Growing up without a mother is hard. Worse is having a stepmother who controls Dad. Brittany Myerson is so ready for high school to end. She knows that life is going to get a whole lot better when she gets her driver’s license, the car she’s always wanted and a ticket to college away from home. But her new stepmother has decided what’s good enough for Brittany: a beat-up, mustard-colored piece of junk and enrollment in the local community college. Brittany thinks it can’t get much worse until she learns that her father has changed his will leaving everything to Lynn. Suddenly, Brittany’s father dies and the police suspect...murder.
By the time Sylvia Richardson is eighteen, she has buried her parents; given birth to a daughter; and become a widow. It is 1942, and World War II has destroyed Sylvias dream of dancing in red heels through life to the melody of a Hank Snow record. Instead, she is raising her daughter, Sassy, alone in the coal mining town she vowed to leave behind. By 1955, thirteen-year-old Sassy has been brought up on a stiff dose of Mamas lessons on how to be a ladyeven though Mama drinks, smokes, and dates a myriad of men. But everything changes the day a woman accuses Sylvia of trying to steal her husband, forcing Sassy to come to terms with her Mamas harsh teen years. For Sylvia, only the support of kith and kin can rescue her from her mistakes. Spanning twenty years, Mamas Shoes is a haunting saga of love, despair, and forgiveness as a cadence of female voices weaves a spell of mountain lore and secrets, defines family as more than blood kin, and proves second chances can bring happiness. An absolutely wonderful novel, its setting a beautifully realized small Appalachian coal town, its characters so vivid theyre practically jumping off the page. Lee Smith, author of Mrs. Darcy and the Blue-Eyed Stranger and The Last Girls
Who Are Her People?: The Life and Family of Louise Maynard Hoskins Like Josephs coat, this is a book of many colors. It is a genealogy, a family history, and a memoir. This book tells the loving story of Louise Maynard Hoskins and her family, who were descended from the pioneer families of the Tug River Valley in the mountains of southern West Virginia and eastern Kentucky. This book will tell the story of the people and the place from whence she came. This is the Maynard story, the Williamson story, the Hatfield story, the Scott story, and the stories of their related lines: McCoy, Stafford, Runyon, Cassady, Butcher, Taylor, and Varney.
By the time Sylvia Richardson is eighteen, she has buried her parents; given birth to a daughter; and become a widow. It is 1942, and World War II has destroyed Sylvias dream of dancing in red heels through life to the melody of a Hank Snow record. Instead, she is raising her daughter, Sassy, alone in the coal mining town she vowed to leave behind. By 1955, thirteen-year-old Sassy has been brought up on a stiff dose of Mamas lessons on how to be a ladyeven though Mama drinks, smokes, and dates a myriad of men. But everything changes the day a woman accuses Sylvia of trying to steal her husband, forcing Sassy to come to terms with her Mamas harsh teen years. For Sylvia, only the support of kith and kin can rescue her from her mistakes. Spanning twenty years, Mamas Shoes is a haunting saga of love, despair, and forgiveness as a cadence of female voices weaves a spell of mountain lore and secrets, defines family as more than blood kin, and proves second chances can bring happiness. An absolutely wonderful novel, its setting a beautifully realized small Appalachian coal town, its characters so vivid theyre practically jumping off the page. Lee Smith, author of Mrs. Darcy and the Blue-Eyed Stranger and The Last Girls
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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