In a book that’s both accessible and enlightening, Rebecca Friedrichs recounts her thirty-year odyssey as an elementary school teacher who comes face-to-face with the forces dividing and corrupting our schools and culture—state and national teachers’ unions. An exciting true story that features real life testimonies of teachers, parents, and kids, as well as political and social commentary, Rebecca’s journey leads her to the realization that the only hope for America’s schools and families is returning authority to parents and teachers while lessening the grip of state and national unions that: · Promote a culture of fear and bully teachers and parents into silence. · Undermine parents’ authority by sexually, socially, and politically indoctrinating kids. · Use the apple-pie image of the PTA as a “front” to promote a partisan agenda. These insights and more led Rebecca and nine other teachers to the US Supreme Court where their case, Friedrichs v California Teachers Association, et al., sought to restore the First Amendment rights of all teachers and government employees. They argued no one should be forced to pay fees to abusive, politically driven unions, and were poised to change the very landscape of American education—until tragedy struck. Saddened but unbowed, Rebecca started a national movement, For Kids and Country, leading the charge of servant leaders who believe Judeo-Christian values (including kindness) and restoration of the teaching profession—possible only by rejecting state and national unions and forming “local only” associations—are the answers to America’s woes. She invites you to join them. “America’s teachers, parents, and kids deserve better,” Rebecca writes. “If we want freedom, we’re going to have to fight for it.”
In a book that’s both accessible and enlightening, Rebecca Friedrichs recounts her thirty-year odyssey as an elementary school teacher who comes face-to-face with the forces dividing and corrupting our schools and culture—state and national teachers’ unions. An exciting true story that features real life testimonies of teachers, parents, and kids, as well as political and social commentary, Rebecca’s journey leads her to the realization that the only hope for America’s schools and families is returning authority to parents and teachers while lessening the grip of state and national unions that: · Promote a culture of fear and bully teachers and parents into silence. · Undermine parents’ authority by sexually, socially, and politically indoctrinating kids. · Use the apple-pie image of the PTA as a “front” to promote a partisan agenda. These insights and more led Rebecca and nine other teachers to the US Supreme Court where their case, Friedrichs v California Teachers Association, et al., sought to restore the First Amendment rights of all teachers and government employees. They argued no one should be forced to pay fees to abusive, politically driven unions, and were poised to change the very landscape of American education—until tragedy struck. Saddened but unbowed, Rebecca started a national movement, For Kids and Country, leading the charge of servant leaders who believe Judeo-Christian values (including kindness) and restoration of the teaching profession—possible only by rejecting state and national unions and forming “local only” associations—are the answers to America’s woes. She invites you to join them. “America’s teachers, parents, and kids deserve better,” Rebecca writes. “If we want freedom, we’re going to have to fight for it.”
Uses cultural representations to investigate how two religious minority communities came to be incorporated into the Mexican nation. Liminal Sovereignty examines the lives of two religious minority communities in Mexico, Mennonites and Mormons, as seen through Mexican culture. Mennonites emigrated from Canada to Mexico from the 1920s to the 1940s, and Mormons emigrated from the United States in the 1880s, left in 1912, and returned in the 1920s. Rebecca Janzen focuses on representations of these groups in film, television, online comics, photography, and legal documents. Janzen argues that perceptions of Mennonites and Mormonsgroups on the margins and borders of Mexican societyillustrate broader trends in Mexican history. The government granted both communities significant exceptions to national laws to encourage them to immigrate; she argues that these foreshadow what is today called the Mexican state of exception. The groups inclusion into the Mexican nation shows that post-Revolutionary Mexico was flexible with its central tenets of land reform and building a mestizo race. Janzen uses minority communities at the periphery to give us a new understanding of the Mexican nation. This subject matter has never been studied in this fashion before, nor with such theoretical sophistication. Not only is the book compelling, but its also illuminating. Pedro A. Palou, Tufts University
An 'internal' crusade is defined as a holy war authorized by the pope and fought within Christian Europe against those perceived to be foes of Christendom, either to recover property or in defense of the Church or Christians. This study is therefore not concerned with those crusades authorized against Muslim enemies in the East and Spain, nor with crusades authorized against pagans on the borders of Europe. Up to now these crusades have attracted relatively little attention in modern British scholarship. This in spite of their undoubted European-wide significance and an increasing recognition that the period 1198-1245 marks the beginning of a crucial change in papal policy underpinned by canon law. This book discusses the developments through analysis of the extensive source material drawn from unregistered papal letters, placing them firmly in the context of ecclesiastical legislation, canon law, chronicles and other supplementary evidence. It thereby seeks to contribute to our understanding of the complex politics, theology and rhetoric that underlay the papacy's call for crusades within Europe in the first half of the thirteenth century.
The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: * Carolle Schneemann * Annie Sprinkle * Karen Finley * Robbie McCauley * Ana Mendieta * Ann Magnuson * Sandra Bernhard * Spiderwoman Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolonial and queer theory, Schneider analyses artistic and pop cultural depictions of the explicit body in late commodity capitalism. The Explicit Body in Performance is complemented by extensive photographic illustrations and artistic productions of postmodern feminist practitioners. The book is a fascinating exploration of how these artists have wrestled with the representational structures of desire.
This groundbreaking study explores the role played by the Jacobite diaspora in Russia in the saga of Jacobite intrigue and British foreign policy in the period between 1715 and 1750. Drawing on both Russian and British sources, it follows the changing fortunes of Jacobitism in Russia as a key influence on European diplomacy.
This book traces a literary and cultural history of interviews from the 1860s to today; it reveals the ways in which writers have been interview subjects, interviewers and have used interviews creatively in their fiction and non-fiction.
A prevailing belief among Russia’s cultural elite in the early twentieth century was that the music of composers such as Sergei Rachmaninoff, Aleksandr Scriabin, and Nikolai Medtner could forge a shared identity for the Russian people across social and economic divides. In this illuminating study of competing artistic and ideological visions at the close of Russia’s “Silver Age,” author Rebecca Mitchell interweaves cultural history, music, and philosophy to explore how “Nietzsche’s orphans” strove to find in music a means to overcome the disunity of modern life in the final tumultuous years before World War I and the Communist Revolution.
Left at the altar by her last love, Maggie heads to her uncle's ranch to relax and forget about men. Will Sutton is working on the ranch and trying to mend his own broken heart. Maggie is attracted to Will--Will is infatuated with Maggie. Can the gentle thunder in their hearts bring them together?
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