An award-winning journalist and documentary filmmaker chronicles her personal year-long journey to discover the truth about her ancestry through DNA testing, sharing her findings as well as her insights into controversies surrounding modern Latino identity.
Find your group’s next great read with Atria Book Club Bites: a free sampling of ten books guaranteed to feed your discussion. Great books, dear friends, and fascinating conversation are the key ingredients in any book club. To help you decide what to read next, dip into Atria Book Club Bites: a free sampling of ten books guaranteed to feed your discussion. You’ll find excerpts from: The Storyteller by Jodi Picoult The Comfort of Lies by Randy Susan Meyers The Book of Lost Fragrances by M.J. Rose The Mapmaker’s War by Ronlyn Domingue The Best of Us by Sarah Pekkanen Ordinary Grace by William Kent Krueger Heart Like Mine by Amy Hatvany The Edge of the Earth by Christina Schwarz Bird of Paradise by Raquel Cepeda Out With It by Katherine Preston Whether your club enjoys contemporary women’s fiction, stories with moral and ethical dilemmas, or a fascinating memoir, we’ve got a great book guaranteed to get you talking.
The Lives of Others: Discover the Hidden Lives of Some of Our Favorite Atria Authors Socrates boldly proclaimed “the unexamined life is not worth living.” At Atria, we think that the examined life is worth sharing. With that in mind, we present The Lives of Others, a free collection of excerpts from some inspiring memoirs by Atria’s award-winning authors. Selections include: Badluck Way by Bryce Andrews Impossible Odds by Jessica Buchanan There’s More to Life Than This by Theresa Caputo Bird of Paradise by Raquel Cepeda The Girl by Samantha Geimer The Distance Between Us by Reyna Grande Fields of Grace by Hannah Luce What If . . . by Shirley MacLaine Out with It by Katherine Preston By Some Miracle I Made it Out of There by Tom Sizemore
In 2009, Raquel Cepeda embarked on an exploration of her genealogy using ancestral DNA testing to uncover the truth about her family and the tapestry of races and ethnicities that came together in an ambiguous mix in her features, resulting in “a beautiful story of reconciliation and redemption” (Huffington Post) with her identity and what it means to be Latina. Digging through memories long buried, Cepeda journeyed not only into her ancestry but also into her own history. Born in Harlem to Dominican parents, she was sent to live with her maternal grandparents in the Paraíso (Paradise) district in Santo Domingo while still a baby. It proved to be an idyllic reprieve in her otherwise fraught childhood. Paraíso came to mean family, home, belonging. When Cepeda returned to the US, she discovered her family constellation had changed. Her mother had a new, abusive boyfriend, who relocated the family to San Francisco. When that relationship fell apart, Cepeda found herself back in New York City with her father and European stepmother: attending tennis lessons and Catholic schools; fighting vicious battles with her father, who discouraged her from expressing the Dominican part of her hyphenated identity; and immersed in the ’80s hip-hop culture of uptown Manhattan. It was in these streets, through the prism of hip-hop and the sometimes loving embrace of her community, that Cepeda constructed her own identity. Years later, when Cepeda had become a successful journalist and documentary filmmaker, the strands of her DNA would take her further, across the globe and into history. Who were her ancestors? How did they—and she—become Latina? Her journey, as the most unforgettable ones often do, would lead her to places she hadn’t expected to go. With a vibrant lyrical prose and fierce honesty, Cepeda parses concepts of race, identity, and ancestral DNA among Latinos by using her own Dominican-American story as one example, and in the process arrives at some sort of peace with her father.
Find your group’s next great read with Atria Book Club Bites: a free sampling of ten books guaranteed to feed your discussion. Great books, dear friends, and fascinating conversation are the key ingredients in any book club. To help you decide what to read next, dip into Atria Book Club Bites: a free sampling of ten books guaranteed to feed your discussion. You’ll find excerpts from: The Storyteller by Jodi Picoult The Comfort of Lies by Randy Susan Meyers The Book of Lost Fragrances by M.J. Rose The Mapmaker’s War by Ronlyn Domingue The Best of Us by Sarah Pekkanen Ordinary Grace by William Kent Krueger Heart Like Mine by Amy Hatvany The Edge of the Earth by Christina Schwarz Bird of Paradise by Raquel Cepeda Out With It by Katherine Preston Whether your club enjoys contemporary women’s fiction, stories with moral and ethical dilemmas, or a fascinating memoir, we’ve got a great book guaranteed to get you talking.
The Lives of Others: Discover the Hidden Lives of Some of Our Favorite Atria Authors Socrates boldly proclaimed “the unexamined life is not worth living.” At Atria, we think that the examined life is worth sharing. With that in mind, we present The Lives of Others, a free collection of excerpts from some inspiring memoirs by Atria’s award-winning authors. Selections include: Badluck Way by Bryce Andrews Impossible Odds by Jessica Buchanan There’s More to Life Than This by Theresa Caputo Bird of Paradise by Raquel Cepeda The Girl by Samantha Geimer The Distance Between Us by Reyna Grande Fields of Grace by Hannah Luce What If . . . by Shirley MacLaine Out with It by Katherine Preston By Some Miracle I Made it Out of There by Tom Sizemore
The migration of substances from packaging to food is a matter of concern for the food safety authorities, and packaging materials constitute a potential source of contaminants to which the consumer will be exposed to through their diet. A huge variety of substances can be present in packaging materials, which could consequently migrate into food and represent a risk to consumer health. Food Contamination by Packaging provides an overview of the main packaging contaminants including Bisphenol A, melamine, phthalates, alternative plasticisers, photoinitiators, perfluorochemicals, saturated and aromatic hydrocarbons (mineral oil saturated hydrocarbons and mineral oil aromatic hydrocarbons) from mineral oils, other bisphenol-related compounds, nanoparticles, primary aromatic amines and nonintentionally added substances. The analytical techniques used for their determination are reviewed. This book will be of interest to students and researchers in universities and research institutions associated with food packaging and, in general, to the food safety sector.
How artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists’ experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and policing. Focusing on instances of arrest or potential arrest in art by Chris Burden, Adrian Piper, Jean Toche, Tehching Hsieh, Pope.L, the Guerrilla Girls, Asco, and PESTS, Faye Raquel Gleisser analyzes the gendered, sexualized, and racial politics of risk-taking that are overlooked in prevailing, white-centered narratives of American art. Drawing on art history and sociology as well as performance, prison, and Black studies, Gleisser argues that artists’ anticipation of state-sanctioned violence invokes the concept of “punitive literacy,” a collectively formed understanding of how to protect oneself and others in a carceral society.
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