For readers of Marilynne Robinson, Elizabeth Strout, and Katie Kitamura, the indelible journey of a quiet young woman—the “silent person” in the Seder—finding her way. Hailed as “radiant and transporting” (Margot Livesey), The Promise of a Normal Life is a poet’s debut novel, so evocative of life as lived that it transports you to a time and place you can practically see, touch, and feel. The unnamed narrator is a fiercely observant, introverted Jewish-American girl who seems to exist in a private and separate realm. She's the child of a first-generation doctor and lawyer—whose own stories have the loud grandeur of family legend—in an America where Jews are excluded from the country club across the street. Her expectations for adulthood are often contradictory. In the changing landscape of the 1960s, she attempts to find her way through the rituals of life, her geography expanding across the country, across the ocean, and into multiple nations. Along the way, she meets a glamorous hairdresser on a cruise ship to Israel, loopy tarot-card-reading passengers, and Alice-in-Wonderland lawyers in Haifa. There’s a blue-eyed all-American college boyfriend, a mystified tourist agent in the Lofoten Islands, a handsome eligible rabbi in LA, a righteous and self-absorbed MIT professor, and a clandestine, calculating lover in Boston. Eventually, she finds her own compass, but only after being swept to several distant shores by many winds.
Named after a workaday knife wielded by shepherds and farmers in the high pastures of the Alps when a tool for paring, shaping, cutting into, scraping out of, or freeing is useful, these poems likewise cleave away the false and deceptive to clarify and reveal a startling and unifying wonder. In language radiant, lovely, and disturbing, Rebecca Kaiser Gibson explores the linkages between the uncomfortable familiar and the curiously intimate strange, making unexpected connections between phenomena. Arranged by association rather than chronology and connected by a sensual intelligence, this collection wanders from Maryland and India to Boston, France, New Hampshire and Irelandfrom Ezekiel's Flight and the Book of Kells, to the Tamil goddess Meenakshi.
For readers of Marilynne Robinson, Elizabeth Strout, and Katie Kitamura, the indelible journey of a quiet young woman—the “silent person” in the Seder—finding her way. Hailed as “radiant and transporting” (Margot Livesey), The Promise of a Normal Life is a poet’s debut novel, so evocative of life as lived that it transports you to a time and place you can practically see, touch, and feel. The unnamed narrator is a fiercely observant, introverted Jewish-American girl who seems to exist in a private and separate realm. She's the child of a first-generation doctor and lawyer—whose own stories have the loud grandeur of family legend—in an America where Jews are excluded from the country club across the street. Her expectations for adulthood are often contradictory. In the changing landscape of the 1960s, she attempts to find her way through the rituals of life, her geography expanding across the country, across the ocean, and into multiple nations. Along the way, she meets a glamorous hairdresser on a cruise ship to Israel, loopy tarot-card-reading passengers, and Alice-in-Wonderland lawyers in Haifa. There’s a blue-eyed all-American college boyfriend, a mystified tourist agent in the Lofoten Islands, a handsome eligible rabbi in LA, a righteous and self-absorbed MIT professor, and a clandestine, calculating lover in Boston. Eventually, she finds her own compass, but only after being swept to several distant shores by many winds.
Fashion is a dynamic global industry that plays an important role in the economic, political, cultural, and social lives of an international audience. It spans high art and popular culture, and plays a significant role in material and visual culture. This book introduces fashion's myriad influences and manifestations. Fashion is explored as a creative force, a business, and a means of communication. From Karl Lagerfeld's creative reinventions of Chanel's iconic style to the multicultural reference points of Indian designer Manish Arora, from the spectacular fashion shows held in nineteenth century department stores to the mix-and-match styles of Japanese youth, the book examines the ways that fashion both reflects and shapes contemporary culture. Using historical and contemporary examples, it gives a clear understanding of how fashion has developed since the renaissance, while raising questions about its status, ethical credibility, and influence on consumers. The book provides insight into the structure of the fashion industry and how fashions are designed, promoted and consumed, in relation to relevant historical, social and cultural contexts. It is structured thematically, to look at the role and development of designers, the growth of shopping and the different businesses involved in making and selling fashionable clothes. Fashion's relationship to the wider culture is also explored, by considering its representation in art and collaborations between designers and artists, the moral controversies surrounding fashion, and attempts to produce ethical clothing, and the effects of globalisation on the fashion trade. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This monograph presents a challenge to the view that the Hebrew Bible contains allusions to Yahweh’s battle with chaos, showing how the term has been inappropriately applied in a range of contexts where far more diverse spheres of imagery should instead be recognised. Through the construction of a careful diachronic model (developed with particular reference to the Psalter), the author presents a persuasive case for reversing common assumptions about the development of Israelite religion, finding instead that the combat motif was absent in the earliest period, whilst the slaying of a dragon was attributed to Yahweh only in a distinctive monotheistic adaptation, which arose from around 587 B.C.
This book examines how science fiction’s portrayal of humanity’s desire for robotic companions influences and reflects changes in our actual desires. It begins by taking the reader on a journey that outlines basic human desires—in short, we are storytellers, and we need the objects of our desire to be able to mirror that aspect of our beings. This not only explains the reasons we seek out differences in our mates, but also why we crave sex and romance with robots. In creating a new species of potential companions, science fiction highlights what we already want and how our desires dictate—and are in return recreated— by what is written. But sex with robots is more than a sci-fi pop-culture phenomenon; it’s a driving force in the latest technological advances in cybernetic science. As such, this book looks at both what we imagine and what we can create in terms of the newest iterations of robotic companionship.
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