This work examines terrorist activity worldwide from the mid-1990s to the 21st century. It covers the attack on the World Trade Center, the "War on Terrorism", and the escalating violence in Israel and Palestine, offering historical context by terrorism and counter-terrorism experts. It investigates key issues and events related to global and domestic terrorism, as well as future trends in terrorism and counter-terrorism. The work includes entries on terrorist individuals, organizations, and activities around the globe, and also features a complete volume of primary source documents relating to terrorism from ancient times to the 21st century.
Until now there has not been a serious study of the rifle-armed regiments of the British Army that earned such renown in the Peninsular and Waterloo campaigns. Compiled by a former rifleman, Ray Cusick, who has written extensively on the subject, Wellington’s Rifles examines the new rifle regiments, how they came about, their development, and their actions. The author also investigates the introduction of rifled muskets into the British Army in the French and Indian wars of the eighteenth century, where they were shunned by the military establishment, to their transition into a key element in Wellington’s extraordinarily successful Peninsular army. The training and tactics of the riflemen are explained and each significant engagement in which they were involved is explored in thrilling detail. It was the riflemen of the 95th Regiment who inspired Bernard Cornewell’s famous series of Richard Sharpe books. That was the fiction—here is the reality. Featuring a foreword by renowned Napoleonic historian Ian Fletcher, Wellington’s Rifles is an authoritative account of the early history of rifle regiments in the British Army. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
A fully illustrated account of Middle East Command’s strike force as told by its pilots and airmen, from the author of Hunters Over Arabia. After two years servicing Vampire trainers at the RAF’s Central Flying School, Ray Deacon left Little Rissington and joined thirty fellow airmen for a voyage out to Aden aboard HMT Nevassa on her last sailing as a troopship. Posted to 8 Squadron at RAF Khormaksar, he spent the next two years living and working in the torrid heat of this desert outpost. It had its compensations, however—the opportunity not only to experience life on a busy front-line operational squadron while working on ground attack and fighter reconnaissance versions of the Hawker Hunter, but to savor the delights of a trip in aeronautical engineer Sydney Camm’s most versatile aircraft topping his list. In addition to defending the skies above Aden and its Protectorates, Middle East Command expended a large proportion of its energy supporting army activities in the mountains of the Aden hinterland: dropping supplies, transporting personnel between posts, and in the case of the Hunter squadrons, attacking dissident targets and patrolling the border with Yemen. It was against this background that Deacon wrote his first book on RAF Middle East Command operations, Hunters over Arabia. Tales from the Frontline: Middle East Hunters is a fully illustrated companion volume that comprises anecdotes, stories, and experiences of life on the Hunter squadrons as told by the pilots and airmen who flew and maintained the Hunter during its twelve-year tenure in Arabia.
During the Italian Renaissance, dozens of early modern writers published collections of private correspondence, using them as vehicles for self-presentation, self-promotion, social critique, and religious dissent. Writing Gender in Women's Letter Collections of the Italian Renaissance examines the letter collections of women writers, arguing that these works were a studied performance of pervasive ideas about gender as well as genre, a form of self-fashioning that variously reflected, manipulated, and subverted cultural and literary conventions regarding femininity and masculinity. Meredith K. Ray presents letter collections from authors of diverse backgrounds, including a noblewoman, a courtesan, an actress, a nun, and a male writer who composed letters under female pseudonyms. Ray's study includes extensive new archival research and highlights a widespread interest in women's letter collections during the Italian Renaissance that suggests a deep curiosity about the female experience and a surprising openness to women's participation in this kind of literary production.
In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa Atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa. While the marines courageously and doggedly confronted an enemy that at times seemed invincible, those left behind on the American home front desperately scanned Sherrod's columns for news of their loved ones. Following his death in 1994, the Washington Post heralded Sherrod's reporting as "some of the most vivid accounts of men at war ever produced by an American journalist." Now, for the first time, author Ray E. Boomhower tells the story of the journalist in Dispatches from the Pacific: The World War II Reporting of Robert L. Sherrod, an intimate account of the war efforts on the Pacific front.
In the three decades between 1946 and 1976, the Central Flying School which was based at Little Rissington, produced over 6000 fledgling Qualified Flying Instructors and continually endeavoured to monitor and improve the wider Royal Air Force's standards of flying, based on its sound, proven instructional methods and a wealth of tradition extending back to Upavon in 1912. With the cessation of hostilities in 1945, the station's role took on a new dimension with the arrival of the Central Flying School (CFS) from RAF Upavon in the following year. The main function of CFS was to fulfil RAF requirements and assist some Commonwealth air force requirements for flying instructors. RAF Little Rissington became CFS's important focal base for the next thirty years. The book covers the 1946 to 1976 period and has been drawn from from the records at the National Archives, the RAF Museum, the Central Flying School Archive, and from published sources. Anecdotes and recollections from over 100 service and civilian personnel, ranging from Air Marshals to AC2s, who were once based at Little Rissington bring these unfolding years to life.
Lighthouses of the Great Lakes combines the fascinating history and lore of approximately forty-one lighthouses with stunning color and black-and-white photographs. Focusing on the lighthouses of Lake Michigan and Lake Superior, this beautifully illustrated book provides stirring descriptions of the lighthouses as well as directions and details on visiting these memorable Great Lakes landmarks.
An exciting monograph dedicated to an extraordinary figure and one of last century's most famous and influential artists. Man Ray (1890-1976) was a photographer, painter, and creator of objects, experimental films and images which were at times enigmatic. This catalogue, which presents more than 200 works and compares and contrasts images with biographical details, enables the reader to grasp the creative process involved in each work and reveals the mechanisms and motivating sources of the artist's inexhaustible imagination.
Still lifes, landscapes, nudes, women's faces, portraits, and rayographs (photographs made without cameras) produced by Ray in the twenties and early thirties are accompanied by the comments of his contemporaries
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.