Satyajit Ray (1921-1991), polymath, polyglot, novelist, short-story writer, illustrator, designer, music composer, was one of the most eminent film directors of world cinema. His Pather Panchali (Song of the Little Road, 1955) established his position as a major film director, winning numerous awards. Recipient of the Lifetime Academy Award in 1992 'In recognition of his rare mastery of the art of motion pictures and for his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world', Ray took Indian cinema to a grand platform hitherto unachieved by any Indian film director. "Not to have seen the cinema of Ray means,' said Akira Kurosawa, 'existing in the world without seeing the sun or the moon.' While Ray's films are fairly well-known, his writings-fiction and non-fiction-written in Bengali and English continue to attract attention. His illustrations, design works, comic strips, science fictions, detective stories are gems of Indian literature. Ray's non-fictions are gems, which bring to lights his thoughts on film-making, film appreciation, composition of music, art, design and screenplay, among others. 'The Penguin Ray Library' is an endeavour to open a window to the master's writings to a wide spectrum of readers. From the ever-popular adventures of Ray's enduring creation, the professional sleuth Feluda to the chronicles of Professor Shonku; short stories; writings on filmmaking; and thoughts on world as well as Indian cinema, among others, this anthology, a two-volume boxset, The Best of Satyajit Ray is not only a treat for the Ray enthusiasts but also a collector's edition.
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, present the filmmaker's reflections on the art and craft of the cinematic medium and include his thoughts on sentimentalism, mass culture, silent films, the influence of the French New Wave, and the experience of being a successful director. Ray speaks on the difficulty of adapting literary works to screen, the nature of the modern film festival, and the phenomenal contributions of Jean-Luc Godard and the Indian actor, director, producer, and singer Uttam Kumar. The collection also features an excerpt from Ray's diaries and reproduces his sketches of famous film personalities, such as Sergei Eisenstein, Charlie Chaplin, and Akira Kurosawa, in addition to film posters, photographs by and of the artist, film stills, and a filmography. Altogether, the volume relays the full extent of Ray's engagement with film and offers extensive access to the thought of one of the twentieth-century's leading Indian intellectuals.
More than seventy rarest essays on filmmaking, screenplay writing, autobiographical pieces and rare photographs and manuscripts of Ray 'Ray is a most singular symbol of what is best and most revered in Indian cinema' - Adoor Gopalakrishnan 'Satyajit Ray, I salute you. The greatest of our poets of the cinema'-Ben Kingsley Satyajit Ray (1921-1992), one of the doyens of world cinema, gave a unique aesthetic expression to Indian cinema, music, art and literature. His writings, especially, autobiographical works, thoughts on filmmaking, screenplay writing and eminent personalities from art, literature and music, among others, are considered treasure troves, which largely remained unseen and therefore less known till date. Satyajit Ray Miscellany, the second book in The Penguin Ray Library series, brings to light some of the rarest essays and illustrations of Ray that opens a window to the myriad thought-process of this creative genius. With more than seventy gripping write-ups and rare photographs and manuscripts, this book is a collector's item.
The incredible story of a film that was never madeIn the 1950s, when Satyajit Ray asked Pandit Ravi Shankar to compose the music for the Apu Trilogy, he conceptualized a film on the legendary sitarist. He also worked out a detailed storyboard for the film. However,for reasons unknown till now, the film was never made and the project was forgotten. Now, for the first time,Ray's storyboard is available. Together with interviews by both Ray and Ravi Shankar on various aspects of their collaboration and a scholarly introduction, this is truly a collector's edition.
3 Rays is like exploring the Mother Earth, and finding the rare treasures'-Gulzar, poet, lyricist and film-maker 'Satyajit Ray's work is like a beautiful scene from nature, and that's the reason we get lost in his beautiful art' -Shoojit Sircar, film-maker 'Ray's magic, the simple poetry of his images and their emotional impact, will always stay with me'-Martin Scorsese, film director, producer, screenwriter and actor 'Satyajit Ray's artifice and honesty set him apart from other film directors'-The Guardian 'Satyajit Ray's world of restless watchfulness and nuance'-The New York Times 'The quiet but deep observation ... have impressed me greatly'-Akira Kurosawa, film-maker The most anticipated book on the centenary birth anniversary of Satyajit Ray An amazingly brilliant collection of Satyajit Ray's previously unpublished autobiographical writings, illustrations, fictions and non-fictions A collector's item, 3 Rays is a source of delight for every reader Satyajit Ray (1921-1992), through his life, philosophy and works offered a unique aesthetic sensibility, which took Indian cinema, art and literature to a new height. An ace designer, music composer, illustrator and a gifted writer, Ray gave us the awe-inspiring sleuth Feluda, and the maverick scientist, Professor Shonku-two iconic characters loved and revered by millions of readers. On the occasion of his centenary birth anniversary, 3 Rays: Stories from Satyajit Ray, the first book in The Penguin Ray Library series, opens a window to the brilliance of this Renaissance man. With more than forty stories and poems along with many unpublished works, autobiographical writings and illustrations by Ray, this volume offers a unique glimpse into Ray's creative genius.
The absorbing story of how one of the greatest directors of our time began his film-making career 'Ray's fascinating account of how he made the (Apu) trilogy and how his passion for cinema was first kindled.' -India Today 'Written in an impeccable style it brings back memories of an era when film-making was an art born out of a love for the medium and not merely a means to make money. -Sunday Mail 'My Years With Apu prompts wistful thoughts of those other books, the other Ray masterpieces that remained unwritten at the time of the director's death.' -Indian Review of Books 'A swift, detailed, precise narrative...the story and its many links still retain, as a powerful myth of artistic genesis, their freshness, and may have acquired a new significance with the passing of time.' -The Telegraph
3 Rays is like exploring the Mother Earth, and finding the rare treasures'-Gulzar, poet, lyricist and film-maker 'Satyajit Ray's work is like a beautiful scene from nature, and that's the reason we get lost in his beautiful art' -Shoojit Sircar, film-maker 'Ray's magic, the simple poetry of his images and their emotional impact, will always stay with me'-Martin Scorsese, film director, producer, screenwriter and actor 'Satyajit Ray's artifice and honesty set him apart from other film directors'-The Guardian 'Satyajit Ray's world of restless watchfulness and nuance'-The New York Times 'The quiet but deep observation ... have impressed me greatly'-Akira Kurosawa, film-maker The most anticipated book on the centenary birth anniversary of Satyajit Ray An amazingly brilliant collection of Satyajit Ray's previously unpublished autobiographical writings, illustrations, fictions and non-fictions A collector's item, 3 Rays is a source of delight for every reader Satyajit Ray (1921-1992), through his life, philosophy and works offered a unique aesthetic sensibility, which took Indian cinema, art and literature to a new height. An ace designer, music composer, illustrator and a gifted writer, Ray gave us the awe-inspiring sleuth Feluda, and the maverick scientist, Professor Shonku-two iconic characters loved and revered by millions of readers. On the occasion of his centenary birth anniversary, 3 Rays: Stories from Satyajit Ray, the first book in The Penguin Ray Library series, opens a window to the brilliance of this Renaissance man. With more than forty stories and poems along with many unpublished works, autobiographical writings and illustrations by Ray, this volume offers a unique glimpse into Ray's creative genius.
Satyajit Ray was a master of science fiction writing. Through his Professor Shonku stories and other fiction and non-fiction pieces, he explored the genre from various angles. In the 1960s, Ray wrote a screenplay for what would have been the first-of-its-kind sci-fi film to be made in India. It was called The Alien and was based on his own short story "Bonkubabur Bandhu". On being prompted by Arthur C. Clarke, who found the screenplay promising, Ray sent the script to Columbia Pictures in Hollywood, who agreed to back it, and Peter Sellers was approached to play a prominent role. Then started the "Ordeals of the Alien" as Ray calls it, as even after a series of trips to the US, UK and France, the film was never made, and more shockingly, some fifteen years later, Ray watched Steven Spielberg's film Close Encounters of the Third Kind and later E.T.: The Extra-Terrestrial, and realized these bore uncanny resemblances to his script The Alien, including the way the ET was designed! A slice of hitherto undocumented cinema history, Travails with the Alien includes Ray's detailed essay on the project with the full script of The Alien, as well as the original short story on which the screenplay was based. These, presented alongside correspondence between Ray and Peter Sellers, Arthur C. Clarke, Marlon Brando, Hollywood producers who showed interest, and a fascinating essay by the young student at Columbia University's Graduate School of Journalism who broke the Spielberg story, make this book a rare and compelling read on science fiction, cinema and the art of adaptation.
Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.
Phatik Chand is the endearing tale of a child kidnapped from his home and his adventures after he loses his memory in an accident. The ready sympathy and even generosity of the poor is contrasted with the heartlessness and selfish calculativeness of the rich. A juggler called Harun takes care of him and when he finally regains his memory, Phatik is restored to his family by Harun. The relationship which develops between the boy and the juggler as the central theme of the novel is movingly sketched and delineated.
More than seventy rarest essays on filmmaking, screenplay writing, autobiographical pieces and rare photographs and manuscripts of Ray 'Ray is a most singular symbol of what is best and most revered in Indian cinema' - Adoor Gopalakrishnan 'Satyajit Ray, I salute you. The greatest of our poets of the cinema'-Ben Kingsley Satyajit Ray (1921-1992), one of the doyens of world cinema, gave a unique aesthetic expression to Indian cinema, music, art and literature. His writings, especially, autobiographical works, thoughts on filmmaking, screenplay writing and eminent personalities from art, literature and music, among others, are considered treasure troves, which largely remained unseen and therefore less known till date. Satyajit Ray Miscellany, the second book in The Penguin Ray Library series, brings to light some of the rarest essays and illustrations of Ray that opens a window to the myriad thought-process of this creative genius. With more than seventy gripping write-ups and rare photographs and manuscripts, this book is a collector's item.
This omnibus edition features the ever-popular adventures of Satyajit Ray’s enduring creation, the professional sleuth Pradosh C. Mitter (Feluda). In his escapades, Feluda is accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu). From Jaisalmer to Simla, from the Ellora Caves to Varanasi, the trio traverse fascinating locales to unravel one devious crime after another.
Satyajit Ray is acknowledged as one of the world's finest film-makers. His films changed the way the world looked at Indian cinema. But Ray was not only a film-maker. He was also a bestselling writer of novels and short stories, and possibly the only Indian film-maker who wrote prolifically on cinema. This book brings together, for the first time in one volume, some of his most cerebral writings on film. With the economy and precision that marked his films, Ray writes on the art and craft of cinema, pens an ode to silent cinema, discusses the problems in adapting literary works to film, pays tributes to contemporaries like Godard and Uttam Kumar, and even gives us a peek into his experiences at film festivals, both as a jury member and as a contestant. Published in association with the Society for the Preservation of Satyajit Ray Films, and including fascinating photographs by and of the master, Deep Focus not only reveals Ray's engagement with cinema but also provides an invaluable insight into the mind of a genius.
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, present the filmmaker's reflections on the art and craft of the cinematic medium and include his thoughts on sentimentalism, mass culture, silent films, the influence of the French New Wave, and the experience of being a successful director. Ray speaks on the difficulty of adapting literary works to screen, the nature of the modern film festival, and the phenomenal contributions of Jean-Luc Godard and the Indian actor, director, producer, and singer Uttam Kumar. The collection also features an excerpt from Ray's diaries and reproduces his sketches of famous film personalities, such as Sergei Eisenstein, Charlie Chaplin, and Akira Kurosawa, in addition to film posters, photographs by and of the artist, film stills, and a filmography. Altogether, the volume relays the full extent of Ray's engagement with film and offers extensive access to the thought of one of the twentieth-century's leading Indian intellectuals.
Nineteen gripping tales of suspense and mystery For readers who enjoyed the adventures of Feluda in Volume 1, this second omnibus volume holds more delights. Accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu), Feluda travels from Puri to Kedarnath, from Kathmandu to London in his pursuit of culprits; he tracks down Napoleon’s last letter, a forgotten painting by Tintoretto and a stolen manuscript.
The best short stories of Satyajit Ray Best known for his immensely popular Feluda mysteries and the adventures of Professor Shonku, Satyajit Ray was also one of the most skilful short story writers of his generation. Ray’s short stories often explore the macabre and the supernatural, and are marked by the sharp characterization and trademark wit that distinguish his films. This collection brings together Ray’s best short stories—including such timeless gems as ‘Khagam’, ‘Indigo’, ‘Fritz’, ‘Bhuto’, ‘The Pterodactyl’s Egg’, ‘Big Bill’, ‘Patol Babu, Film Star’ and ‘The Hungry Septopus’—which readers of all ages will enjoy. A collection of forty-nine short stories
Frank and funny, these stories written originally for the Bengali children's magazine Sandesh, are an essential read for all Ray enthusiasts as well as those who want to know Ray, the writer and film-maker, better. In this volume, Ray also shares some of his experiences while shooting Pather Panchali—his epic debut, and subsequent films, particularly for children. He describes how an entire field of kaash flowers was eaten up by cows before he could shoot his famous scene with the train in Pather Panchali; and how a circus tiger let loose in a bamboo grove chased away a group of curious onlookers in the blink of an eye.
A Collection of Satyajit Ray's best short stories in one volume! Best-known for his immensely popular short stories mysteries and the A collection of forty-nine Feluda adventures of Professor Shonku, Satyajit Ray was also one of the most skilful short story writers of his generation.
Pather Panchali placed Indian cinema on the world map in 1955: this is a simple statement of fact, no hyperbole. In the sixty years since, the movie has acquired cult status, and its sketchbook mythical proportions. Believed to have been forever lost after the film-maker donated it to the Cinematheque Francaise archives, the sketchbook is now available as a book, along with other fascinating and previously unseen material on the film: parts of the draft scenario, reviews, recollections, posters and illustrations. For film and Ray enthusiasts, this is a treasure trove, and for a whole new generation of filmgoers, including those who might not even have seen the film yet, it will reveal a process unfolding, a mind at work. As for connoisseurs of the graphic form, Ray's sketches are legend, and the novelistic qualities of this particular sketchbook have been the matter of intense discussion. As much a chronicle of the work of a genius as it is a handbook for aspiring film-makers, this collector's edition of The Pather Panchali Sketchbook is a must-have for every film lover's library.
Scintillating stories from storyteller extraodinaire, Satyajit Ray Join Professor Trilokeshwar Shonku, eccentric genius and scientist, on an incredible world tour as he confronts a daring doppelgänger, undertakes an experiment to create gold, unravels the mystery of a scientist’s loss of memory and visits an unknown island to look for an amazing fruit, amongst many other escapades. Featuring the indomitable Professor Shonku and a bunch of madcap characters, these brilliantly translated stories bring alive the magic of Satyajit Ray’s imaginative world. To add more to the charm of the anthology are some of Ray’s unique illustrations. Get ready for some hair-raising fun with the weird and wonderful Professor Shonku, whose exploits have held readers spellbound for over five decades.
Indigo is a collection of stories about the supernatural, the peculiar and the inexplicable from Satyajit Ray, one of the best-loved writers of our times. There are tales here of dark horror, fantasy and adventure along with heart-warmingly funny stories about ordinary people in extraordinary situations. In 'Big Bill' Tulsi Babu picks up a newly-hatched chick from a forest and brings it home only to find it growing bigger and fiercer by the day; in 'Khagam' a man kills a sadhu's deadly pet snake and invites a curse which brings about horrifying changes in his body; and in the title story, a young executive resting in an old abandoned bungalow for a night, finds himself caught up in a chilling sequence of events which occurred more than a century ago. Also included here is 'The Magical Mystery', a brand new Feluda story discovered amongst Ray's papers after his death, and several tales featuring Uncle Tarini, the master storyteller who appears in translation for the first time. From Mr. Shasmal, who is visited one night by all the creatures he has ever killed, to Ashamanja Babu, who does not know what to do when his pet dog suddenly begins to laugh, the unforgettable characters in these stories surprise, shock and entertain us in equal measure. Indigo is a veritable treasure trove especially for those who like a taste of the unusual in a short story and an unexpected twist at the end. Translated from the Bengali by the author and Gopa Majumdar.
“A thrilling journey. . . . A must-read.” Freida Pinto “How fortunate a thing it is, when life alters you without warning.” Lisa Ray is one of India’s first supermodels. She’s also an acclaimed actor, a cancer survivor, a mother of twins born through surrogacy, a lifelong student, and a person of no fixed address. She is a woman who has lived many lives. And this is her story. Unflinching and deeply moving, Close to the Bone traces Lisa Ray’s serendipitous life, from her childhood in Canada as the biracial daughter of an Indian man and Polish woman, to her rise as a Bollywood star; from her battle with a rare and incurable cancer, to her journey to find identity and belonging, both in the world and in her own body. Transporting and atmospheric, it takes readers across the globe: Toronto in the 1970s, when Lisa was searching for place and purpose; the intense, frenetic streets of Bombay, where, young and unmoored, she became a peer of some of the biggest names in the Bollywood industry; the lush sensuality of Colombo and a film role that changed the course of her career; and in London, where she simultaneously found her footing in drama school and lost herself in an abusive relationship. It is a storied life, and one whose adventures teach Lisa that in the brightest and darkest moments, no matter where she travels to, she can always find her way back home—to herself. At once charming and wise, intimate and gut-wrenchingly honest, Close to the Bone is a revealing travelogue of the soul—a brave and inspiring story of a life lived on one’s own terms.
‘If you hear this, you will find your heads are getting muddled. Some of you will fathom fully, some will stay befuddled’ The Bengali language has never been quite such a living, breathing creature of whimsy as in Sukumar Ray’s hands. His creations—wild and wicked, dreamy and delirious—have thrilled children and adults alike. This selection offers you the best of his world—pun-riddled, fun-fiddled poetry from Abol Tabol and Khai-Khai, stories of schoolboy pranks from Pagla Dashu, of madcap explorers from Heshoram Hushiyarer Diary and the unforgettable harum-scarum classic Haw-Jaw-Baw-Raw-Law—for the first time in its entirety. All the stories and poems are accompanied by Sukumar Ray’s inimitable illustrations. Sampurna Chattarji’s vibrant translation captures the freewheeling play of sound and sense we associate with Ray’s writings, and promises to win him a whole new generation of admirers.
How is the city represented through literature from the post-colonies? This book searches for an answer to this question, by keeping its focus on India—from after Independence to the millennia. How does the urban space and the literature depicting it form a dialogue within? How have Indian cities grown in the past six decades, as well as the literature focused on it? How does the city-lit depart from organic realism to dissonant themes of “reclamation”? Most importantly—who does the city (and its narratives) belong to? Through the juxtaposition of critical theories, sociological data, urban studies and variant literary works by a wide range of Indian authors, this book is divided into four temporal phases: the nation-building of the 50–60s, the dictatorial 70s, the neoliberalization of the 80–90s and the early 2000s. Each section covers the dominant socio-political thematics of the time and its effect on urbanism along with historical data from various resources, followed by an analysis of contemporaneously significant literary works—novel, short stories, plays, poetry and graphic novel. Each chapter comments on how literature, perceived as a historical phenomenon, frames real and imagined constructs and experiences of cities. To give the reader a more expansive idea of the complex nature of city-lit, the literary examples abound not only “Indian Writings in English,” but vernacular, cult-works as well with suitable translations. With its focus on philosophy, urban studies and a unique canon of literature, this book offers elements of critical discussion to researchers, emergent university disciplines and curious readers alike.
A rigged game of dice brings the 100 Kaurava princes, led by the scheming Duryodhana, to the battlefield against their cousins, the five Pandavas – the noble but gullible Yudhishthira, the mighty Bhima, master archer Arjuna and the twins, Nakula and Sahadeva. The epic war of Kurukshetra, which lasted 18 tragic days, pitted brother against brother, uncle against nephew and disciple against teacher. The intense battles between warriors equally fearless and skilled – Bhima and Duryodhana, Arjuna and Bheeshma, Drona and Dhrishtadyumna, and Karna and Arjuna – were as much conflicts of loyalty and ambition as they were of choices. The side they chose to support, or fight against, led them into a labyrinth of duty and destiny, where both the defeated and the victorious lost something or someone precious to them. This classic retelling of the Mahabharata, was written especially for young readers by the inimitable Upendrakishore Ray Chowdhury, and originally checked and proofed by none other than Rabindranath Tagore. Translated for the first time into English by leading children’s writer and translator, Swapna Dutta, this eternal tale is brought to life in all its drama and detail.
Welcome to the extraordinary world of Sukumar Ray – King of Humour and Wizard of Wordplay! A gifted poet, writer, playwright and illustrator, Ray wrote stories of various shapes, colours and flavours, transforming words into things of wonder and whimsy for generations of readers. Featuring broken stars and enchanted forests, cures for anger and greed, lazy pigs and sly parrots, wicked sorcerers and talking dolls, many of the tales in this unusual medley have been translated into English for the first time. The collection highlights not only Ray’s crazy imagination but also his ability to breathe life into fables from faraway lands. Brimming with wit and magic, this dazzling display of Sukumar Ray’s storytelling genius is sure to leave you utterly spellbound.
The Sociology of Greed examines crises in financial institutions such as banks from the vantage point of the greed of the people at their helm. It offers an intensive analysis of the banking crises under the conditions of colonial capitalism in early twentieth-century Bengal that led to institutional and social collapse. Breaking new ground, the book looks at the moral economy of capitalism and money culture by focusing on the victims of banking crises, hitherto unexplored in Western empirical research. Through sociological analyses of political economy, it seamlessly combines archival records, survey and statistical data with literary narratives, realist fiction and performing arts to recount how the greed of bank owners and managers ruined their institutions as well as common people. It argues that greed turns perilous when the state and the market facilitate its agency, and it examines the contexts and histories, the indifference of the fledgling colonial state, feeble political response, and the consequences for those who were impacted and the losses, especially the refugees, the lower-middle class and women. The volume also re-composes relevant elements of Western sociological scholarship from classical theories to early twenty-first-century financial sociology. An insightful account of the social history of banking in India, this book will greatly interest researchers and scholars in sociology, economics, history and cultural studies.
`Dashu got away with it because he was `mad?.? You never know what?s going to happen in Pagla Dashu?s world ? it?s an out-and-out romp. Life is never ordinary or dull when Dashu is around and this round-eyed, curly- haired schoolboy shakes up people and places till everyone and everything is as topsy-turvy as our hero. From his classroom antics to his playtime tactics, Dashu?s impish audacity has you rolling on the floor with laughter. Join him and his equally wacky company of madcap schoolboys and geniuses, show-offs and know-it-alls, scientists and explorers, and many other unforgettable characters who will take you on a crazy roller-coaster ride through poetry epidemics, strange robberies, chaotic school plays, and imaginary lands populated by magical creatures. These 25 classic stories by Sukumar Ray have been put together for the first time in English by the Jadavpur University Translators? Collective and feature rare illustrations by the father-son duo of Sukumar Ray and Satyajit Ray. PLUS! Book Mine Gems: 48 extra-special pages: Know more about the author, his work and his times. Plus things to think about and to do.
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