Katherine's Heart is a love story about a quiet girl who opens her heart to the charming Northern Dr. Wyatt Baldwin. But when Katherine attends a medical forum and rooms with a girl of questionable character who claims an intimate connection with Dr. Baldwin, she is appalled at the indiscrete girl's allegations. As Katherine deals with her feelings of betrayal, she begins to question other suspect behaviors of the Bostonian. Why does he keep sneaking off to Tinn City, and why does Nadine Norseworthy keep having secret conferences with him? Enjoy this inspiring sequel to Love at Laurel Oaks. Have a seat alongside Rebecca Lorraine Walker in the carriage of nineteenth-century romance. Experience the twists and turns of trust and betrayal as she takes you on a journey in a historical Florida setting. You will find that only God can know Katherine's Heart.
Returning home from finishing school, Hannah Baxter is eager to see her suitor, Isaac Eaton. But when she seeks him out, an unfortunate accident occurs. Is it only a mistake? As Hannah begins to question Isaac's sincerity, she continues to ponder her childhood dream of marrying a preacher, especially when the handsome circuit rider Wendell Cunningham makes an appearance. Rebecca Lorraine Walker beautifully portrays hope enduring the complications of love in her third novel in the Laurel Oaks Trilogy, Hannah and the Preacher. When Hannah begins to yearn for the preacher's love, the schemes of another lead Wendell to believe she is betrothed. On his lonely travels as a circuit rider, Wendell continues to be tormented by nightmares of his abusive past. He cries out to God for healing and for the heart that cannot be his. Will God bring Hannah and the Preacher together, or will deception keep them apart?
SIMPLY THE BEST She wanted a husband… Lacey West's biological clock wasn't so much ticking as sounding alarm bells. And then Max Jarvis moved in to her apartment block. Six feet two inches of prime bachelor—the perfect male, except for one thing… He didn't need a wife! Max wasn't in the market for marriage. As far as he was concerned, a ring and a piece of paper didn't prove anything—his parents' disastrous marriage had taught him that. Added to which he seemed to think Lacey was just male bait, that she went through men like coffee. He'd accused her of being a temptation no man could resist…but, if that was the case, why wouldn't he give in? SIMPLY THE BEST. "Rebecca Winters writes from the heart. She has the ability to make me laugh or…cry. Mostly she makes me care." —Debbie Macomber
In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist’s book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker’s production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker’s sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and the fairy tale and with internationally known stories including Roots, Beloved, and Uncle Tom’s Cabin. Walker’s interruption of these familiar works , along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race, especially when aligned with power and desire. Breaking these implicit rules makes them visible—and, in turn, highlights viewers’ reliance on them for narrative legibility. As this study reveals, Walker’s engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture. Peabody also shows how Walker uses her tools and strategies to unsettle cultural histories abroad when she works outside the United States. These stories, Peabody reminds us, not only change the way people remember history but also shape the entertainment industry. Ultimately, Consuming Stories shifts the critical conversation away from the visual legacy of historical racism toward the present-day role of the entertainment industry—and its consumers—in processes of racialization.
The “First Lady of Show Business” and the “Last of the Red Hot Mamas,” Sophie Tucker was a star in vaudeville, radio, film, and television. A gutsy, song-belting stage performer, she entertained audiences for sixty years and inspired a host of younger women, including Judy Garland, Carol Channing, and Bette Midler. Tucker was a woman who defied traditional expectations and achieved success on her own terms, becoming the first female president of the American Federation of Actors and winning many other honors usually bestowed on men. Dedicated to social justice, she advocated for African Americans in the entertainment industry and cultivated friendships with leading black activists and performers. Tucker was also one of the most generous philanthropists in show business, raising over four million dollars for the religious and racial causes she held dear. Drawing from the hundreds of scrapbooks Tucker compiled, Red Hot Mama presents a compelling biography of this larger-than-life performer. Lauren Rebecca Sklaroff tells an engrossing story of how a daughter of Russian Jewish immigrants set her sights on becoming one of the most formidable women in show business and achieved her version of the American dream. More than most of her contemporaries, Tucker understood how to keep her act fresh, to change branding when audiences grew tired and, most importantly, how to connect with her fans, the press, and entertainment moguls. Both deservedly famous and unjustly forgotten today, Tucker stands out as an exemplar of the immigrant experience and a trailblazer for women in the entertainment industry.
In the 1930s, the Roosevelt administration-unwilling to antagonize a powerful southern congressional bloc-refused to endorse legislation that openly sought to improve political, economic, and social conditions for African Americans. Instead, as historian
Compiled by two experienced librarians, Across Cultures introduces you to more than 400 recent fiction and nonfiction multicultural resources for preschool through grade 6 and encourages you to make literature about diversity an integral part of your program of instruction. Arranged in thematic groupings (Identity and Self-Image, Family and Friends, Traditions, Exploring the Past in Diverse Communities, for example), this lively volume links diverse peoples, themes, and issues. It presents both annotations and practical advice on programming strategies. Connections are made to projects, graphic organizers, and activities.
Nonstop Metropolis,Êthe culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of expertsÑfrom linguists to music historians, ethnographers, urbanists, and environmental journalistsÑamplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through ManhattanÕs playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York CityÕs unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past.ÊNonstop MetropolisÊallows us to excavate New YorkÕs buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more. Contributors:ÊSheerly Avni,ÊGaiutra Bahadur,ÊMarshall Berman,ÊJoe Boyd,ÊWill Butler,ÊGarnette Cadogan,ÊThomas J. Campanella,ÊDaniel Aldana Cohen,ÊTeju Cole,ÊJoel Dinerstein,ÊPaul La Farge,ÊFrancisco Goldman,ÊMargo Jefferson,ÊLucy R. Lippard,ÊBarry Lopez,ÊValeria Luiselli,ÊSuketu Mehta,ÊEmily Raboteau, Molly Roy, Sharifa Rhodes-Pitts,ÊLuc Sante,ÊHeather Smith,ÊJonathan Tarleton,ÊAstra Taylor,ÊAlexandra T. Vazquez,ÊChristina Zanfagna Interviews with:ÊValerie Capers, Peter Coyote, Grandmaster Caz,ÊGrand Wizzard Theodore,ÊMelle Mel, RZA
An Exhibition History of Victorian Leeds is a groundbreaking account of the city’s cultural history through its public exhibitions. Offering a vivid analysis of these striking displays in appropriated spaces, it explores Leeds’ relationship with fine and decorative arts, industrial culture and the sciences over the course of the nineteenth century. This significant contribution to urban history establishes Leeds’ importance to the development of British art and design, collecting practices and museum culture, firmly situated in their regional, national and international contexts. From temporary exhibitions in music halls and cloth halls, hospitals and military barracks emerged the networks and structures that informed the development of the city’s permanent cultural institutions. The book closes with the first comprehensive history of the establishment of Leeds Art Gallery, its inaugural exhibitions and founding donations, which would go on to form one of the strongest collections of fine art in the country.
How art played a central role in the design of America’s racial enterprise—and how contemporary artists resist it. Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design. Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
This third edition provides a thorough and comprehensive coverage of health and well-being concepts and theory, while also providing the tools and strategies to empower students to make responsible decisions about their personal health and the health of their community and world. Changes in this edition reflect results of extensive market research in the personal health market. These include new coverage of health behaviours and violence and renewed emphasis on managing behaviour to affect healthy lifestyles.
This gripping page-turner asks the reader: What is more dangerous—a secret or a lie? This propulsive read had me at chapter one and kept me turning the pages long after lights out.” —Lisa Barr, award-winning author of The Unbreakables In this twisty, compelling thriller, perfect for fans of A Simple Favor and The Kiss Quotient, a young woman quickly embarks on what she thinks is the relationship and love of a lifetime, when her new husband insists they follow one rule: they don’t talk about the past. But it’s a rule that has dangerous consequences. Is her new husband hiding. something? Caught up in a whirlwind romance that starts in sunny Ibiza and leads to the cool corridors of a luxurious English country estate, Poppy barely has time to catch her breath, let alone seriously question if all this is too good to be true. Drew is enamored, devoted, and, okay, a little mysterious—but that's part of the thrill. What's the harm in letting his past remain private? Maybe he's not the only one… Fortunately, Drew never seems to wonder why his young wife has so readily agreed to their unusual pact to live only in the here and now and not probe their personal histories. Perhaps he assumes, as others do, that she is simply swept up in the intoxication of infatuation and sudden wealth. What's the harm in letting them believe that? How far will they go to keep the past buried? Isolated in Drew's sprawling mansion, Poppy starts to have time to doubt the man she's married, to wonder what in his past might be so terrible that it can't be spoken of, to imagine what harm he might be capable of. She doesn't want this dream to shatter. But Poppy may soon be forced to confront the dark truth that there are sins far more dangerous than the sin of omission…
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