The first look at the philosophical issues behind Charlaine Harris's New York Times bestsellers The Southern Vampire Mysteries and the True Blood television series Teeming with complex, mythical characters in the shape of vampires, telepaths, shapeshifters, and the like, True Blood, the popular HBO series adapted from Charlaine Harris's bestselling The Southern Vampire Mysteries, has a rich collection of themes to explore, from sex and romance to bigotry and violence to death and immortality. The goings-on in the mythical town of Bon Temps, Louisiana, where vampires satiate their blood lust and openly commingle with ordinary humans, present no shortages of juicy metaphysical morsels to sink your teeth into. Now True Blood and Philosophy calls on the minds of some of history's great thinkers to perform some philosophical bloodletting on such topics as Sookie and the metaphysics of mindreading; Maryann and sacrificial religion; werewolves, shapeshifters and personal identity; vampire politics, evil, desire, and much more. The first book to explore the philosophical issues and themes behind the True Blood novels and television series Adds a new dimension to your understanding of True Blood characters and themes The perfect companion to the start of the third season on HBO and the release of the second season on DVD Smart and entertaining, True Blood and Philosophy provides food—or blood—for thought, and a fun, new way to look at the series.
During the Civil War, Ash and his good friend William are members of the Army of the South. They are stationed on a steamship whose mission it is to steal the precious oil from a Northern Whaling ship. Their maneuvers land them on a tropical island hidden in a leafy tree without food or water. What has happened to their captain of his ship?"--Page 4 of cover.
Jane and her friends Ben and Bonnie are aware, as is the rest of the town of Mystic, that a strange ghost ship is spotted in the harbor now and then. There is also the matter of the two shadowy men who materialized on the mist. And what does the inscription to T.T. on the ship's ring mean?"--Page 4 of cover.
TRUEBLOOD and Philosophy Does God hate fangs? Is Sam still Sam when he turns into a collie? Is coming out of the coffin the same as coming out of the closet? Are all vampires created evil? Vampires, werewolves, shapeshifters, fairies, telepaths—True Blood has it all. In a world where supernatural creatures coexist with human beings, Sookie Stackhouse and Bill Compton wrestle with powerful desires while facing complex issues concerning sex, romance, bigotry, violence, death, and immortality. Now, True Blood and Philosophy calls on the minds of some of history’s great thinkers to perform some philosophical bloodletting on this thought-provoking series. From the metaphysics of mind reading to Maryann Forrester’s cult of Dionysus, from vampire politics to the nature of personal identity, and from contemporary feminism to the rights of nonhuman species, True Blood and Philosophy mines the thinking of philosophers such as Plato, Aristotle, Thomas Aquinas, John Locke, Immanuel Kant, Friedrich Nietzsche, and John Rawls to enlighten us on the intriguing themes that surround this supernatural world. You’ll find no shortage of juicy metaphysical morsels to sink your teeth into! To learn more about the Blackwell Philosophy and Pop Culture series, visit www.andphilosophy.com
Liza and her brother Whitman often travel to ports up and down the coast with their parents on their father's merchant schooner. One trip requires them to use their wits when Whitman's pet frog disappears and when ghostly footprints appear on deck. Could the new crew member have anything to do with the mystery?"--Page 4 of cover.
Bryna wins a town lottery that makes it possible for her to leave her home and go to the United States. Unexpected events, including the loss of her few belongings and the outbreak of an epidemic, delay her trip, and she contemplates giving up the returning home. A kindly mentor and a warmhearted ship's captain help her realize her dream"--Page 4 of cover.
The orphan Peter Starbuck is befriended by a ship's cook and gets a job as cabin boy on the whaling ship Tiger Eye. He learns the hazards of a seaman's life and at one point nearly loses his own. His colorful rescuer, a "friend" is a high point of this exciting sea saga"--Page 4 of cover.
George R. Smith borrowed money to buy 337 acres of treeless prairie in 1856, never dreaming the central Missouri town he founded would become the "Queen of the Prairie." He did not foresee his "Sedville," now Sedalia, attracting thousands of tourists through the annual Scott Joplin International Ragtime Festival and the Missouri State Fair. Smith did envision another type of visitor--steam engines that streamed through town daily. Smith's passion for the railroad launched Sedalia, and two major railroad shops sustained the city for more than a century. They provided the base for the now flourishing seat of Pettis County. Since Sedalia's official beginning in 1860, countless people have furthered Smith's vision by leaving their distinctive mark on the community. This book celebrates their contributions and shares their stories through more than 225 photographs, many previously unpublished.
The Shakespeare Workbook and Video provides a unifying approach to acting Shakespeare that is immediately applicable in the rehearsal room or classroom. It is an easy-to-use text providing practical exercises in specific aspects of Shakespeare's language such as meter, imagery, rhetoric and sound play. In each of these areas, it takes the reader through three steps: Speak the Text, Question the Text and Act the Text. Online video material provides an insight into the acting process and shows the authors teaching a workshop in their method for acting Shakespeare to a group of young actors. The Shakespeare Workbook and Video is the go-to textbook for a practical exploration of Shakespeare's canon.
The writings of two influential Elizabethan thinkers testify to the influence of Old English law and literature on Tudor society and self-image. Full of fresh and illuminating insights into a way of looking at the English past in the sixteenth century... a book with the potential to deepen and transform our understanding of Tudor attitudes to ethnic identity and the national past. Philip Schwyzer, University of Exeter. Laurence Nowell (1530-c.1570), author of the first dictionary of Old English, and William Lambarde (1536-1601), Nowell's protégé and eventually the first editor of theOld English Laws, are key figures in Elizabethan historical discourses and in its political and literary society; through their work the period between the Germanic migrations and the Norman Conquest came to be regarded as a foundational time for Elizabethan England, overlapping with and contributing to contemporary debates on the shape of Elizabethan English language. Their studies took different strategies in demonstrating the role of early medieval history in Elizabethan national -- even imperial -- identity, while in Lambarde's legal writings Old English law codes become identical with the "ancient laws" that underpinned contemporary common law. Their efforts contradict the assumption that Anglo-Saxon studies did not effectively participate in Tudor nationalism outside of Protestant polemic; instead, it was a vital part of making history "English". Their work furthers our understanding of both the history of medieval studies and the importance of early Anglo-Saxon studies to Tudor nationalism. Rebecca Brackmann is Assistant Professor of English, Lincoln Memorial University.
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