Murder By Madness 9/11 is not just the history of the most notorious attack upon American shores, it is a banking caper. Just who are the financiers of terrorism? As always, follow the money.
Being literate in the twenty-first century means being an empowered receiver, user and creator of diverse text types communicated across multiple and rapidly changing modalities. English and Literacies: Learning to make meaning in primary classrooms is an accessible resource that introduces pre-service teachers to the many facets of literacies and English education for primary students. Addressing the requirements of the Australian Curriculum and the Early Years Learning Framework, English and Literacies explores how students develop oracy and literacy. Reading, viewing and writing are discussed alongside the importance of children's literature. Taking an inclusive and positive approach to teaching and learning for all students, it explores the creation of texts using spelling, grammar in context and handwriting/keyboarding skills, as well as the need for authentic assessment and reporting. Finally, the text explores the importance of literacy partnerships and how teachers can address literacy challenges across the curriculum.
(a short story loosely set in the medieval era) Death or an arranged marriage, Verity refuses to accept the choices. Verity Favian's father dies unexpectedly. Her half-brother, Verdon, lays claim to all their father left behind: title, castle, and her. Verdon cannot touch the land set aside for her dowry so he offers her hand for sale to the highest bidder. Lord Silvanticus, a man renowned for his military power and close ties to the king, makes the winning bid. Despite the rumors of Silvanticus' madness and cruelty, Verdon accepts. Verdon locks her away in a tower. She is not sure if he seeks to prevent her from fleeing the marriage or spreading the truth only she seems willing to speak: Verdon killed their father. Either way, her time is running out.
The Rough Guide to Provence and the Cote D'Azuris the most comprehensive handbook you can buy to this stunning part of France. Features include: •Full-coloursection introducing the area's highlights. •Detailedcoverage of every attraction, from the bustling Vieux Port of Marseille to the remote mountains of Haute-Provence. •Discerningreviews of the best places to stay, eat and drink, for all budgets. •Informedbackground on local history, books and festivals. •Practicaladvice on exploring the offshore islands and the wild coastal stretches. •Maps and plansfor every area.
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
An illustrated journey through 250 milestones in computer science, from the ancient abacus to Boolean algebra, GPS, and social media. With 250 illustrated landmark inventions, publications, and events—encompassing everything from ancient record-keeping devices to the latest computing technologies—The Computer Book takes a chronological journey through the history and future of computer science. Two expert authors, with decades of experience working in computer research and innovation, explore topics including: the Sumerian abacus * the first spam message * Morse code * cryptography * early computers * Isaac Asimov’s laws of robotics * UNIX and early programming languages * movies * video games * mainframes * minis and micros * hacking * virtual reality * and more “What a delight! A fast trip through the computing landscape in the company of friendly tour guides who know the history.” —Harry Lewis, Gordon McKay Professor of Computer Science, Harvard University
A true icon of America at a turning point in its history, Gypsy Rose Lee was the firstand the onlystripper to become a household name, write novels, and win the adulation of intellectuals, bankers, socialites, and ordinary Americans. Her outrageous blend of funny-smart sex symbol with the aura of high cultureshe boasted that she liked to read Great Books and listen to classical music while taking off her clothes on-stageinspired a musical, memoirs, a portrait by Max Ernst, and a species of rose. Gypsy is the first book about Gypsy Rose Lees life, fame, and place in America not written by a family member, and it reveals her deep impact on the social and cultural transformations taking shape during her life. Rachel Shteir, author of the prize-winning Striptease, gives us Gypsys story from her arrival in New York in 1931 to her sojourns in Hollywood, her friendships and rivalries with writers and artists, the Sondheim musical, family memoirs that retold her history in divergent ways, and a television biopic currently in the making. With verve, audacity, and native guile, Gypsy Rose Lee moved striptease from the margins of American life to Broadway, Hollywood, and Main Street. Gypsy tells how she did it, and why.
Dramatically refreshing the age-old debate about the novel's origins and purpose, Kent traces the origin of the modern novel to a late medieval fascination with the wounded, and often eroticized, body of Christ. A wide range of texts help to illustrate this discovery, ranging from medieval 'Pietàs' to Thomas Hardy to contemporary literary theory.
This volume contains the results of significant fieldwork completed in the Tong Hills of Northern Ghana, an area currently inhabited by the Talensi ethno-linguistic group. Although made anthropologically renowned by the anthropologist Meyer Fortes, the archaeology and material culture of the Talensi Tong Hills had largely been neglected until the research initiated by the authors. Extensive archaeological surveys and excavations were completed allied with ethnoarchaeological and ethnobotanical research on shrines, sacrifice, and indigenous medicine. The data is presented and described, and a settlement chronology for the region reconstructed. The results of the geological, organic geochemical, petrographic, and archaeometallurgical analysis are provided. The function of shrines and the meaning of 'shrine' as a concept are evaluated, and indigenous medicinal practices, their links with shrines, and their substances, materiality, and archaeological implications assessed with reference to the primary empirical material gathered. Ritual, performance, and its inter-relation with the past and the archaeological record are also considered so as to question the 'timelessness' of previous anthropological presentations. The Tong Hills are also discussed with reference to their place in the wider history and archaeology of the region. This book will be useful to anyone interested in the archaeology and anthropology of African indigenous religions and ritual practices, as well as those interested in West African history, and the relationship between archaeology and anthropology.
Murder By Madness 9/11 is not just the history of the most notorious attack upon American shores, it is a banking caper. Just who are the financiers of terrorism? As always, follow the money.
In a quest to uncover the origin of Lyme disease, the author zeroed in on Russia's fur shipping industry and its New York brokerage, AMTORG Trading Company. FBI mole, Robert Hanssen was simultaneously assigned to monitor AMTORG in Project Pocketwatch under the Clinton Administration overseeing the Russian Counter Intelligence Desk. Verdon's FBI FOIAs were stonewalled a dozen years, greatly impeding her research; other files simply vanished. Unbeknownst to the author at that time, spy Hanssen had forked over some 60,000 pages to the Russians, many originals. AMTORG's founder, Russia's most favored fur dealer, Armand Hammer, hired accountant Arthur Andersen to head his new oil venture, Occidental Petroleum. Together, Ken Lay (Nixon's Undersecretary of Energy and future CEO of ENRON), Andersen, and Hammer ushered in a new Detente with Russia and Red China. For the privilege of the US Export Import Bank subsidizing Oxy's Siberian gas pipeline, Hammer would be obliged to make illegal campaign contributions funneled to the Watergate burglars. Had the history of the USSR's biological warfare program been destroyed to preserve Detente and placate Hammer, or worse, cover up a terrorist network? Forced to seek a historical witness to the Soviet-Nazi collaboration in dispersing tick borne diseases of the nervous system, I.G. Farben's chemist, Henry Tolkmith, fit the bill. Recruited under Operation Paperclip for DOW Chemical as a pesticide/poison gas specialist, most likely Tolkmith was protected under the 100 Person's Act. Tolkmith's real identity became suspect when perusing his WW II files. Conflicting physical descriptions, simultaneous sightings in the USA and USSR and double entry to the States raised alarms. Was Tolkmith the infamous Death Angel of Auschwitz, Josef Mengele, an expert in Lyme, Multiple Sclerosis and poison gases? Interviewed, Tolkmith denied his dossier photos were of himself and conveniently died. Had Josef's brother, Karl, been uncovered in the Brazilian grave at Sao Paulo? Had these two look-a-likes been switched at birth and switched at death? The Brazilian Mengele held ties to Nazi war criminal Klaus Barbie of ODESSA, a drug and arms dealer serving a network of international terrorists and the mujaheddin. Arthur Andersen's new client, ENRON, had hired dope-peddling terrorists, al Qaeda, to guard its Afghan pipeline. Poppy-field potheads are a pathetic, fickle army against Communism. The FBI could not keep track of these terrorists at home or abroad, its mole was busy at work. Just after spy Hanssen's arrest on February 17, 2001, Attorney General Ashcroft created the Strategic Management Council, headed by Arthur Andersen to re-organize the antiquated FBI, soon to be followed by the attack on 9/11. A month later, ENRON imploded, 26 trunk loads of files were shredded. Did Arthur Andersen pick up where Hanssen left off? The man who can solve the mystery of Lyme Disease and the SS Elbrus as well as ENRON and 9/11 may well be the FBI's top mole, Robert Hanssen.
Did Nazis and Soviet Communists agree to impliment long range plans to overthrow world democracies via tick born diseases of the nervous system? Could the man on the cover of this book have testified to their intent? Was Henry Tolkmith actually the infamous Josef Mengele? Confronted with these photos, Tolkmith denied he was ?
Did Nazis and Soviet Communists agree to impliment long range plans to overthrow world democracies via tick born diseases of the nervous system? Could the man on the cover of this book have testified to their intent? Was Henry Tolkmith actually the infamous Josef Mengele? Confronted with these photos, Tolkmith denied he was ?
Introduces traditional French cooking with a contemporary California accent, based on the distinctive, nutritious specialties that the author serves at his restaurant, Le Trianon
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE STORY: On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. MY NAME IS RACHEL CORRIE is a one-woman play
When Rachel Carson died of cancer in 1964, her four books, including the environmental classic Silent Spring, had made her one of the most famous people in America. This trove of previously uncollected writings is a priceless addition to our knowledge of Rachel Carson, her affinity with the natural world, and her life.
Middle-aged Simone LeBlanc has been tormented her entire adult life with the suspicion that she had been gang-raped in college. Fearful of learning the truth and lacking emotional support from her parents, Simone is haunted by nightmares of may have happened that fateful night. Simone’s life is transformed when she meets Roger Peterson, a contemporary who also attended the same university as Simone. With Roger’s love and support, Simone starts to recover from her trauma—until she discovers how Roger was involved that night, and how their destines are interwoven.
A deeply moving personal testimony... Theatre can't change the world. But what it can do, when it's as good as this, is to send us out enriched by other people's passionate concern."--Guardian Intensely topical account of the life and early death of a young female activist--adapted from her own writings and published alongside the premiere.
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