Share code and assets across domains in Web applications with CORS About This Book A step-by-step guide but at a high level/fast pace. Not all steps are covered as a basic knowledge is assumed Provides a basic overview of the concepts but the focus is on providing the practical skills required to develop applications Focuses on providing practical examples Who This Book Is For Web developers have been limited by the Same Origin Policy and often wish they could spread their application across different domains. You know JavaScript and AJAX, and have run up against the Same Domain Policy, which is limiting your applications. What You Will Learn Why you need CORS: Bending the Same Origin Policy and basic CORS implementation, headers and XMLHttpRequest Creating proxies for CORS: Sometimes the header is not enough Security: vulnerabilities and how to secure your CORS application CORS implementations in Content Management systems Learn about CORS in Windows applications Take CORS on the Cloud Apply CORS in Node.js Best practices for CORS In Detail This book explains how to use CORS, including specific implementations for platforms such as Drupal, WordPress, IIS Server, ASP.NET, JBoss, Windows Azure, and Salesforce, as well as how to use CORS in the Cloud on Amazon AWS, YouTube, Mulesoft, and others. It examines limitations, security risks, and alternatives to CORS. It explores the W3C Specification and major developer documentation sources about CORS. It attempts to predict what kinds of extension to the CORS specification, or completely new techniques, will come in the future to address the limitations of CORS Web developers will learn how to share code and assets across domains with CORS. They will learn a variety of techniques that are rather similar in their method and syntax. The book is organized by similar types of framework and application, so it can be used as a reference. Developers will learn about special cases, such as when a proxy is necessary. And they will learn about some alternative techniques that achieve similar goals, and when they may be preferable to using CORS Style and approach A step-by-step guide filled with real-world applications
No Evil Is Wide is the violent story of an unnamed narrator, the prostitute he is tasked to “find,” and Carpenter Wells, a man who has lost his soul and wanders, empty, unable to quench his desire. The remembrances of the narrator revolve around sexual awakening, family distance, and dissolution—how they crumble to common and inevitable animalism. It is filled with philosophical epistles to the reader that concretize the themes of the work. The narrative that allows the reader purchase within the text begins with the narrator locating the unnamed girl while the world devolves into a chaotic madness of bombings and destruction not dissimilar to contemporary existence. This chaos serves as an uncanny reminder of the everyday violence we overlook.
For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Randall (1905-1975) was a book dealer and a rare book librarian. Keller describes those careers in this book and provides a generous sampling of Randall's writing on rare books, book collecting, and bibliography.
In Learning the Language of Scripture, Mark Randall James develops a pragmatically-inflected approach to the theological interpretation of scripture that draws on Origen’s recently discovered Homilies on the Psalms.
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
Princess Bernice Pauahi Bishop was the largest landowner and richest woman in the Hawaiian kingdom. Upon her death in 1884, she entrusted her property--known as Bishop Estate--to five trustees in order to create and maintain an institution that would benefit the children of Hawai‘i: Kamehameha Schools. A century later, Bishop Estate controlled nearly one out of every nine acres in the state, a concentration of private land ownership rarely seen anywhere in the world. Then in August 1997 the unthinkable happened: Four revered kupuna (native Hawaiian elders) and a professor of trust-law publicly charged Bishop Estate trustees with gross incompetence and massive trust abuse. Entitled "Broken Trust," the statement provided devastating details of rigged appointments, violated trusts, cynical manipulation of the trust’s beneficiaries, and the shameful involvement of many of Hawai‘i’s powerful. No one is better qualified to examine the events and personalities surrounding the scandal than two of the original "Broken Trust" authors. Their comprehensive account together with historical background, brings to light information that has never before been made public, including accounts of secret meetings and communications involving Supreme Court justices.
Watson presents a linear and violent story of an unnamed narrator, the prostitute he is tasked to "find," and Carpenter Wells, the man that makes that return impossible. The remembrances of the narrator revolve around sexual awakening, family distance, and dissolution--how they crumble to common and inevitable animalism. It is filled with philosophical epistles to the reader.ader.
This companion to the AMC’s mini-series features the full interviews plus essays by sci-fi insiders and rare concept art from Cameron’s archives. For the show, James Cameron personally interviewed six of the biggest names in science fiction filmmaking—Guillermo del Toro, George Lucas, Christopher Nolan, Arnold Schwarzenegger, Ridley Scott, and Steven Spielberg—to get their perspectives on the importance of the genre. This book reproduces the interviews in full as the greatest minds in the genre discuss key topics including alien life, time travel, outer space, dark futures, monsters, and intelligent machines. An in-depth interview with Cameron is also featured, plus essays by experts in the science fiction field on the main themes covered in the show. Illustrated with rare and previously unseen concept art from Cameron’s personal archives, plus imagery from iconic sci-fi movies, TV shows, and books, James Cameron’s Story of Science Fiction offers a sweeping examination of a genre that continues to ask questions, push limits, and thrill audiences around the world.
An eclectic collection of stories, essays, and poems by a former Foreign Service Officer. It includes stories about Russia, Belarus, and Africa, travel writing about cities around the world, from Fort Worth to Paris, film reviews, essays on great American writers, and poems by the author.
Margaret Randall reveals personal stories and profound insights about the artists who most influenced her life. Artists in My Life is a collection of intimate and conversational accounts of the visual artists that have impacted the renowned poet activist Margaret Randall on her own journey as an artist. Randall writes of each relationship through multiple lenses: as makers of art, social commentators, women in a world dominated by male values, and in solitude or collaboration with communities and the larger artistic arena. Each story offers insight into the artist’s life and work, and analyses the impact it had on Randall’s own work and its impact on the larger art community. The work strives to answer bigger questions about visual art as a whole and its lasting political influence on the world stage. Randalls describes her motivations: ”I go beneath the surface, asking questions and telling stories. I have wanted to answer questions such as: Why is it that visual art—drawing, painting, sculpture, photography, architecture—grabs me and, in particular instances, feels as if it changes me at the molecular level? How do art and memory interact? How do reason and intuition come together in art? Do women and men make art differently? Does great art change the viewer? Does it change the artist? How does art travel through time?”
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