Raymond Carver's gritty texts, combined with Adelman's photographs of Carver's people and haunts, re-create the world of this major writer, bringing to life the bleak, blue-collar towns, people, and places that became the inspiration for much of his work. 113 duotone photos.
The first collection of stories from “one of the great short story writers of our time” (The Philadelphia Inquirer) breathed new life into the American short story, showing us the humor and tragedy that dwell in the hearts of ordinary people. "[Carver's stories] can ... be counted among the masterpieces of American Literature." —The New York Times Book Review "One of the great short story writers of our time—of any time." —The Philadelhpia Inquirer "The whole collection is a knock out. Few writers can match Raymond Carver's entwining style and language." —The Dallas Morning News
The twenty-five interviews gathered here, several available in English for the first time, include craft interviews, biographical portraits, self-analyses, & wide-ranging reflections on the current literary scene.
PULITZER PRIZE FINALIST • Twelve short stories that mark a turning point in the work of “one of the true American masters" (The New York Review of Books). “A writer of astonishing compassion and honesty … His eye is so clear, it almost breaks your heart.” —The Washington Post Book World A remarkable collection that includes the canonical titular story about blindness and learning to enter the very different world of another. These twelve stories “overflow with the danger, excitement, mystery and possibility of life.” —The Washington Post Book World
When he died in August 1988, Raymond Carver had just published what were thought to be his last stories in the collection entitled Elephant and his own collection of stories, Where I'm Calling from. Five previously unpublished stories have recently been discovered, and this new volume brings together all of his uncollected fiction, including a fragment of an unfinished novel, five early stories, and all of his non-fiction prose. Three of these late-found stories are fine examples of Carver's late, open style, while two date from his middle period. The non-fiction prose includes all of his essays, together with occasional commentary on his own fiction and poetry, writings on the American short story, and reviews of work by his contemporaries, among them Donald Barthelme, Richard Brautigan, Jim Harrison, Thomas McGuane and Richard Ford. Also included is Carver's latest essay "Friendship", about a London reunion with Richard Ford and Tobias Wolff. Call If You Need Me takes us into Carver's workshop, and alongside All of Us: The Collected Poems and Where I'm Calling from: The Selected Stories completes the picture of one of the most original writers in the English language of his generation.
From “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer)—comes more than sixty stories, poems, and essays, including two early versions from the seminal collection, What We Talk About When We Talk About Love. "Show[s] the enormous talent of Raymond Carver beginning to take hold." —San Francisco Chronicle A wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories that were later significantly revised in What We Talk About When We Talk About Love appear here in their original form, revealing clearly the astounding process of Carver’s literary development.
This fascinating collection contains the original, unedited stories Raymond Carver wrote for what became - at the hands of his editor Gordon Lish - What We Talk About When We Talk About Love
A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets. Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.
The final story collection from “one of the great short story writers of our time” (The Philadelphia Inquirer) features classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier volumes. • “Among the masterpieces of American fiction." —The New York Times Book Review By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story, a writer who had not only found his own voice but imprinted it in the imaginations of thousands of readers. Where I’m Calling From, his last collection, includes seven new works previously unpublished in book form. Together, these 37 stories give us a superb overview of Carver’s life work and show us why he was so widely imitated but never equaled.
From “one of the great short story writers of our time” (The Philadelphia Inquirer)—nine stories and a poem that offer a searing portrait of American innocence and loss—and formed the basis for the film “Short Cuts” directed by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books). Features stories from the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman.
《我们所有人:雷蒙德·卡佛诗全集》 This complete edition brings together all the poems of Carver's five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver's life and work; and a moving introduction by Carver's widow, the poet Tess Gallagher. 本书涵盖了雷蒙德·卡佛一生创作的所有诗歌作品,文学价值尤为珍贵。卡佛诗歌具有其小说所有的美德:对于物质世界的深切关注,将广阔情感压缩在朴素瞬间的非凡能力,以及谈话式的亲切的诗歌声音。同时,他亦创造了一种奇妙的卡佛式的诗歌语调:柔软而克制,朴素而深邃,微妙地掌握着语言的尺度与抒情的适度。这种迷人的气息,像一层薄雾,淡淡地笼罩在卡佛的每一行文字中。卡佛的爱和感伤都隐藏在这种柔软的冷叙述里。
The twenty-five interviews gathered here, several available in English for the first time, include craft interviews, biographical portraits, self-analyses, & wide-ranging reflections on the current literary scene.
Winner of Poetry Magazine’s Levinson Prize • An illuminating collection of poems from the middle of Carver's career that “function as distilled, heightened versions of his stories, offering us fugitive glimpses of ordinary lives on the edge” (The New York Times). "The stories poems tell are so wonderfully self-contained, so self-evident, so gracefully metaphorical." —The Village Voice "There is a severity of language, an understatement of emotion, that endows the poems of his first major collection with the feel of extraordinary experience. To read them is to have the sense this man has lived more than most of us. We trust him because of the plainly conversational diction and the lapel-grabbing rhythms.... They are very moving, very memorable." —Poetry
《大教堂》 Cathedral is a collection of short stories that overflow with the danger, excitement, mystery and possibility of life. These similar stories, very skillful within their narrow limits, were written with a dry intensity, and moving, at their climaxes, from the commonplace to the unnerving. 雷蒙德·卡弗是近年美国杰出的短篇小说家。六七十年代的美国社会动荡、思潮澎湃,作者从忧患困顿中脱颖而出,十年间发表了好几部集子,都属畅销。他的作品写的几乎全是社会中下阶层,失业无告,婚变心碎,贫病自弃之人。写作手法也颇为独特,人称“极简派”或“峻削派”。其作品曾多次获奖,屡屡被选做经典语文读本,并被译成二十多种文字。《大教堂》是卡佛的短篇小说集,1983年出版后,日文版和英国版随即出版并被提名普利策奖。本书中文译本是首次授权出版,由青年作家、芝加哥大学文学博士肖铁倾心翻译。
Raymond Carver's gritty texts, combined with Adelman's photographs of Carver's people and haunts, re-create the world of this major writer, bringing to life the bleak, blue-collar towns, people, and places that became the inspiration for much of his work. 113 duotone photos.
《火》 A disparate collection of work bound by a unity of vision and obsession. 本书收入卡佛的短篇小说、随笔及诗歌。小说方面,卡佛特别不满意《纽约客》文学编辑利什对《洗澡》、《所有的东西都粘在他身上》和《咖啡先生和修理先生》的删节,他改了标题,大量修改内容,都收入《火》里。《谎话》、《木屋》等短篇小说则是首次有中译本。诗歌方面,收录《你们不知道什么是爱》、《在克拉马斯河附近》、《我父亲二十二岁时的照片》等著名作品。随笔方面,有《关于写作》、《我父亲的一生》、《火》等文学爱好者期待已久的篇目。
The University of Illinois Press offers online access to "The Booker T. Washington Papers," a 14-volume set published by the press. Users can search the papers, view images, and purchase the print version of the volumes. Booker Taliaferro Washington (1856-1915) was an African-American educator who was born a slave in Franklin County, Virginia.
《当我们谈论爱情时我们在谈论什么》 In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women. 《当我们谈论爱情时我们在谈论什么》是雷蒙德·卡佛优秀的短篇小说集,由17篇短篇小说组成。讲述了如餐馆女招待、锯木厂工人、修车工、推销员和汽车旅馆管理员等社会底层的体力劳动者的生活。这些普通人有着普通人的愿望,做着再普通不过的事情,但他们发现自己在为生存而挣扎,无法达到在常人看来并不远大的人生目标。他们的生活中充满了窘困和不如意,婚姻破裂,失业,酗酒,破产。卡佛用“极简”的遣词、冷静疏离的叙事,表现了现代社会中人的边缘性以及现代人脆弱的自我意识。本书的出版,为美国短篇小说写作注入了新的生命,并为卡佛赢得了“美国的契诃夫”的称号,使他成为美国继海明威之后受到模仿最多的作家。
Raymond Carver finished A New Path To The Waterfall shortly before his death in August 1988. These fifty poems--as hard and clear and emotionally pure as his short stories--chart a human journey: false starts and redemptions, the discovery of happiness, memory, and leave-taking, and the full apprehension of mortality. An avowal of love, this collection is also a haunting record of Carver's approach to death.
A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets. Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.
The complete uncollected fiction and nonfiction, including the five posthumously discovered “last” stories, published here in book form for the first time—from “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer). Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver’s mature writing and give his devoted readers a final glimpse of the great writer at work. The pure pleasure of Carver’s writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.
From “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer)—comes the original manuscript of the seminal 1981 collection, What We Talk About When We Talk About Love. Raymond Carver is one of the most celebrated short-story writers in American literature—his style is both instantly recognizable and hugely influential—and the pieces in What We Talk About…, which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story. In this unedited text, we gain insight into the process of a great writer. These expansive stories illuminate the many dimensions of Carver’s style, and are indispensable to our understanding of his legacy. Text established by William L. Stull and Maureen P. Carroll
PULITZER PRIZE FINALIST • Twelve short stories that mark a turning point in the work of “one of the true American masters" (The New York Review of Books). “A writer of astonishing compassion and honesty … His eye is so clear, it almost breaks your heart.” —The Washington Post Book World A remarkable collection that includes the canonical titular story about blindness and learning to enter the very different world of another. These twelve stories “overflow with the danger, excitement, mystery and possibility of life.” —The Washington Post Book World
From “one of the great short story writers of our time” (The Philadelphia Inquirer)—nine stories and a poem that offer a searing portrait of American innocence and loss—and formed the basis for the film “Short Cuts” directed by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books). Features stories from the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman.
The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman. "Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review
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