Church Dramas: Volume 2 packs 30 comedies and dramas into a sharp, tightly-written compilation of scripts suitable for the Sunday service. The second of six anthologies, Volume 2 includes scripts on the afterlife, commitment, jealousy, conformity, salvation, personal relationships, condemnation, slander, faith, passivity, volunteerism, compassion, duplicity, despair, advice, prayer, common sense, parenting, respect, angels, credit, favoritism, adultery, repentance, and hypocrisy. Script requirements range from two to four actors.
CHURCH DRAMAS: VOLUME 1 compiles 30 comedies and dramas into an alternatively provocative and amusing anthology of scripts suitable for the Sunday service.THE FIRST IN A SERIES, VOLUME 1 touches on the themes of persistence, denial, death, accountability, sharp tongues, causes of sin, humility, envy, the Bible, regret, second chances, salvation, Christmas, spiritual renewal, anger, judgment, opportunity, truth, enemies, Mother's Day, inconvenience, healing, missions, greed, courage, marital communications, peace and compassion.SCRIPT REQUIREMENTS range from two to four actors. Characters range from teens to seniors, including an Elvis sighting. Set and costume requirements assume minimal or no budget.
Church Dramas: Volume 4" packs 30 comedies and dramas into a sharp, tightly-written compilation of scripts suitable for the Sunday service. "Volume 4" depicts a world stumbling in the aftermath of September 11th, where a dedicated father questions his faith during a routine luggage search by an overzealous airline employee ("Search and Rescue"), to an afterlife orientation that plummets a newcomer into horrors unimagined in a terrifying depiction of Hell ("Descending"). On a lighter note, we meet Joan and her frustrating, dysfunctional Christian family as she walks through the basics of what it means to be a Christian ("Joan Smith, Follower of Jesus"), and unveil the latest Hollywood "D" List celebrity: Jonah's Great Fish ("The Whale We Were"). "Church Dramas: Volume 4" crackles with conflict, resulting in surprising confessions, unfortunate choices, and a "Bad Hair Day" for Samson, who inadvertently stands up his stylist in a salon mix-up. Read them for fun or for church, then discuss amongst yourselves.
[separate text by headings] THE BOUNDARY WATERS: A travel club journeys to the wilderness and loses its way in this exploration of God, behavior, and human relationships. JEWELS ON THE NILE: A World War II vaudeville troupe is accused of stealing precious jewels by a crafty investigator in this three-scene holiday musical, set in 1939. THE MOUNTIE FROM SASKATCHEWAN: A rolicking 1890's melodrama, featuring a morally pure Mountie and his honorable best friend, a dastardly villain and his easily-manipulated sidekick, and a beautiful heroine and her feisty grandmother.
CHURCH DRAMAS: VOLUME 1 compiles 30 comedies and dramas into an alternatively provocative and amusing anthology of scripts suitable for the Sunday service.THE FIRST IN A SERIES, VOLUME 1 touches on the themes of persistence, denial, death, accountability, sharp tongues, causes of sin, humility, envy, the Bible, regret, second chances, salvation, Christmas, spiritual renewal, anger, judgment, opportunity, truth, enemies, Mother's Day, inconvenience, healing, missions, greed, courage, marital communications, peace and compassion.SCRIPT REQUIREMENTS range from two to four actors. Characters range from teens to seniors, including an Elvis sighting. Set and costume requirements assume minimal or no budget.
[separate text by headings] THE BOUNDARY WATERS: A travel club journeys to the wilderness and loses its way in this exploration of God, behavior, and human relationships. JEWELS ON THE NILE: A World War II vaudeville troupe is accused of stealing precious jewels by a crafty investigator in this three-scene holiday musical, set in 1939. THE MOUNTIE FROM SASKATCHEWAN: A rolicking 1890's melodrama, featuring a morally pure Mountie and his honorable best friend, a dastardly villain and his easily-manipulated sidekick, and a beautiful heroine and her feisty grandmother.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In recent years many nations have asked why not enough housing is being built or, when it is built, why it isn't of the highest quality or in the best, most sustainable, locations. Politics, Planning and Housing Supply in Australia, England and Hong Kong examines the politics and planning of new homes in three very different settings, but with shared political traditions: in Australia, in England and in Hong Kong. It investigates the power-relationships and politics that underpin the allocation of land for large-scale residential schemes and the processes and politics that lead to particular development outcomes. Using a comparative framework, it asks: how different systems of urban governance and planning mediate the supply of land for housing; whether and how these system differences influence the location, quantity and price of residential land and the implications for housing outcomes; what can be learned from these different systems for allocating land, building consensus between different stakeholders, and delivering a steady supply of high quality and well located homes accessible to, and appropriate for, diverse housing needs. This book frames each case study in a comprehensive examination of national and territorial frameworks before dissecting key local cases. These local cases – urban renewal and greenfield growth centres in Australia, new towns and strategic sites in England, and major development schemes in Hong Kong – explore how broader urban planning and housing policy goals play out at the local level. While the book highlights a number of potential strategies for improving planning and housing delivery processes, the real challenge is to give voice to a broader array of interests, reconstituting the political process surrounding planning and housing development to prioritise homes in well-planned places for the many, rather than simply facilitating investment opportunities for the few.
Framed by historic developments—from the Open Admissions movement of the 1960s and 1970s to the attacks on remediation that intensified in the 1990s and beyond—Basic Writing traces the arc of these large social and cultural forces as they have shaped and reshaped the field.
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