This is the moving and improbable story of Claire Ferchaud, a young French shepherdess who had visions of Jesus and gained national fame as a modern-day Joan of Arc at the height of World War I. Claire experienced her first vision after a childhood trauma in which her mother locked her in a closet to break her stubborn willfulness. She developed her visionary gifts with the aid of spiritual directors and, by the age of twenty, she had come to believe that Jesus wanted France consecrated to the Sacred Heart. Claire believed that if France undertook this devotion, symbolized by adding the image of the Sacred Heart to the French flag, it would enjoy rapid victory in the war. From her modest origins to her spectacular ascent, Claire's life and times are deftly related with literary verve and insight in a book that gives a rare view of the French countryside during the Great War.
In this second volume of The Serpent Trilogy, following The Family at Serpiente, the history detectives discover the relationship between serpents and the ancient cultures of the Americas, uncovering the predictable histories of growth and collapse due to the serpents. Sensing imminent danger, Quetzalcoatl and Kulcalcan declare war on the human tribes throughout Aztlan, their ancestral home. Unaware of the ability of the serpents to control the minds of humans, the military plots to exterminate the serpents but soon thousands of modern humans experience the mind altering abilities of the serpents. In a panic to exterminate the serpents, the government releases a biological agent which destroys most of the serpents. Unfortunately, in time the biological agent mutates and exterminates all but the most isolated humans on earth. The Anderson family survives by sealing themselves off from all contact with other humans in Serpiente. Quetzalcoatl and Kulcalcan make a truce with the Anderson family and teach their children how to communicate in the serpent's telepathic hieroglyphic language. Will history repeat itself?
The standard interpretation keeps repeating that Camus is the prototypical “absurdist” thinker. Such a reading freezes Camus at the stage at which he wrote The Stranger and The Myth of Sisyphus. By taking seriously how (1) Camus was always searching and (2) the rest of his corpus, Albert Camus and the Philosophy of the Ordinary corrects the one-sided, and thus faulty, depiction of Camus as committed to a philosophy of absurdism. His guiding project, which he explicitly acknowledged, was an attempt to get beyond nihilism, the general dismissal of value and meaning in ordinary life. Tracing this project via Camus's works, Albert Camus and the Philosophy of the Ordinary, offers a new lens for thinking about the well-known author.
A ruthless American corporate CEO joins forces with a radical Islamic terrorist group, and only a young woman in the company's human resources department has the key to stopping them.
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