstrated again and again a characteristic fearlessness and a formidable grasp of events. Including a short story, 'Indissoluble Matrimony', which appeared in the historic first issue of Blast, and a biographical essay of great psychological penetration on the suffragette Emmeline Pankhurst, this exhilerating collection introduces the early work of one of the most distinguished writers of our time and provides a portrait of a fascinating and turbulent period of British political and literary history.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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