Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933). In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer of modern Japan, offers readers a vision of the female vitality that is often overlooked when discussing the Meiji era. Wakamatsu Shizuko, the most prominent female translator of her time, had a direct impact on the development of a modern written language for Japanese prose fiction. Shimizu Shikin reminds readers of the struggle women endured in their efforts to balance their creative interests with their social roles. Interspersed throughout are excerpts from works under discussion, most never before translated, offering an invaluable window into this forgotten world of women's writing.
Women Critiqued' offers English-language readers access to some of the salient critiques that have been directed at women writers, on the one hand, and reactions to these by women writers, on the other.
Fashion ingenue, magazine editor, kimono designer, femme fatale, prize-winning writer--Uno Chiyo has becomeone of twentieth-century Japan's most accomplished and celebrated women. In this two-part volume, Rebecca L. Copeland offers Western readers a fascinating portrait of Uno's life along with translations of three of her distinctive works of short fiction. Part One depicts Uno's sometimes turbulent passage from obscurity in a small village to national literary prominence. There are the early years under her father's stern turelage; the first scandalous, failed romance which cost her her job as a schoolteacher; her apprenticeship at Enrakuken, the coffee shop of the literary elite whose ranks she laters joined as a resident of the "Magome Literati Village"; her series of passionate and troubled relationships and marriages. Throughout, Dr. Copeland focuses on the evolution of Uno's art and discusses her major works, paying special attention to the effect being female had on Uno's development as a writer. The three stories in Part Two are examples of Uno's work at its finest. "The Puppet Maker" (1942), a much-admired reflection on art and life, describes an encounter with a venerable carver of puppets. "The Sound of the Wind" (1969) is the tale of a wife at the turn of the century who willingly denies her own needs. "This Powder Box" (1966) shows a progressive career woman coming to terms with an old love affair. At once compelling and lyrical, the stories are a masterful interpretation of tradition, of women, and of self-fulfullment. The Sound of the Wind: The Life and Works of Uno Chiyo will engage both specialists and general readers interested in twentieth-century Japan, literature, and women's issues.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.