Ray Charles (1930-2004) led one of the most extraordinary lives of any popular musician. In Brother Ray, he tells his story in an inimitable and unsparing voice, from the chronicle of his musical development to his heroin addiction to his tangled romantic life. Overcoming poverty, blindness, the loss of his parents, and the pervasive racism of the era, Ray Charles was acclaimed worldwide as a genius by the age of thirty-two. By combining the influences of gospel, jazz, blues, and country music, he invented, almost single-handedly, what became known as soul. And throughout a career spanning more than a half century, Ray Charles remained in complete control of his life and his music, allowing nobody to tell him what he could and couldn't do.As the Chicago Sun-Times put it, Brother Ray is "candid, explicit, sometimes embarrassing, often hilarious, always warm, touching and deeply human-just like his music.
A deeply personal memoir of the private Ray Charles - the man behind the legend - by his eldest son. Ray Charles is an American music legend. A multiple Grammy Award-winning composer, pianist, and singer with an inimitable vocal style and a catalog of hits including "What I Say," "Georgia on My Mind," "Unchain My Heart," "I Can't Stop Loving You," and "America the Beautiful," Ray Charles's music is loved by fans around the world. Now his eldest son, Ray Charles Robinson Jr., shares an intimate glimpse of the man behind the music, with never-before-told stories. Going beyond the fame, the concerts, and the tours, Ray Jr. opens the doors of his family home and reveals their private lives with fondness and frankness. He shares his father's grief and guilt over his little brother's death at the age of five — as well of moments of personal joy, like watching his father run his hands over the Christmas presents under their tree while singing softly to himself. He tells of how Ray overcame the challenges of being blind, even driving cars, riding a Vespa, and flying his own plane. And, in gripping detail, he reveals how as a six-year-old boy he saved his father's life one harrowing night. Ray Jr. writes honestly about the painful facts of the addiction that nearly destroyed his father's life. His father's struggles with heroin addiction, his arrests, and how he ultimately kicked the drug cold turkey are presented in unflinching detail. Ray Jr. also shares openly about how, as an adult, he fell victim to the same temptations that plagued his father. He paints a compassionate portrait of his mother, Della, whose amazing voice as a gospel singer first attracted Ray Charles. Though her husband's drug use, his womanizing, and the paternity suits leveled against him constantly threatened the stability of the Robinson home, Della exhibited incredible resilience and inner strength. Told with deep love and fearless candor, You Don't Know Me is the powerful and poignant story of the Ray Charles the public never saw — the father and husband and fascinating human being who also happened to be one of the greatest musicians of all time.
During a period when African-American education was at the epicenter of the civil rights movement, Thompson’s Journal documented the rapid growth of educational discrimination in the South despite significant increases in public school funding, providing irrefutable evidence that racially segregated public education was inherently discriminatory, hence, unconstitutional. Between 1932 and 1954, Thompson’s editorials provided a nuanced, insider’s account of one of the most successful policy research ventures in American history: the movement to overturn racial segregation as public policy, chronicling the rise during the Depression, World War II and the postwar period of a policy community committed to expanding human rights nationally and internationally. A brilliant essayist, Thompson sought to close the gap between America’s democratic precepts and its undemocratic practices by molding public opinion favorable to a significant expansion of civil rights among scholars, policymakers and the public. An expert witness in several landmark higher education cases argued before the U. S. Supreme Court including Sipuel (1948), Sweatt (1950) and McLaurin (1950), Thompson’s editorials provided an informed, eyewitness account of African-American teachers’ pivotal role in the NAACP litigation campaign culminating in the landmark Brown et al v. Board of Education of Topeka et al (1954) desegregation ruling. As the first, full-length study of Charles H. Thompson’s contributions to American education and the civil rights movement, Derrick P. Aldridge has described this study as a “widely anticipated,” and a valuable addition to the literature.
Michael Ray Charles is a painter whose carefully crafted and faux-aged canvases and works on paper draw attention to race relations historically and in contemporary society. Borrowing pop culture images of characters such as Sambo, Buckwheat, and Aunt Jemima, Charles uses them ironically to comment on racial issues. His concerns range from how tobacco and liquor companies target marketing to minorities to the depiction of African Americans in the entertainment and sports industries to concepts of all-American (i.e., white) beauty. This book is the catalog of the first major solo exhibition of Charles' work, staged by Blaffer Gallery, the Art Museum of the University of Houston. It contains a broad range of color images of paintings and works on paper. In addition to the catalog entries, the book contains an interview between exhibit curator Don Bacigalupi, catalog essayist Marilyn Kern-Foxworth, and artist Michael Ray Charles, in which the artist discusses and interprets his work. An essay by writer and cultural historian Marilyn Kern-Foxworth situates Charles' work within contemporary African American culture.
The goals of achieving equal citizenship rights for African Americans and international respect for human rights inspired Charles H. Thompson to focus his attention on ending segregation as public policy in the United States. As editor of The Journal of Negro Education, from 1932 to 1963, Thompson tirelessly championed equal educational and economic opportunities for African Americans and other targets of discrimination. Charles H. Thompson on Desegregation, Democracy, and Education captures the evolving struggle for civil rights from the perspective of an education insider, brilliant scholar-activist, and arguably the leading dean in African American higher education between 1938 and 1963. This study focuses on Thompson's efforts, between 1953 and 1963, to mobilize his readers, including African American teachers, to support the civil rights movement including voter registration drives, boycotts, the sit-ins, as well as the NAACP litigation campaign. He encouraged them to support principled, African American leaders such as Dr. Martin Luther King, Jr., and their campaigns for social justice. Thompson remained confident that they and their allies would prevail so long as they adhered to the ethical principles that informed their movement and applied political and economic pressure intelligently. The desegregation of public education and the strengthening of African American higher education, for Thompson, served as wedges for extending democracy in the US.
CLEVIS DALTON lived a decent life and was the best cop he could be. Married to STELLA, the woman of his dreams, and working with WALDEN WADE, who he considered closer than blood. They were so effective as detectives that the Police Chief nicknamed them his G.T.Gs (Go To Guys). Betrayed by his wife and friend and emotionally shattered by an accidental killing, Clevis withdraws into seclusion. ----- Clevis's ex, now his former friend's wife, is slaughtered in almost indescribably horrendous fashion, for no apparent reason. Clevis is considered the only person who can make all the connections and check all the boxes to find justice for her. He's also known as a man who can hold his mud when the rubber meets the road. His former friend, now an LAPD Deputy Chief, persuades him to come back to L.A. and spearhead the investigation into the murder. Clevis agrees, only to honor the memory of what he had with his wife before she and his former friend backstabbed him. ----- On the first day of Clevis's involvement, he is attacked by a 6'6" body builder who almost literally breaks Clevis in half. Clevis bites the aggressor's nose entirely off and shoots him but injuries prevent pursuit and the attacker escapes. There's no way of knowing who the guy was or why he attacked Clevis or even knew where Clevis was. ----- Clevis has ongoing hatred for Walden because of the marital betrayal but they reach a working agreement to postpone violence toward each other until the investigation is complete. ----- Clevis recovers from his injuries and his attacker's corpse is found, head and hands removed. No dental records, no DNA, no fingerprints, no way of identification. Mystery piles atop violence and hatred. Clevis has a heated affair with a policewoman who is also working the case. They know that it won't last. She's crazy for Clevis but still wants to maintain her marriage. Clevis understands and has intensely conflicted emotions about the whole chimichanga, given his history with his wife, but the woman is a world of joy. ----- More murders are committed in the same signature way Stella was killed. There seems to be no logic around the bizarre crew doing these rabid killings. The other miscreants in this bunch are as demented as the attacking giant. ----- Clevis and the others in Wade's crew come tantalizingly closer to finding the killers. They engage in all manner of actions as they chase all manner of leads, including a massive firefight with a murderous biker gang. They interview people who become victims immediately after those interviews. Clevis and Wades' crew continue progressing but not quickly enough to identify and stop the savages performing the atrocities. It feels as if the people doing these sickening things are trying to prove that they're smarter, smoother, more creative, better in every way than any authority. ----- Then the charismatic leader of the crazy crew of miscreants decides to turn the case onto its head and attack Clevis and Walden and the rest of their crew. They almost kill everybody with a car bomb but Clevis and company are a tad harder to kill than the other victims. There are injuries all around and one of the criminal crew is sacrificed by the Dr. Demento-type leader but none of Clevis and Wades' crew dies. They're all holed up together in a big house owned by Wade's family as they heal. ----- The house is invaded and the team held by HARDIN JAMES, evil genius par excellence, and his team. Their motivation is revealed and it's stunning. Wade and Clevis are on the edge of being exterminated when they're saved by the bravest, most unlikely hero anyone can imagine.
Originally published in 1979, this two-volume modern spelling of George Chapman's The Conspiracy and Tragedy of Charles, Duke of Byron is split into two parts: a critical introduction and commentary, and the texts of the double-play, the Conspiracy (contained in Volume I) and the Tragedy (Volume II - not currently available). The Critical Introduction comprises five chapters treating the date, sources, scholarly tradition, interpretation, and unity of The Conspiracy and Tragedy of Byron.
Name Index (INDEX ONLY) of the 26,000 grtx-grandchildren of Richard Sears of Yarmouth, Plymouth Colony circa 1639. This index will point you to a record at Ancestry.com or Wikitree.com or into one of the twelve volumes of details about each generation of Richard's descendants. These descendants have been a critical part of every element of the history of the United States and the world. (INDEX ONLY)
A splendid, graphic history of the origin and development of the computer, this classic work is a timeless record of the most profound technological revolution in the history of humankind. The book's decade-by-decade format is highlighted with hundreds of illustrations, memorabilia and artifacts collected from around the world. Halftones and illustrations.
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