Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous woman film director in the world; yet, after World War II, she was never again accepted as a filmmaker.Rainer Rother's book provides detailed coverage, from original documentation, of those aspects of Riefenstahl's career she herself has attempted to sanitize. It is a remarkable account of the fascinating life and work of Germany's most controversial photographer and filmmaker.Leni Riefenstahl, one hundred years old in 2002, is one of the most important and controversial filmmakers of the twentieth century. This powerful translation of Rainer Rother's acclaimed exploration of her life focuses both on Riefenstahl the woman and Riefenstahl the director. Although admired by such greats as Walt Disney, Charlie Chaplin, and Andy Warhol, Riefenstahl's achievements are clouded by her association with Nazi Germany and the Third Reich. This overt tension between the political meaning of her work for National Socialism and its essential aesthetic quality forms the basis of this compelling account.
Leni Riefenstahl, now aged 101, achieved fame as a dancer, actress photographer, and director, but her entire career is colored by her association with the Nazi party. This overt tension between the political meaning of her work for National Socialism and its essential aesthetic quality forms the basis of the compelling account. Appointed by Hitler, Leni Riefenstahl directed the Nazi propaganda film Triumph des Willens along with her bestknown work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous women film director in the world; yet, after World War II, she was never again accepted as a filmmaker. Rainer Rother's book is a remarkable account of the fascinating life and work of Germany's most controversial photographer and filmmaker.
Since the early nineties, the reception of Vilém Flusser was mainly focused on his media theory. If on the one hand this focus allowed to launch the first development in the study of Flusser’s ideas, on the other hand, it ended to conceal other relevant topics and aspects of his thought. Even if his work appears fragmented into several areas, there is a source that produces this variety of topics and methodologies: a deep connection between exile, creativity, and thought. Flusser’s philosophy is thinking in exile between nations and national identities across different languages, between and outside defined disciplines and scientific fields. The entire Flusser’s oeuvre becomes an expression of a collapsed ground, also revealing an unexpected sense of freedom, both existential and philosophical. His path of thinking exhibits radical unfaithfulness towards homeness and reassuring boundaries, both spatial and epistemological, both literal and metaphorical. The purpose of this issue of Azimuth is to map this intersection in Flusser's thought, by taking into account the complexity of his multifaceted thinking and the overlapping of different fields.
This book shows how the principles of Lean Management can be applied to project management and how some typical problems of project management can be solved by this. The author first provides a theoretical description of what project management is about and explains its tasks and methods as well as its limitations. He also describes how the Lean idea came about and derives five principles from it that can also be applied to project management. Along these principles, the author then elaborates typical current challenges of project management and shows how these challenges can be tackled through Lean Project Management. In doing so, he does not stop at the level of principles, but describes specific tasks and tools that are useful especially for experienced practitioners of project management. This book is a translation of the original German 1st edition Lean Project Management – Wie man den Lean-Gedanken im Projektmanagement einsetzen kann by Rainer Erne, published by Springer Fachmedien Wiesbaden GmbH, part of Springer Nature in 2019. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.
Baedeker; the most famous and cherished travel brand in the world is now adding this exciting new title to its innovative series. This superb full-colour, illustrated guide features 3D laminated cut-outs to show you the key sights in perspective and a large, fully-indexed, pull-out map. Additional detailed maps and plans can also be found throughout the guide, clearly pin-pointing the best places to stay and the top places to eat and drink. At the heart of the guide is a wealth of comprehensive information written by experts on the sights and top attractions, in an easy-to-read A-Z format. Also included are great, practical travel tips covering accommodation and food and drink for all budgets, entertainment, sport, transport and health; not to mention some insider tips for saving money or having a unique travel experience. There is also a variety of recommended tours covering the best routes available, to ensure you get the most from your destination. The plastic wallet allows you to keep the guide and map together and ensures that both will survive in all weather. Baedeker - setting a new standard in 21st century, travel guide publishing.
This lavishly illustrated biography covers Fromm's entire life, from his traditional Jewish upbringing to his association with the Frankfurt School. Fromm's work (1900-1980) is more compelling and popular in our century than ever before. It took a decisive turn as he encountered Freudian psychoanalysis--even as Fromm critiqued it throughout much of his lifetime. Funk covers with great sensitivity Fromm's seminal work with the so-called Frankfurt School of social critics as well as his break with it, his move to the U.S., his personal and professional relationship with Karen Horney, his associations with The New School in New York City and with D.T. Suzuki--living in Mexico "part time." More than 200 photographs and other memorabilia make this a compelling pictorial biography.
A Choice Outstanding Academic Title of the Year Erich Fromm (1900-1980) is known to most readers as the author of the international bestseller The Art of Loving (1956). What may be less widely known is that Fromm was a social psychoanalyst whose psychoanalytic theories, developed around a humanistic concept of man and society, have had a profound impact on many fields and disciplines: on social life and societal organization, on politics, on religion, on psychotherapy and, last but not least, on the practice of mindfulness. Rainer Funk was Erich Fromm's last assistant. He wrote his dissertation about Fromm, was designated by Fromm's last will to be his sole literary executor, and is the editor of Fromm's writings. From his very intimate knowledge of Fromm's life and ideas, and his access to an archive that includes 6,000 letters, Funk introduces Fromm's central concepts and examines them in relation to Fromm's lived experiences and to his idea that life itself is an art. The question of "the art of living" runs through all of the chapters, from the Introduction, in which Funk describes meeting Fromm for the first time in 1972, to the last chapter, in which Funk reflects on the impact of Fromm's social-psychoanalytic writings and his efforts to live well.
Vilém Flusser (1920-1991) has long been known and celebrated in Europe and Brazil primarily as a media theorist. Only recently have other facets of his accomplishments come to light, clearly establishing Flusser as a key thinker. An accessible and thorough introduction to Flusser's thought, this book reveals his engagement with a wide array of disciplines, from communication studies, posthuman philosophy, media studies, and history to art and art history, migrant studies, anthropology, and film studies. The first to connect Flusser's entire oeuvre, this volume shows how his works on media theory are just one part of a greater mosaic of writings that bring to the fore cultural and cognitive changes concerning all of us in the twenty-first century. A theorist deeply influenced by his experiences as a privileged citizen of Prague, a Jew pursued by the Nazis, a European emigrant, a Brazilian immigrant, and a survivor keenly interested and invested in history and memory, Vilém Flusser was an outsider in a staunchly hierarchical and disciplined academic world.
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