Jamie just wants to fit in. She doesn't want to be seen as a stereotypical Muslim girl named Jamilah, so she does everything possible to hide that part of herself, even if it means keeping her friends at a distance. But when the cutest boy in school asks her out and her friends start to wonder about her life outside of school, suddenly her secrets are threatened. Jamie has to figure out how to be both Jamie and Jamilah before she loses everything...
It is a truth universally acknowledged . . . Esma is a modern Muslim woman with an age-old dilemma. She is well-educated, well-travelled and has excellent taste in music, but the hunt for Mr Right leads her to a number of Mr Wrongs. Together with wild-haired Ruby, principled Lisa, and drop-dead gorgeous Nirvana, Esma forms the No Sex in the City Club. Her quest for The One (or Mr Almost-Perfect) was never going to be easy, but soon enough it takes an unexpected and thrilling detour.
Michael is drawn to his new classmate Mina, but they're on opposite sides of an issue that's tearing their town apart. His parents are part of an anti-immigration group, while her family have fled their besieged home in Afghanistan. As tensions rise, lines are drawn and both must decide what they want their world to look like, no matter the cost.
Randa Abdel-Fattah's compelling work reminds us that the way the global War on Terror has been prosecuted lands like blows across the backs of Muslim communities - it is in the everyday, the mundane, but also in the structures of state. The book should be praised for its depth and breadth of insights into Australia, as we see contemporary Islamophobia in the shade of the War on Terror revealed.' - Dr Asim Qureshi, Research Director, CAGE (UK) and author of A Virtue of Disobedience 'This book is a dissection of the production of Australia's Islamophobic culture in the wake of 9/11. It examines it as a disciplining technique deployed by government, operating in the schools and throughout society, and it examines it as it is lived by the youth subjected to it. Only someone like Randa Abdel-Fattah with her history as an academic, an activist and a novelist can produce a book like this: analytically sharp, anecdotally rich, politically relevant and beautifully written. Whoever you are, read it and it'll make a better Australian out of you.' - Ghassan Hage, Professor of Anthropology and Social Theory, School of Social and Political Science, University of Melbourne.
Noor can't sleep. That pesky fly will not leave him alone! He even thinks he can hear it talking! If he only knew how to get rid of it, everything would be better-or would it?
Best friends Jodie, Rania and Deyana can't believe what they have found in the school library-a mysterious book that writes itself, just for them. Jodie's life is difficult enough-her father is in a new relationship and she's trying to get used to having a step-sister. The advice the book is giving her is so confusing. Who is the ghostly writer? What does she want?
Lara Zany is her middle school's official Friendship Matchmaker, but a new student, Emily Wong, has her own ideas on the subject and they vie to match two "hopeless cases" with their perfect best friend.
Sixteen-year-old Noah is a troublemaker. His father is a hotshot barrister. This is not a good combination. When Noah gets caught mucking up at school, his dad sends him to work at his aunt's law firm during the holidays to ‘learn responsibility' and ‘fix his attitude'. There he meets Jacinta - the cute intern who knows her way around a photocopier, and Casey - the wicked witch of the firm. Noah becomes involved in a case where a woman has been killed during a mugging gone wrong. There's a grieving husband, a guilty employer, and an open and shut case involving lots of money. But right and wrong, and crime and punishment are soon entangled as Noah realises that things are seldom what they seem.
This book explores Islamophobia in Australia, shifting attention from its victims to its perpetrators by examining the visceral, atavistic nature of people’s feelings and responses to the Muslim ‘other’ in everyday life. Based on ethnographic fieldwork, Islamophobia and Everyday Multiculturalism sheds light on the problematisations of Muslims amongst Anglo and non-Anglo Australians, investigating the impact of whiteness on minorities’ various reactions to Muslims. Advancing a micro-interactional, ethnographically oriented perspective, the author demonstrates the ways in which Australia’s histories and logics of racial exclusion, thinking and expression produce processes in which whiteness socializes, habituates and ‘teaches’ ‘racialising’ behaviour, and shows how national and global events, moral panics, and political discourse infiltrate everyday encounters between Muslims and non-Muslims, producing distinct structures of feeling and discursive, affective and social practices of Islamophobia. As such, it will be of interest to social scientists with interests in race and ethnicity, migration and diaspora and Islamophobia.
Jamie just wants to fit in. She doesn't want to be seen as a stereotypical Muslim girl named Jamilah, so she does everything possible to hide that part of herself, even if it means keeping her friends at a distance. But when the cutest boy in school asks her out and her friends start to wonder about her life outside of school, suddenly her secrets are threatened. Jamie has to figure out how to be both Jamie and Jamilah before she loses everything...
Lara Zany promised to stop being a friendship matchmaker but when Majur, a refugee from Sudan, transfers to her school and clashes with the school bully, Chris Martin, both boys need her special skills.
Although there are 22 separate Arab nationalities representing an enormous variety of cultural backgrounds and experiences, the portrayal of Arabs in Australia tends to range from homogenising (at best) to racist pop-culture caricatures. Edited by award-winning author and academic Randa Abdel-Fattah, and activist and poet Sara Saleh, and featuring contributors Michael Mohammed Ahmad, Ruby Hamad and Paula Abood, among many others, this collection explores the experience of living as a member of the Arab diaspora in Australia and includes stories of family, ethnicity, history, grief, isolation, belonging and identity.CONTRIBUTORS INCLUDE:Paula Abood | Nokomi Achkar | Michael Mohammed Ahmad | Rooan Al Kalmashi | Ryan Al-Natour | Rawah Arja | Hana Assafiri | Sarah Ayoub | Omar Bensaidi | Sara El Sayed | Asma Fahmi | Farid Farid | Ruby Hamad | Abdulrahman Hammoud | Lamisse Hamouda | Amani Haydar | Miran Hosny | Lora Inak | Elias Jahshan | Nicola Joseph and Huna Amweero | Zainab Kadhim and Mohammad Awad | Wafa Kazal | Yassir Morsi
Don't panic - I'm Islamic! Amal is a 16-year-old Melbourne teen with all the usual obsessions about boys, chocolate and Cosmo magazine. She's also a Muslim, struggling to honour the Islamic faith in a society that doesn't understand it. The story of her decision to "shawl up" is funny, surprising and touching by turns.
Michael is drawn to his new classmate Mina, but they're on opposite sides of an issue that's tearing their town apart. His parents are part of an anti-immigration group, while her family have fled their besieged home in Afghanistan. As tensions rise, lines are drawn and both must decide what they want their world to look like, no matter the cost.
This book explores Islamophobia in Australia, shifting attention from its victims to its perpetrators by examining the visceral, atavistic nature of people’s feelings and responses to the Muslim ‘other’ in everyday life. Based on ethnographic fieldwork, Islamophobia and Everyday Multiculturalism sheds light on the problematisations of Muslims amongst Anglo and non-Anglo Australians, investigating the impact of whiteness on minorities’ various reactions to Muslims. Advancing a micro-interactional, ethnographically oriented perspective, the author demonstrates the ways in which Australia’s histories and logics of racial exclusion, thinking and expression produce processes in which whiteness socializes, habituates and ‘teaches’ ‘racialising’ behaviour, and shows how national and global events, moral panics, and political discourse infiltrate everyday encounters between Muslims and non-Muslims, producing distinct structures of feeling and discursive, affective and social practices of Islamophobia. As such, it will be of interest to social scientists with interests in race and ethnicity, migration and diaspora and Islamophobia.
A lyrical narrative of a Palestinian family in exile explores universal bonds of family, loyalty, and friendship through the lens of eleven Arabic expressions for love. A family has fled their homeland in search of safety in another country, carrying a single suitcase. As their journey unfolds, the oldest child reflects on the special contents of that suitcase: photo albums that evoke eleven of many names for love in Arabic. From sunshine-warm friendship to the love that dissolves all tears; from the love that makes you swoon to the love that leaves you yearning for the heart’s homeland—her family has experienced it all. Illustrated in vibrant watercolor pencil and collage on textured card stock, this moving scrapbook shows a family embracing an unknown future even as they honor the past, casting immigration and the refugee experience in the light of universal human connection.
A lyrical narrative of a Palestinian family in exile explores universal bonds of family, loyalty, and friendship through the lens of eleven Arabic expressions for love. A family has fled their homeland in search of safety in another country, carrying a single suitcase. As their journey unfolds, the oldest child reflects on the special contents of that suitcase: photo albums that evoke eleven of many names for love in Arabic. From sunshine-warm friendship to the love that dissolves all tears; from the love that makes you swoon to the love that leaves you yearning for the heart’s homeland—her family has experienced it all. Illustrated in vibrant watercolor pencil and collage on textured card stock, this moving scrapbook shows a family embracing an unknown future even as they honor the past, casting immigration and the refugee experience in the light of universal human connection.
It is a truth universally acknowledged . . . Esma is a modern Muslim woman with an age-old dilemma. She is well-educated, well-travelled and has excellent taste in music, but the hunt for Mr Right leads her to a number of Mr Wrongs. Together with wild-haired Ruby, principled Lisa, and drop-dead gorgeous Nirvana, Esma forms the No Sex in the City Club. Her quest for The One (or Mr Almost-Perfect) was never going to be easy, but soon enough it takes an unexpected and thrilling detour.
WINNER OF THE VICTORIAN PREMIER'S YOUNG ADULT AWARD AND PEOPLE'S CHOICE AWARD 2017. From the bestselling author of Does My Head Look Big In This? "When Michael Met Mina is cutting and hilarious; powerful but warm; diverse but not didactic; fierce and encouraging. It is young adult fiction at its finest: unique and challenging, written well, and without condescension. Australian teens should read this book, then pass it on to their parents." Maxine Beneba Clarke, author of The Hate Race, Foreign Soil and Carrying The World A boy. A girl. Two families. One great divide. When Michael meets Mina, they are at a rally for refugees - standing on opposite sides. Mina fled Afghanistan with her mother via a refugee camp, a leaky boat and a detention centre. Michael's parents have founded a new political party called Aussie Values. They want to stop the boats. Mina wants to stop the hate. When Mina wins a scholarship to Michael's private school, their lives crash together blindingly. A novel for anyone who wants to fight for love, and against injustice.
Sixteen-year-old Noah is a troublemaker. His father is a hotshot barrister. This is not a good combination. When Noah gets caught mucking up at school, his dad sends him to work at his aunt's law firm during the holidays to 'learn responsibility' and 'fix his attitude'. There he meets Jacinta - the cute intern who knows her way around a photocopier, and Casey - the wicked witch of the firm. Noah becomes involved in a case where a woman has been killed during a mugging gone wrong. There's a grieving husband, a guilty employer, and an open and shut case involving lots of money. But right and wrong, and crime and punishment are soon entangled as Noah realises that things are seldom what they seem.
Once upon an Eid is a collection of short stories that showcases the most brilliant Muslim voices writing today, all about the most joyful holiday of the year: Eid! Eid: The short, single-syllable word conjures up a variety of feelings and memories for Muslims. Maybe it's waking up to the sound of frying samosas and simmering pistachio kheer, maybe it's the pleasure of putting on a new outfit for Eid prayers, or maybe it's the gift giving and holiday parties to come that day. Whatever it may be, for those who cherish this day of celebration, the emotional responses may be summed up in another short and sweet word: joy. The anthology will also include a poem, graphic-novel chapter, and spot illustrations"--
Now that Lara Zany has an Official Best Friend (OBF), her friendship matchmaking days are over. When a boy named Majur transfers to their grade and outplays the school bully, Chris Martin, on the soccer field, Chris's reign of terror is suddenly over. Alone and unable to make friends, Chris turns to Lara-who can't resist the challenge of finding this reformed bully a real friend. Between balancing her new friendships, making sure Majur, a refugee from Sudan, fits in, and finding Chris a friend, the Friendship Matchmaker has her work cut out for her-especially because she promised to put her matchmaking to rest. The only solution is to go undercover . . . which means the Friendship Matchmaker is back in business in this charming, laugh-out-loud sequel about finding true friends despite big differences.
A Choco-pops robot + a practical joke that goes wrong + a talking rock + organic rodent pies + a face that's stuck + a plan for revenge + an out-of-control imaginary fairy + a nit epidemic + five kids and one chimp in space = one hilarious book.
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