Friends or family? Desire or responsibility? She thought she'd made her choice. Now, finding herself trapped in a world splintered from her own, Narissa is determined to return home. Learning that the means of crossing between realities has been lost, she vows to find the elusive gateway. Narissa doesn't plan to make friends. She certainly doesn't intend to fall in love. Faced with the decision, will she choose the life she wants, or return to the world where she belongs?
She spent the summer in The Refuge. Now, she's come home. Within days she realizes: She wants back in. Only two things stand in her way. The sister Narissa has protected for years can't decide if she wants to go with her. And, of course, Narissa has no idea how to return to the splinter reality. Complicating matters, Narissa discovers she can no longer avoid the problems her unexpected trip allowed her to escape. Through it all, there's one thing that keeps her going. She's not the only person to have left The Refuge.
She's lived in two worlds. Both hold people she loves. The choice between them was easier than she'd hoped. Now that they're back in The Refuge, Narissa is faced with honoring the promise to keep her marriage to Daman a secret. As much as she hates the idea, it's important to Daman. But even though she understands why it means so much to him, she has doubts. Could Daman have another reason for keeping their relationship quiet? While Daman starts to build the life he wants, Narissa finds her own life spinning out of her control. The council gives her unexpected assignments. Friendships take turns she doesn't see coming. And Narissa can't help thinking she made a mistake in returning to The Refuge.
I got on at my farm," I replied coolly, not mentioning that I fell over or got stabbed or hypnotized. Nova bobbed his head and proceeded to ask me a million questions. I think every little child at some point in life has dreamed of owning a horse. There is something about a horse that captures your heart. They have the ability to bring out the best in a person, as well as the worst. They are a free spirit with trust not easily surrendered, but earned. If you have ever owned a horse, you can easily relate. Sweet Feed was written for all the busy horse lovers who would like to dive into a short adventure, have a few chuckles, a few tears, or just a relaxing read, without having to take the time to flip two hundred pages! Instead, you can read through five short stories that can take you or the whole family to an instant adventure about the creatures we love and adore the most. So go ahead, pick up a copy, and enjoy a little bit of Sweet Feed.
Sid wanted the dagger as soon as he saw it. The man who had it wouldn't care. It's hard to care when you're dead. When his new dagger is seen by one of the watchmen, Sid is accused of a murder he didn't commit. Unwilling to face the hangman, he stows away on the first ship out of town. He couldn't have known it was a pirate ship. At sea, Sid is given the choice of signing the ships articles - becoming a pirate himself - or escaping on a ship the crew of the Fortune's Queen has raided. Lured by a freedom and camaraderie he's never known, Sid chooses to stay. But his freedom could be short-lived. The watchman follows him across the sea, chasing tales of a pirate called Silver Sid. Pick the Plot is an interactive storytelling experience where the listeners get to vote on which direction the story goes.
The offertory has played a crucial role in recent vigorous debates about the origins of Gregorian chant. Its elaborate solo verses are among the most splendid of chant melodies, yet the verses ceased to be performed in the twelfth and thirteenth centuries, making them among the least known and studied members of the repertory. Rebecca Maloy now offers the first comprehensive investigation of the offertory, drawing upon its music, texts, and liturgical history to shed new light on its origins and chronology. Maloy addresses issues that are at the very heart of chant scholarship, such as the relationship between the Gregorian and Old Roman melodies, the nature of oral transmission, the presence of non-Roman pieces in the Gregorian repertory, and the influence of theoretical thought on the transmission of the melodies. Although the Old Roman chant versions were not recorded in writing until the eleventh century, it has long been assumed that they closely reflect the eighth-century state of the melodies. Maloy illustrates, however, that rather than preserving a pristine earlier version of the melodies, the prolonged period of oral transmission from the eighth to the eleventh centuries instead enforced a formulaic trend. Demonstrating that certain musical and textual traits of the offertory are distributed in distinct patterns by liturgical season, she outlines new chronological layers within the repertory, and along the way, explores the presence and implications of foreign imports into the Roman and Gregorian repertories. Carefully weighing questions surrounding the origins of elaborate verse melodies, Maloy deftly establishes that these melodies reached their final form at a relatively late date. Available for the first time as a complete critical edition, ninety-four Gregorian and Old Roman offertories are presented on a companion website in transcriptions which readers can view side-by-side. The book also provides music examples and essays that elucidate these transcriptions with significant insights into their similarities and differences. Inside the Offertory will be an important and longstanding resource for all students and scholars of early liturgical music, as well as performers of early music and medievalists interested in music.
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The international petroleum industry has long been known the world over as a "good old boys' club" and nowhere is the oil and gas industry’s gender imbalance more apparent than offshore. The untold story, shared in these pages, is about the women who have been among the first to inhabit this world, and whose stories previously have been a missing part of the history of the industry. "As a CEO, I believe it is imperative for today’s generation of young women to realize there is a seat for them in the boards of oil & gas companies as the “gas ceiling” can be broken quicker and easier than before. Reading this book, they will think about these women who have gone before them and broken down those barriers in order to give them new opportunities." -- Maria Moraeus Hanssen, CEO, DEA Deutsche Erdoel AG "My belief is that diversity is key to both creativity and solid long-term business results. Even in a country like Norway, where professional gender diversity is greater than in any other country I have had interactions with, we have an underrepresentation of women in top management positions. I would therefore like to express my appreciation to Rebecca Ponton for keeping this important subject on the agenda by presenting to us positive, impressive and, at the same time, obtainable role models." -- Grethe K. Moen, CEO and President, Petoro AS "As the industry now is more complex and faces more uncertainty, women will be more important contributors, especially in management and communication. Women could be just what is needed!" -- Karen Sund, Founder Sund Energy AS "Everyone needs role models – and role models that look like you are even better. For women, the oil and gas industry has historically been pretty thin on role models for young women to look up to. Rebecca Ponton has provided an outstanding compilation of role models for all women who aspire to success in one of the most important industries of modern times." -- Dave Payne, Chevron VP Drilling & Completions Learn more at www.BreakingTheGlassCeiling.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com
Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.
“Grieve well and you grow stronger.” Anthropologist Rebecca Louise Carter heard this wisdom over and over while living in post-Katrina New Orleans, where everyday violence disproportionately affects Black communities. What does it mean to grieve well? How does mourning strengthen survivors in the face of ongoing threats to Black life? Inspired by ministers and guided by grieving mothers who hold birthday parties for their deceased sons, Prayers for the People traces the emergence of a powerful new African American religious ideal at the intersection of urban life, death, and social and spiritual change. Carter frames this sensitive ethnography within the complex history of structural violence in America—from the legacies of slavery to free but unequal citizenship, from mass incarceration and overpolicing to social abandonment and the unequal distribution of goods and services. And yet Carter offers a vision of restorative kinship by which communities of faith work against the denial of Black personhood as well as the violent severing of social and familial bonds. A timely directive for human relations during a contentious time in America’s history, Prayers for the People is also a hopeful vision of what an inclusive, nonviolent, and just urban society could be.
Domestication has often seemed a matter of the distant past, a series of distinct events involving humans and other species that took place long ago. Today, as genetic manipulation continues to break new barriers in scientific and medical research, we appear to be entering an age of biological control. Are we also writing a new chapter in the history of domestication? Where the Wild Things Are Now explores the relevance of domestication for anthropologists and scholars in related fields who are concerned with understanding ongoing change in processes affecting humans as well as other species. From the pet food industry and its critics to salmon farming in Tasmania, the protection of endangered species in Vietnam and the pigeon fanciers who influenced Darwin, Where the Wild Things Are Now provides an urgently needed re-examination of the concept of domestication against the shifting background of relationships between humans, animals and plants.
Reversing the Obesogenic Environment describes the factors that contribute to an environment that leads to obesity, including public policy, the built environment, food supply and distribution, family and cultural influences, technology, and the media. It also offers tools that help professionals start to reverse the obesity epidemic.
Bestselling author and award-winning singer Rebecca St. James brings together a group of inspirational true stories about young women who gave their all for Jesus.
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