Mona, a film researcher rooted in Montreal, vividly remembers that night in Trinidad when her father, Da-Da, in a drunken rage, threatened to kill her nine-year-old brother, Kello. Years later, a terminally ill Kello asks Mona to revisit their native island and reclaim the property that their family had left behind. As Mona returns to the Caribbean to confront her family's turbulent past, the reader travels back in time—to nineteenth-century India, to British Trinidad, where her ancestors lived as indentured workers in the cane fields, and finally to urban North America. Steeped in the lyrical rhythms of Caribbean life, this exquisite, richly layered novel explores the immigrant experience with compassion and humour. It is a moving story of race and displacement, of love and betrayal, of endings and beginnings—a swinging bridge of the universal search for self. Praise forThe Swinging Bridge "Beautiful, luminous and an utter pleasure to read. A writer as necessary as Ramabai Espinet should be treasured by us for her unique voice and the unique world she shares with us."—Jamaica Kincaid "The Swinging Bridge is a sweeping story . . . of rich heritage—a blend of Indian and Caribbean sounds, scents and celebrations."—NOW Magazine "An extraordinary achievement in the exercise of remembering. . . . Highly charged with moral intent."—George Lamming
Eighteen authors share dark mysteries set on the sunny Caribbean island in this anthology. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book is compromised of all-new stories, each one set in a distinct neighborhood or location within the geographic area of the book. As reflected herein, the Caribbean provides no shelter from the delicious terror of noir fiction. Features brand-new stories by Robert Antoni, Elizabeth Nunez, Lawrence Scott, Ramabai Espinet, Shani Mootoo, Kevin Baldeosingh, Vahni Capildeo, Willi Chen, Lisa Allen-Agostini, Keith Jardim, Reena Andrea Manickchand, Tiphanie Yanique, and more. Praise for Trinidad Noir “The volumes in Akashic’s locale-based noir anthology series set outside North America (Dublin Noir, etc.) offer more variety than those set in different major U.S. cities, and this one is no exception. The editors’ brief but insightful introduction makes clear that the sun and sea tourist image of the Republic of Trinidad and Tobago is at odds with the country’s political climate of excess and corruption and an element of society afloat in drugs and guns . . . . The two standouts are Keith Jardim’s mystical “The Jaguar” and Lawrence Scott’s “Prophet,” in which a series of child disappearances in a small but corrupt community builds to an appropriately bleak ending.” —Publishers Weekly
Eighteen authors share dark mysteries set on the sunny Caribbean island in this anthology. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book is compromised of all-new stories, each one set in a distinct neighborhood or location within the geographic area of the book. As reflected herein, the Caribbean provides no shelter from the delicious terror of noir fiction. Features brand-new stories by Robert Antoni, Elizabeth Nunez, Lawrence Scott, Ramabai Espinet, Shani Mootoo, Kevin Baldeosingh, Vahni Capildeo, Willi Chen, Lisa Allen-Agostini, Keith Jardim, Reena Andrea Manickchand, Tiphanie Yanique, and more. Praise for Trinidad Noir “The volumes in Akashic’s locale-based noir anthology series set outside North America (Dublin Noir, etc.) offer more variety than those set in different major U.S. cities, and this one is no exception. The editors’ brief but insightful introduction makes clear that the sun and sea tourist image of the Republic of Trinidad and Tobago is at odds with the country’s political climate of excess and corruption and an element of society afloat in drugs and guns . . . . The two standouts are Keith Jardim’s mystical “The Jaguar” and Lawrence Scott’s “Prophet,” in which a series of child disappearances in a small but corrupt community builds to an appropriately bleak ending.” —Publishers Weekly
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