Gleaming and perfect, gold has beguiled humankind for many millennia, attracting treasure hunters, adorning the living and the dead, and symbolizing wealth, power, divinity, and eternity. This book offers a lively, critical look at the cultural history of this most regal metal, examining its importance across many cultures and time periods and the many places where it has been central, from religious ceremonies to colonial expeditions to modern science. Rebecca Zorach and Michael W. Phillips Jr. cast gold as a substance of paradoxes. Its softness at once makes it useless for most building projects yet highly suited for the exploration of form and the transmission—importantly—of images, such as the faces of rulers on currency. It has been the icon of value—the surest bet in times of uncertain markets—yet also of valuelessness, something King Midas learned the hard way. And, as Zorach and Phillips detail, it has been at the center of many clashes between cultures all throughout history, the unfortunate catalyst of countless blood lusts. Ultimately, they show that the questions posed by our relentless desire for gold are really questions about value itself. Lavishly illustrated, this book offers a shimmering exploration of the mythology, economy, aesthetics, and perils at the center of this simple—yet irresistible—substance.
This novel is about a very young woman, named Beverly, trying to make it on her own and become a mature empowered woman. Beverly and her close confidant, Lana, find themselves making terrible decisions that create havoc and chaos in their lives. Those choices get them in serious trouble when they team up with master manipulators and liars who work and thrive in Houston's oil industry. They go through a series of dramatic situations that leave readers cheering and hopeful all the while feeling like they're part of the conversation. It's told in first person dialogue. It involves intense relationships and passionate intimate moments that are at times shocking! Somehow Beverly remains true to her search for the life she dreams of because she has a heart of gold.
The acclaimed sequel to "Love, Cherish Me, " this novel finds a young beauty awaiting her true love on a plantation haunted by a story of lost love and hidden gold.
When we encounter obstacles in our writing, it’s easy to assume the problem is all in our heads. But yoga philosophy teaches us that nothing is all in our heads, in part because our minds are just one layer through which we experience our world. We must make space for the stories to reveal themselves before we write. But how do we do that? Rebecca Lyn Gold tackles that question by introducing the pancha kosha theory in yogic philosophy, which highlights the five layers of awareness through which we experience life. She explores how to balance the philosophy alongside practices that bring awareness to each layer in a way that reveals memories and stories. She also leads readers on a twenty-one day journey that includes yogic practices and writing prompts to find and write your life stories. You will be introduced to yoga poses to open areas of the body where trauma or memories may be stored, breath control practices to stimulate and balance the brain, and meditations with mudras and mantras to gain insight and inspiration. Discover how to write deep, authentic life stories with the insights, lessons, and exercises in From Your Mat to Your Memoir.
1878. Pampered Baby Doe proves tougher than anyone imagines when she finds herself abandoned, pregnant and running a gold mine alone. Her pluck gains the admiration of Silver King Horace Tabor, married, twice her age, and running for U.S. Senator. When scandal and economic ruin threatens Tabor's life, Baby Doe must make a painful choice.
This book provides leaders with insights into how entrepreneurial thinking and action can put local communities on the path to recovery from the economic devastation induced by the COVID-19 pandemic. Entrepreneurship offers a roadmap to the future. NACCE members colleges' newly evolved programs benefit local communities, fuel economic growth, and create more equitable opportunities for those who have been historically marginalized. This pathway leads to recovery, hope and a more caring, creative, and equitable society.
Perry A. Burgess, son of Abram Burgess and Emma Semantha Cheney, was born in 1843 in Nauvoo, Illinois. He married Annie Mapes in 1870. They had three children. He died in 1900 in Steamboat Springs, Colorado.
Based on the second Rugrats movie, out in theaters at Thanksgiving, the babies descend on Reptarland in Paris, While Tommy and the babies look for nonstop fun, Chuckie wishes for a new mommy. Full-color illustrations.
On a cold winter day in the midst of the Depression, the hardworking wife of a farmer and Primitive Baptist preacher in South Georgia gave birth to her 11th child, a daughter named Faye. Money was scarce, times were hard, and from the moment she could walk, Faye worked, doing whatever it took to keep the ninety-acre farm going. No one could have predicted that this little girl would grow up to be the first woman attorney in the country, the first woman appointed to the Georgia Superior Court bench, and the first woman chief superior court judge in Georgia. In the rural South of the 1930s, most little girls were fated to be wives and mothers. But despite Faye's preferences for boyish activities, she was greatly influenced by her mother. Though her mother, Addie Lou, was relatively uneducated, and was married when she was only 13 years old, she had a deep respect for school, and she urged young Faye to keep up with her homework as well as her chores. Imbued with her mother's regard for learning, Faye Sanders never missed a day of school. Once Faye was graduated and had taken a job as a secretary with a local attorney, she realized she wanted more out of life. Thus began a journey that would take her to law school, a law partnership and, eventually, a Superior Court bench. This biography focuses on the life and times of a woman who overcame the initial obstacles of gender and poverty and the later challenges of alcoholism to become the first woman attorney in Bulloch County, the first woman appointed to the Georgia Superior Court bench, the first woman chief superior court judge in Georgia, and the first mother to swear in her own daughter as an attorney in Georgia.
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
Gleaming and perfect, gold has beguiled humankind for many millennia, attracting treasure hunters, adorning the living and the dead, and symbolizing wealth, power, divinity, and eternity. This book offers a lively, critical look at the cultural history of this most regal metal, examining its importance across many cultures and time periods and the many places where it has been central, from religious ceremonies to colonial expeditions to modern science. Rebecca Zorach and Michael W. Phillips Jr. cast gold as a substance of paradoxes. Its softness at once makes it useless for most building projects yet highly suited for the exploration of form and the transmission—importantly—of images, such as the faces of rulers on currency. It has been the icon of value—the surest bet in times of uncertain markets—yet also of valuelessness, something King Midas learned the hard way. And, as Zorach and Phillips detail, it has been at the center of many clashes between cultures all throughout history, the unfortunate catalyst of countless blood lusts. Ultimately, they show that the questions posed by our relentless desire for gold are really questions about value itself. Lavishly illustrated, this book offers a shimmering exploration of the mythology, economy, aesthetics, and perils at the center of this simple—yet irresistible—substance.
Introduces various types of photography by presenting profiles of six contemporary photographers: Jose Ramon Garcia, Norbert Wu, Darlyne Murawski, Annie Griffiths Belt, Art Wolfe, and Nina Crews.
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
Perry A. Burgess, son of Abram Burgess and Emma Semantha Cheney, was born in 1843 in Nauvoo, Illinois. He married Annie Mapes in 1870. They had three children. He died in 1900 in Steamboat Springs, Colorado.
This novel is about a very young woman, named Beverly, trying to make it on her own and become a mature empowered woman. Beverly and her close confidant, Lana, find themselves making terrible decisions that create havoc and chaos in their lives. Those choices get them in serious trouble when they team up with master manipulators and liars who work and thrive in Houston's oil industry. They go through a series of dramatic situations that leave readers cheering and hopeful all the while feeling like they're part of the conversation. It's told in first person dialogue. It involves intense relationships and passionate intimate moments that are at times shocking! Somehow Beverly remains true to her search for the life she dreams of because she has a heart of gold.
Samantha Kane is about to solidify her father's legacy by developing sleepy Gold Mountain into the most profitable ski resort in the country. There's one man standing in her way though. One very sexy, rugged man. When she shows up to convince Austin Reede to sell, she has no intention of hiding her identity. But with a body like his, she'll take a few risks to get closer. Austin was the fastest skier on the U.S. Olympic team, until he shattered his knee. Gold Mountain became his refuge—and now Kane Enterprises is threatening that home. When he meets Sam, he has no idea she's the one to blame, he just knows the attraction between them is one he hasn't felt in years. A scorching hot one-night stand is just what he needs. Little does he guess that it will change everything... Each book in the Men of Gold Mountain series is a standalone story that can be enjoyed out of order. Series Order: Book #1 Make Me Stay Book #2 Make Me Beg Book #3 Make Me Want Book #4 Make Me Yours
Would you try to cook food in ice? Would you wear a swimsuit to play in the snow? If so, you will enjoy this story. It's about a silly place where everything is turned around!
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