Immersion into town life in York, South Carolina, was an easy task for Robert C. Patrick Jr., a native of nearby Gastonia, North Carolina, who had familial ties to York's elite. But his personal connections proved to be a mixed blessing to the project. His informants were more forthcoming than they might have been with an outsider, but he never published his findings-to protect the privacy of his friends, he said. Now Patrick's 1954 Harvard dissertation has been edited by John Shelton Reed and Dale Volberg Reed to produce this first publication of Townways of Kent. It invites modern readers to experience midcentury small-town life as seen by the town's white upper and middle classes, and in particular from the viewpoint of "Old Kent" families. Often disparaging in their views of the neighboring African American and mill village communities, the townfolk proved to be further subdivided along rigorously defined lines of economic status and ancestry, but pride in maintaining their particular vision of the town shines through.
Frequently referred to as “the Greatest Generation,” Americans of the World War II era were influenced by Hollywood’s depictions of their nation, its role in world affairs, and the virtue of its involvement in the war. Stories of the bravery and heroism of the American military—as well as the moral and political threat posed by the enemy—filled movie screens across the country to garner passionate support for wartime policies. In Hollywood Enlists! Propaganda Films of World War II, Ralph Donald explores how the studios supported the war effort and helped shape the attitudes of an entire generation. Through films the studios appealed to the public’s sense of nationalism, demonized the enemy, and stressed that wartime sacrifices would result in triumph. The author contends that American films of the period used sophisticated, but often overlooked, strategies of propaganda to ideologically unite the country. While these strategies have long been associated with political speeches and writings during the war, little in-depth consideration has been given to their use in the era’s cinema. By examining major motion pictures—including Casablanca, The Flying Tigers, Mrs. Miniver, Sergeant York, They Were Expendable, and many others—Donald illustrates how various propaganda techniques aligned the nation’s entertainment with government aims. Hollywood Enlists! will appeal to readers with interests in war films and motion picture history, as well as politics and social history.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.