Karen Carpenter was the instantly recognisable lead singer of the Carpenters. The top-selling American musical act of the 1970s, they delivered the love songs that defined a generation. Karen's velvety voice on a string of 16 consecutive Top 20 hits from 1970 to 1976 – including Close to You, We've Only Just Begun, Rainy Days and Mondays, Superstar, and Hurting Each Other – propelled the duo to worldwide stardom and record sales of over 100 million. Karen's musical career was short – only 13 years. During that time, the Carpenters released 10 studio albums, toured more than 200 days a year, taped five television specials, and won three Grammys and an American Music Award. But that's only part of Karen's story. As the world received news of her death at 32 years of age in 1983, she became the proverbial poster child for anorexia nervosa. Little Girl Blue is an intimate profile of Karen Carpenter, a girl from a modest Connecticut upbringing who became a Superstar. Based on exclusive interviews with nearly 100 friends and associates, including record producers, studio musicians, songwriters, television directors, photographers, radio personalities, classmates, childhood friends, neighbours, personal assistants, romantic interests, hairdressers, and housekeepers.'...thorough and affectionate biography of a singer who's been constantly undervalued by the music industry.' MOJO 'Schmidt cannot be faulted... carefully factual, sensitively pitched book.' The Word 'The first truly convincing account of her nightmarish story.' The Guardian
Ever hear of a butt splice? A cover? An iron mother? A biscuit? These were terms used in the heyday of vinyl records, from 1949 to the mid-1980s. This colorful and almost forgotten language was once used by record producers, label owners, disc jockeys, jukebox operators, record distributors, and others in the music industry. Their language is collected in this dictionary. Each entry offers both an explanation of a term's meaning as well as its context and use in the history of the record business.
A leading worldwide expert on technical certification training covers everything CNE candidates need to know to pass exam #50-638, the newest Novell exam for CNE certification.
This major biography includes the behind-the-scenes story to many of the landmarks in Jackson's life: his legal and commercial battles, his marriages to Lisa Marie Presley and Debbie Rowe, his passions and addictions, his children; objective and revealing, it carries the hallmarks of all of Taraborrelli's best-sellers: impeccable research, brilliant storytelling and definitive documentation. So much has how been said and written about the life and career of Michael Jackson that it has become almost impossible to disentangle the man from the myth. This book is the fruit of over 30 years of research and hundreds of exclusive interviews with a remarkable level of access to the very closest circles of the Jackson family - including Michael himself. Cutting through tabloid rumours, J. Randy Taraborrelli traces the real story behind Michael Jackson, from his drilling as a child star through the blooming of his talent to his ever-changing personal appearance and bizarre publicity stunts.
She was Motown's brightest star, the one with guts enough and ambition enough to make her dreams come true, no matter where they took her. Rules that apply to others have never applied to Diana Ross. She won't let them. CALL HER MISS ROSS goes behind the footlights and stage facade, behind the broad smile and beautiful voice, for an exclusive look at the real Diana. J. Randy Taraborrelli has interviewed over 400 people and uncovered stories that have never been told before. The ultimate control maven, she became the star of The Supremes without giving Mary Wilson and Florence Ballard a second throught, but also gave them both money when they ended up broke; self-centered, she dated newlywed Smokey Robinson on the sly in order to get more work at Motown; fiercely devoted mother of five, she gives her children anything they desire; impossible employer, she insists that everyone call her "Miss Ross"; insecure star, she demands complete control over every record, every movie, and every performance, no matter what the result. Her triumphs and tragedies, her virtues and vices, her lovers and enemies -- here's Miss Diana Ross as she's never been seen before. "Enjoyable . . . [A] marathon bitchfest." -- The Village Voice
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