AN INSTANT #1 NEW YORK TIMES BESTSELLER “How To will make you laugh as you learn…With How To, you can't help but appreciate the glorious complexity of our universe and the amazing breadth of humanity's effort to comprehend it. If you want some lightweight edification, you won't go wrong with How To.” —CNET “[How To] has science and jokes in it, so 10/10 can recommend.” —Simone Giertz The world's most entertaining and useless self-help guide from the brilliant mind behind the wildly popular webcomic xkcd and the bestsellers What If? and Thing Explainer For any task you might want to do, there's a right way, a wrong way, and a way so monumentally complex, excessive, and inadvisable that no one would ever try it. How To is a guide to the third kind of approach. It's full of highly impractical advice for everything from landing a plane to digging a hole. Bestselling author and cartoonist Randall Munroe explains how to predict the weather by analyzing the pixels of your Facebook photos. He teaches you how to tell if you're a baby boomer or a 90's kid by measuring the radioactivity of your teeth. He offers tips for taking a selfie with a telescope, crossing a river by boiling it, and powering your house by destroying the fabric of space-time. And if you want to get rid of the book once you're done with it, he walks you through your options for proper disposal, including dissolving it in the ocean, converting it to a vapor, using tectonic plates to subduct it into the Earth's mantle, or launching it into the Sun. By exploring the most complicated ways to do simple tasks, Munroe doesn't just make things difficult for himself and his readers. As he did so brilliantly in What If?, Munroe invites us to explore the most absurd reaches of the possible. Full of clever infographics and fun illustrations, How To is a delightfully mind-bending way to better understand the science and technology underlying the things we do every day.
AN INSTANT NEW YORK TIMES BESTSELLER! "The questions throughout What If? 2 are equal parts brilliant, gross, and wonderfully absurd and the answers are thorough, deeply researched, and great fun. . . . Science isn’t easy, but in Munroe’s capable hands, it surely can be fun." —TIME The #1 New York Times bestselling author of What If? and How To answers more of the weirdest questions you never thought to ask The millions of people around the world who read and loved What If? still have questions, and those questions are getting stranger. Thank goodness xkcd creator Randall Munroe is here to help. Planning to ride a fire pole from the Moon back to Earth? The hardest part is sticking the landing. Hoping to cool the atmosphere by opening everyone’s freezer door at the same time? Maybe it’s time for a brief introduction to thermodynamics. Want to know what would happen if you rode a helicopter blade, built a billion-story building, made a lava lamp out of lava, or jumped on a geyser as it erupted? Okay, if you insist. Before you go on a cosmic road trip, feed the residents of New York City to a T. rex, or fill every church with bananas, be sure to consult this practical guide for impractical ideas. Unfazed by absurdity, Munroe consults the latest research on everything from swing-set physics to airliner catapult–design to answer his readers’ questions, clearly and concisely, with illuminating and occasionally terrifying illustrations. As he consistently demonstrates, you can learn a lot from examining how the world might work in very specific extreme circumstances.
AN INSTANT NEW YORK TIMES BESTSELLER! "The questions throughout What If? 2 are equal parts brilliant, gross, and wonderfully absurd and the answers are thorough, deeply researched, and great fun. . . . Science isn’t easy, but in Munroe’s capable hands, it surely can be fun." —TIME The #1 New York Times bestselling author of What If? and How To answers more of the weirdest questions you never thought to ask The millions of people around the world who read and loved What If? still have questions, and those questions are getting stranger. Thank goodness xkcd creator Randall Munroe is here to help. Planning to ride a fire pole from the Moon back to Earth? The hardest part is sticking the landing. Hoping to cool the atmosphere by opening everyone’s freezer door at the same time? Maybe it’s time for a brief introduction to thermodynamics. Want to know what would happen if you rode a helicopter blade, built a billion-story building, made a lava lamp out of lava, or jumped on a geyser as it erupted? Okay, if you insist. Before you go on a cosmic road trip, feed the residents of New York City to a T. rex, or fill every church with bananas, be sure to consult this practical guide for impractical ideas. Unfazed by absurdity, Munroe consults the latest research on everything from swing-set physics to airliner catapult–design to answer his readers’ questions, clearly and concisely, with illuminating and occasionally terrifying illustrations. As he consistently demonstrates, you can learn a lot from examining how the world might work in very specific extreme circumstances.
Randall Sumpter questions the dominant notion that reporters entering the field in the late nineteenth century relied on an informal apprenticeship system to learn the rules of journalism. Drawing from the experiences of more than fifty reporters, he argues that cub reporters could and did access multiple sources of instruction, including autobiographies and memoirs of journalists, fiction, guidebooks, and trade magazines. Arguments for “professional journalism” did not resonate with the workaday journalists examined here. These news workers were more concerned with following a personal rather than a professional code of ethics, and implemented their own work rules. Some of those rules governed “delinquent” behavior. While scholars have traced some of the connections between beginning journalists and learning opportunities, Sumpter shows that much more can be discovered, with implications for understanding the development of journalistic professionalism and present-day instances of journalistic behavior.
A gripping debut psychological novel you won't want to put down. 'Assured and clever' The Sun First he kills. A psychologist is found brutally murdered, an addict jumps to his death and a student is found dead. These are the facts. And they are all that DIs Wheeler and Ross have. He waits. As Wheeler and Ross weave through the layers of Glasgow's underbelly they find a subculture where truth and lies are interchangeable commodities and violence is the favoured currency. He watches. The killer stays one step ahead of them as Wheeler uncovers a web of deceit in which her own nephew is entangled. He leaves his legacy... And as the case draws to a close, Wheeler has to confront her own integrity and face the dilemma: is justice always served by the truth? Praise for Anne Randall 'Brilliant' The Sun 'For fans of Stuart MacBride, this is a delight to read. Anne Randall is a welcome addition to the Scottish crime scene. Glasgow is in very dangerous hands' Crimesquad 'As assured and clever a novel of "tartan noir" as you could hope to find' Daily Mail
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
Military analyst, peace activist, teacher, and social theorist Randall Caroline Watson Forsberg (1943–2007) founded the Nuclear Freeze campaign and the Institute for Defense and Disarmament Studies. In Toward a Theory of Peace, completed in 1997 and published for the first time here, she delves into a vast literature in psychology, anthropology, archeology, sociology, and history to examine the ways in which changing moral beliefs came to stigmatize forms of "socially sanctioned violence" such as human sacrifice, cannibalism, and slavery, eventually rendering them unacceptable. Could the same process work for war? Edited and with an introduction by political scientists Matthew Evangelista (Cornell University) and Neta C. Crawford (Boston University), both of whom worked with Forsberg.
While World War I raged in Europe, America scrambled to supply the Allies with ammunition, and several munitions plants were constructed near the Jersey Shore. The hastily built plants hummed with hardly a mishap until the fateful night of October 4, 1918, when a series of explosions killed one hundred people. Firemen and other volunteers were powerless to stop the destruction as it devastated the Morgan-South Amboy area and terrified the surrounding region. Strangely, though, this woeful disaster has been forgotten by history. New Jersey historian Randall Gabrielan re-creates this terrifying night and its aftermath in the context of Middlesex County's role in the Great War.
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