Robert Penn Warren's reputation as a poet, though always considerable, has soared in the last decade, as indicated by his recent selection as America's first poet laureate. The Braided Dream is one of the first book-length studies of the poetry that has led to Warren's recent rise to eminence and the first to consider his final collection, Altitudes and Extensions. In a communicable, jargon-free style that will appeal to the nonacademic reader as well as the serious scholar, Randolph Paul Runyon provides a detailed and illuminating guide to a body of poetry that, despite its greatness, has until now seemed resistant to full understanding. Every poem of Warren's last four sequences—Now and Then, Being Here, Rumor Verified, and Altitudes and Extensions—is given a close reading, with a precise laying-out of words, phrases, and recurring images that not only enrich the texture of the poetry but are themselves the texture. Runyon demonstrates the relevance of Freud's concept of the dream work of the unconscious to a reading of this tightly interwoven poetry. He shows how Warren's poems assume additional meanings by the poet's very arrangement of them, deepening his thesis by arguing that "poems eat poems" as each reuses and reconceptualizes the imagery of its predecessor, frequently with ironic or parodic effect.
Runyon demonstrates the intimate connectedness between each fable and the next as well as the sequential unity of each of La Fontaine's masterpieces. (Poetry)
Shows how to combine the forces of ecological science and participatory democracy to design urban landscapes that enable us to act as communities, are resilient rather than imperiled, and touch our hearts. Over the last fifty years, the process of community building has been lost in the process of city building. City and suburban design divides us from others in our communities, destroys natural habitats, and fails to provide a joyful context for our lives. In Design for Ecological Democracy, Randolph Hester proposes a remedy for our urban anomie. He outlines new principles for urban design that will allow us to forge connections with our fellow citizens and our natural environment. He demonstrates these principles with abundantly illustrated examples—drawn from forty years of design and planning practice—showing how we can design cities that are ecologically resilient, that enhance community, and that give us pleasure. Hester argues that it is only by combining the powerful forces of ecology and democracy that the needed revolution in design will take place. Democracy bestows freedom; ecology creates responsible freedom by explaining our interconnectedness with all creatures. Hester's new design principles are founded on three fundamental issues that integrate democracy and ecology: enabling form, resilient form, and impelling form. Urban design must enable us to be communities rather than zoning-segregated enclaves and to function as informed democracies. A simple bench at a centrally located post office, for example, provides an opportunity for connection and shared experience. Cities must be ecologically resilient rather than ecologically imperiled, adaptable to the surrounding ecology rather than dependent on technological fixes. Resilient form turns increased urban density, for example, into an advantage. And cities should impel us by joy rather than compel us by fear; good cities enrich us rather than limit us. Design for Ecological Democracy is essential reading for designers, planners, environmentalists, community activists, and anyone else who wants to improve a local community.
Though they were not, as Charlotte claimed, refugees from the French Revolution, Augustus Waldemar and Charlotte Victoire Mentelle undoubtedly felt like exiles in their adopted hometown of Lexington, Kentucky -- a settlement that was still a frontier town when they arrived in 1798. Through the years, the cultured Parisian couple often reinvented themselves out of necessity, but their most famous venture was Mentelle's for Young Ladies, an intellectually rigorous school that attracted students from around the region and greatly influenced its most well-known pupil, Mary Todd Lincoln. Drawing on newly translated materials and previously overlooked primary sources, Randolph Paul Runyon explores the life and times of the important but understudied pair in this intriguing dual biography. He illustrates how the Mentelles' origins and education gave them access to the higher strata of Bluegrass society even as their views on religion, politics, and culture kept them from feeling at home in America. They were intimates of statesman Henry Clay, and one of their daughters married into the Clay family, but like other immigrant families in the region, they struggled to survive. Throughout, Runyon reveals the Mentelles as eloquent chroniclers of crucial moments in Ohio and Kentucky history, from the turn of the nineteenth century to the eve of the Civil War. They rankled at the baleful influence of conservative religion on the local college, the influence of whiskey on the local population, and the scandal of slavery in the land of liberty. This study sheds new light on the lives of a remarkable pair who not only bore witness to key events in early American history, but also had a singular impact on the lives of their friends, their students, and their community.
Forever Belle is the intriguing story of a nineteenth-century socialite, Sallie Ward Lawrence Hunt Armstrong Downs (1827–1896). Beautiful, charming, and kind—but also reckless and bold—she was born in Scott County, Kentucky, to a family of means beset by tragedy—early deaths, suicides, and even murders. Sallie basked in the national spotlight, appearing in newspapers as far-flung as Milwaukee and Charleston, written up for her exploits, which included such scandalous behavior as smoking cigars, dressing in “Turkish pantalets,” wearing rouge, and getting divorced. Such a character invites romanticizing, and in this new biography, Randolph Paul Runyon does much to ground Sallie Ward in reality, fact-checking stories such as her infamous horse ride through the Louisville market house and examining his subject in the context of her wealthy family. Runyon carefully details his subject’s life, beginning with her aristocratic origins as the descendant of slaveowners, merchants, and politicians who stole land from Native groups and grew rich off the labor of enslaved people. He accurately covers Sallie’s madcap adventures and charitable actions, faithfully representing her legacy as a Kentuckian, a mother, and a grandmother. Illustrated with images of the family, their property, and their lavish grave markers, this volume provides an entertaining and informative glimpse into the world of antebellum privilege in a border state, as well as an examination of the birth of celebrity for its own sake. Forever Belle, finally, is also the story of an early if conflicted feminist: a woman who believed she should have control over her own appearance, actions, political views, and marital status.
In this rewarding study of one of the most important writers of recent decades, Randolph Paul Runyon reveals an ambitious metafiction beneath the terse style of Carver's works and places Carver squarely in the context of the minimalist debate. Runyon's reading ably demonstrates that Carver's stories, especially as they appear in his three major collections, Will You Please Be Quiet, Please?, What We Talk About When We Talk About Love, and Cathedral, and the seven new stories in Where I'm Calling From, are strikingly intricate and cast their subtlest spells by indirection. He reveals the intricate metaphorical connections, the structural overlaps, that are overlooked in past Carver criticism. Runyon also finds purposeful arrangement in Carver's short story collections, inviting the reader to explore another text, one written in the interstices between the stories. Each story echoes elements from its immediate predecessor, just as the subconscious, according to Freud, weaves the events of the immediately preceding day into a dream. Freud's relevance extends well to the troubling tension between fathers and sons in Carver's work and to a recurring maternal Medusa. In his assessment of Carver's collections, Runyon also considers both the influence of the Bible and events in Carver's life.
On June 8, 1883, Rev. Elisha Green was traveling by train from Maysville to Paris, Kentucky. At Millersburg, about forty students from the Millersburg Female College crowded onto the train, accompanied by their music teacher, Frank L. Bristow, and the college president, George T. Gould. Gould grabbed the reverend by the shoulder and ordered him to give up his seat. When Green refused, Bristow and Gould assaulted him until the conductor intervened and ordered the assailants to stop or he would throw them off of the train. Friends advised Green to take legal action, and he did, winning his case against his assailants in March 1884, though with only token compensation. The significance of this case lies not only in the prevailing justice of the 1800s, but also in the fact that a black man won a lawsuit against two white men. In The Assault on Elisha Green: Race and Religion in a Kentucky Community, historian Randolph Paul Runyon recounts one man's pursuit of justice over violence and racism in the nineteenth century. He tells the story of Green's life and follows the network of relationships that led to the event of the assault. Tracing these three men's lives brings the reader from the slavery era to the eve of the First World War, from Kentucky to New Mexico, from Covington to the Kentucky River Palisades, with particular focus on Mason and Bourbon Counties. In this engagingly written tale, Runyon masterfully interweaves background information with the immediacy of the harrowing attack and its aftermath, revealing the true character of the primary actors and the racial tensions unique to a border state.
Entertaining, insightful, and eminently colorful-the next best thing to being at the fights."--New York Sportscene ". . . anyone taking a trip through the sport's hardscrabble past couldn't ask for a better guide..."--The Ring Known as the "guru" of boxing, Bert Randolph Sugar is one of the most charismatic writers ever to capture the drama of the fight on paper. With a passion for the sport that is rivaled only by his talent for writing about it, Bert Sugar is also regarded as the "unofficial historian" of boxing. With his trademark fedora and always-handy cigar, Sugar is a guaranteed ringside presence. His colorful personality and flamboyant mannerisms are unforgettable whether you are meeting him in person or through his writing. Bert Sugar on Boxing brings out his best. Here's but a small sampling of what awaits readers: Many a troubled and troublesome youngster has embraced "The Sweet Science" as a way out, a social staircase out of the mean streets that formed his limited world, fighting his way, bloody hand over bloody hand, up the ladder of acceptance the only way he knows: with his fists. You see, I was raised in a society, many moons ago, which held to two general axioms: That men were stronger; and women, smarter. And if women are so damned smart, why are they interested in having their features rearranged and acquiring cauliflower ears so pronounced they can be covered with hollandaise sauce? I will not be dissuaded from attacking those with souls like the undersides of flat rocks any more than ice can be welded or iron melted. There is no shaking-knee factor here.
Easily the most enduring of all sports questions is "Who was/is the best . . . ?" Perhaps in no sport is the question more asked and argued over than in boxing. And in boxing perhaps none is more qualified to answer the question than Bert Randolph Sugar. In Boxing's Greatest Fighters, not only does the former publisher of Ring Magazine tell us who the best fighters were, he lists them in order. Could Sugar Ray Robinson have beaten Muhammad Ali? Could Sugar Ray Leonard have beaten Sonny Liston? The answer, most experts agree, would be "no." But what if, as Bert Sugar has done here, one were to take all the boxers and reduce them in the mind's eye to the same height, the same weight, and the same ring conditions? The answers would be quite different. And while some fans may express outrage that Rocky Marciano barely makes the top twenty, and Marvin Hagler staggers into the top seventy-five, others will nod eagerly when they read that Harry Greb and Benny Leonard were better than just about anybody. So whether you read Boxing's Greatest Fighters cover to cover, pick your favorites at random, or simply browse through the many rare photographs, "at the bell, come out arguing.
Spotlighting the career of William, Jr., this fascinating memoir--one that holds a mirror up to the "American Century" and an unforgettable family who did so much to define it--tells the extraordinary story of the Hearsts and their empire. More than 100 photographs.
America's most eminent man of letters in his later years, and certainly one of the greatest Southern writers, Robert Penn Warren has increasingly come to be known for his poetry. Ghostly Parallels is a close examination of the heart of his poetic corpus-the eight collections published between 1935 and 1976: Thirty-Six Poems; Eleven Poems on the Same Theme; Promises; You, Emperors, and Others; Tale of Time; Incarnations; Or Else; and Can I See Arcturus from Where I Stand? Ghostly Parallels shows how Warren constructed collections of poems based on common subjects and contexts and also contends that, while the poems are distinctive, taken together they reveal intricate patterns of theme, imagery, and diction within explicit sequences. Runyon demonstrates that Warren's collections are integrated, well-crafted wholes, and each poem references its predecessor-sometimes in intriguingly self-referential ways. Runyon shows that despite the many changes in diction, tone, and subject that Warren underwent in his long career, his concern for writing his poems in such a way that they could reach out beyond themselves to other poems remained remarkably constant. In the arrangement Warren gave them, his poems form “ghostly parallels”-an expression that appears in “The Return: An Elegy,” where they refer to the railroad tracks that bring the poet home to his dying mother. This return to the mother is a persistent leitmotif in the poems and forms the other major theme of this study: Warren's personal poetic myth, in which such images as golden light and mirror images are signs of the mother's presence as both Danae, mother of Perseus, and Medusa, whom Perseus confronted. Through pursuing sequential patterns as well as echoes and myth, GhostlyParallels brings a wealth of insights to the work of this prolific novelist, critic, and essayist. An important guide for undergraduate and graduate students alike, Ghostly Parallels will also appeal to anyone with an interest in Robert Penn Warren and southern literature.
In this captivating tale, Randolph Paul Runyon follows the trail of the first woman imprisoned for assisting runaway slaves and explores the mystery surrounding her life and work. In September 1844, Delia Webster took a break from her teaching responsibilities at Lexington Female Academy and accompanied Calvin Fairbank, a Methodist preacher from Oberlin College, on a Saturdary drive in the country. At the end of their trip, their passengers—Lewis Hayden and his family—remained in southern Ohio, ticketed for the Underground Railroad. Webster and Fairbank returned to a near riot and jail cells. Webster earned a sentence to the state penitentiary in Frankfort, where the warden, Newton Craig, married and a father, became enamored of her and was tempted into a compromising relationship he would come to regret. Hayden reached freedom in Boston, where he became a prominent businessman, the ringleader in the courthouse rescue of a fugitive slave, and the last link in the chain of events that led to the Harpers Ferry Raid. Webster, the focal point at which these lives intersect, remains an enigma. Was she, as one contemporary noted, "A young lady of irreproachable character?" Or, as another observed, "a very bold and defiant kind of woman, without a spark of feminine modesty, and, withal, very shrewd and cunning?" Runyon has doggedly pursued every historical lead to bring color and shape to the tale of these fascinating characters.
What were the ten most fantastic knockouts in boxing history? Which pugilist had the greatest jab of all time? What were the sport's most intense rivalries? Who scored the biggest upsets in the sport's annals? Which fighters have the best nicknames? These questions and many others are answered in this bold collection of ranked lists from two of boxing's most popular commentators. Each list has an introductory paragraph followed by a number of ranked entries, with each entry featuring a brief explanation of ranking plus entertaining and enlightening background information. Also included are original lists contributed exclusive to this book by more than 25 top personalities from boxing and beyond, including Muhammad Ali, Joe Frazier, George Foreman, Oscar De La Hoya, Bernard Hopkins, and more.
For years gambling has been, according to Sports Illustrated, "America's national pastime". Now, the most famous sports-gambling establishment in the world gives the gambler and sports fan this coverage of basketball, boxing, football, baseball, horse racing, and more.
In this captivating tale, Randolph Paul Runyon follows the trail of the first woman imprisoned for assisting runaway slaves and explores the mystery surrounding her life and work. In September 1844, Delia Webster took a break from her teaching responsibilities at Lexington Female Academy and accompanied Calvin Fairbank, a Methodist preacher from Oberlin College, on a Saturdary drive in the country. At the end of their trip, their passengers—Lewis Hayden and his family—remained in southern Ohio, ticketed for the Underground Railroad. Webster and Fairbank returned to a near riot and jail cells. Webster earned a sentence to the state penitentiary in Frankfort, where the warden, Newton Craig, married and a father, became enamored of her and was tempted into a compromising relationship he would come to regret. Hayden reached freedom in Boston, where he became a prominent businessman, the ringleader in the courthouse rescue of a fugitive slave, and the last link in the chain of events that led to the Harpers Ferry Raid. Webster, the focal point at which these lives intersect, remains an enigma. Was she, as one contemporary noted, "A young lady of irreproachable character?" Or, as another observed, "a very bold and defiant kind of woman, without a spark of feminine modesty, and, withal, very shrewd and cunning?" Runyon has doggedly pursued every historical lead to bring color and shape to the tale of these fascinating characters.
Readers of Montesquieu will through this study discover a new Persian Letters, as the exquisite subtlety of its construction is laid bare for the first time. It should find a new appreciation as a work of art, and not merely as a precursor to the author's Of the Spirit of the Laws. The Letters will henceforth be read in the light of similarly composite texts, from Montaigne's Essays to Baudelaire's Fleurs du mal."--Jacket.
Called the Guru of Sports, Burt Randolph Sugar has covered the sports scene for more than three decades, both in print and on television. In this book Sugar has attempted what no sportswriter has ever dared to do: He has selected those athletes whom he considers the best who ever played throughout the history of sports. Whether it's baseball, football, track and field, or any other sport, Sugar not only selects the greatest athletes, but ranks them according to their achievements. Over the years, the world of sports has served up countless legendary figures -- male and female. While readers may quarrel over his rankings: Babe Ruth (5), Joe Louis (58), Ben Hogan (29), Martina Navratilova (38), Larry Bird (48), and others, they will surely appreciate the incisive "Sugar-style" profiles of those heroes. The Sports 100 is a benchmark of those considered "great". It will find its way into every bar argument and is the perfect addition to any sport fan's library.
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