One of feminism's most dynamic critics brings together psychoanalysis, critical theory and cultural studies to look at how texts construct possibilities and limits for thinking what a woman is, and where women might be going.
During World War II, more than 12,000 male conscientious objectors seeking alternatives to military service entered Civilian Public Service to do forestry, soil conservation, or other 'work of national importance.' But this government-sponsored, church-su
This encyclopedia for Amish genealogists is certainly the most definitive, comprehensive, and scholarly work on Amish genealogy that has ever been attempted. It is easy to understand why it required years of meticulous record-keeping to cover so many families (144 different surnames up to 1850). Covers all known Amish in the first settlements in America and shows their lineage for several generations. (955pp. index. hardcover. Pequea Bruderschaft Library, revised edition 2007.)
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language.
Between 1966 and 1976, American artist Nancy Spero completed some of her most aggressively political work. Made at a time when Spero was a key member of the anti-war and feminist arts-activism that burgeoned in the New York art world during the period, her works demonstrate a violent and bodily rejection of injustice. Considering the ways in which anti-war and feminist art used emotion as a means to persuade and protest, Pain and Politics in Postwar Feminist Art examines the history of this crucial decade in American art politics through close attention to Spero's practice. Situating her work amongst the activism that defined the era, this book examines the ways in which sensation and emotion became political weapons for a generation of artists seeking to oppose patriarchy and war. Exemplary of the way in which artists were using metaphors of sensation and emotion in their work as part of the anti-Vietnam war and feminist art movements in the late 1960s and early 1970s, Spero's practice acts as a model for representing how politics feels. By exploring Spero's political engagement anew, this book offer a profound recontextualization of the important contribution that Spero made to Feminist thought, politics and art in the US.
Brownstein examines how the stories we read influence our notions of how we should live. In fresh, wonderfully nuanced readings of works by Jane Austen, Charlotte Bronté, George Eliot, Henry James, and Virginia Woolf, she considers woman-centered novels as rewritings of romance, and analyzes the thematic links and echoes that connect these works not only to each other but to women's lives. This splendidly provocative book shows how good novels, intelligent heroines, and careful readers are skeptical of the romantic ideal of a perfected, integral self"--Publisher's description, back cover.
When war broke out between France and Prussia in the summer of 1870, one of the first targets of the invading German armies was Strasbourg. From August 15 to September 27, Prussian forces bombarded this border city, killing hundreds of citizens, wounding thousands more, and destroying many historic buildings and landmarks. For six terror-filled weeks, "the city at the crossroads" became the epicenter of a new kind of warfare whose indiscriminate violence shocked contemporaries and led to debates over the wartime protection of civilians. The Siege of Strasbourg recovers the forgotten history of this crisis and the experiences of civilians who survived it. Rachel Chrastil shows that many of the defining features of "total war," usually thought to be a twentieth-century phenomenon, characterized the siege. Deploying a modern tactic that traumatized city-dwellers, the Germans purposefully shelled nonmilitary targets. But an unintended consequence was that outsiders were prompted to act. Intervention by the Swiss on behalf of Strasbourg's beleaguered citizens was a transformative moment: the first example of wartime international humanitarian aid intended for civilians. Weaving firsthand accounts of suffering and resilience through her narrative, Chrastil examines the myriad ethical questions surrounding what is "legal" in war and what rights civilians trapped in a war zone possess. The implications of the siege of Strasbourg far exceed their local context, to inform the dilemmas that haunt our own age--in which collateral damage and humanitarian intervention have become a crucial part of our strategic vocabulary.
The best modern account" (Wall Street Journal) of the war that toppled the French Empire, unified Germany, and set Europe on the path to World War I Among the conflicts that convulsed Europe during the nineteenth century, none was more startling and consequential than the Franco-Prussian War of 1870–1871. Deliberately engineered by Prussian chancellor Otto von Bismarck, the war succeeded in shattering French supremacy, deposing Napoleon III, and uniting a new German Empire. But it also produced brutal military innovations and a precarious new imbalance of power that together set the stage for the devastating world wars of the next century. In Bismarck’s War, historian Rachel Chrastil chronicles events on the battlefield in full, while also showing in intimate detail how the war reshaped and blurred the boundaries between civilian and soldier as the fighting swept across France. The result is the definitive history of a transformative conflict that changed Europe, and the history of warfare, forever.
I know that better than most. Since rejoining the Pride, I've made big decisions and even bigger mistakes: the kind paid for with innocent lives. As the first and only female enforcer, I have plenty to prove to my father, the Pride and myself. And with murdered toms turning up in our territory, I'm working harder than ever, though I always find the energy for a little after-hours recreation with Marc, my partner both on and off duty. But not all my mistakes are behind me. We're beginning to suspect that the dead are connected to a rash of missing human women and that they can all be laid at my feet-two or four, take your pick. And one horrible indiscretion may yet cost me more than I can bear....
Recent Advances in Surgery 40 is the latest volume in the recognised series reviewing current topics in general surgery and its major subspecialties. Divided into eight sections, the book begins with topics of general interest to surgeons, and surgical training. The following sections cover subspecialty surgeries including transplant, vascular, head and neck, breast, and abdominal. The final section reviews recent clinical trials.
From New York Times and USA Today bestselling author Rachel Van Dyken comes a new story in her Eagle Elite series… Every family has rules, the mafia just has more.... Do not speak to the bosses unless spoken to. Do not make eye contact unless you want to die. And above all else, do not fall in love. Renee Cassani's future is set. Her betrothal is set. Her life, after nannying for the five families for the summer, is set Somebody should have told Vic Colezan that. He's a man who doesn't take no for an answer. And he only wants one thing. Her. Somebody should have told Renee that her bodyguard needed as much discipline as the kids she was nannying. Good thing Vic has a firm hand. **Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you'll enjoy each one as much as we do.**
The Unknown History of Jewish Women—On Learning and Illiteracy: On Slavery and Liberty is a comprehensive study on the history of Jewish women, which discusses their absence from the Jewish Hebrew library of the "People of the Book" and interprets their social condition in relation to their imposed ignorance and exclusion from public literacy. The book begins with a chapter on communal education for Jewish boys, which was compulsory and free of charge for the first ten years in all traditional Jewish communities. The discussion continues with the striking absence of any communal Jewish education for girls until the late nineteenth and early twentieth century, and the implications of this fact for twentieth-century immigration to Israel (1949-1959) The following chapters discuss the social, cultural and legal contexts of this reality of female illiteracy in the Jewish community—a community that placed a supreme value on male education. The discussion focuses on the patriarchal order and the postulations, rules, norms, sanctions and mythologies that, in antiquity and the Middle Ages, laid the religious foundations of this discriminatory reality.
What is patriarchal poetry? How can it be both attractive and tempting and yet be so hegemonic that it is invisible? How does it combine various mixes of masculinity, femininity, effeminacy, and eroticism? At once passionate and dispassionate, Rachel Blau DuPlessis meticulously outlines key moments of choice and debate about masculinity among writers as disparate as Ezra Pound, T. S. Eliot, Louis Zukofsky, Charles Olson, Robert Creeley, and Allen Ginsberg, choices that construct consequential models for institutions of poetic practice. As DuPlessis writes, “There are no genderless subjects in any relationship structuring literary culture: not in production, dissemination, or reception; not in objects, discourses, or practices; not in reading experiences or in interpretations.” And, as she reveals in careful and enthralling detail, for the poets at the center of this book, questions of masculinity loomed large and were continuously articulated in their self-creation as writers, in literary bonding, and in its deployment. These gender-laden choices, debates, and contradictions all have a striking influence today. In this empathic yet critical historical polemic, DuPlessis reveals the outcomes of these many investments in the radical reconstruction of masculinity, in their strains, incompleteness, tensions—and failures. At the heart of modernist maleness and poetic practices are contradictions and urgencies, gender ideas both progressive and defensive.In a striking book on male behavior in poetic dyads, the third book in a feminist critical trilogy, DuPlessis tracks the poetic debates and arguments about gender that continuously affirm patriarchal poetry.
The ingestion of feed containing mycotoxins has serious adverse effects on the health of farm animals, contributing to reduced weight gain, lower reproductivity, damage to the immune system, severe illnesses, and even death. Mycotoxins formed in animal feedstuffs depend on the presence of specific strains of filamentous fungi or molds and are strongly influenced by environmental factors such as temperature and humidity. This book considers the biological nature of mycotoxin formation, the chemical and biological methods of analysis, as well as the extensive range of substrates capable of supporting the growth of toxigenic fungi. The book also provides extensive coverage of the mycotoxicoses of farmed animals and the current state of research into the control and detoxification of mycotoxins. All researchers interested in mycotoxins and their effects on animals will find important information in this book.
Compelling and edgy, dark and evocative, Stray is a must read! I loved it from beginning to end." —New York Times bestselling author Gena Showalter STRAY is New York Times bestselling author Rachel Vincent first book in her acclaimed Shifter series. I look like an allAmerican grad student. But I am a werecat, a shapeshifter, and I live in two worlds. Despite reservations from my family and my Pride, I escaped the pressure to continue my species and carved out a normal life for myself. Until the night a Stray attacked. I'd been warned about Strays—werecats without a Pride—constantly on the lookout for someone like me: attractive, female and fertile. I fought him off, but then learned two of my fellow tabbies had disappeared. This brush with danger was all my Pride needed to summon me back…for my own protection. Yeah, right. But I'm no meek kitty. I'll take on whatever—and whoever—I have to in order to find my friends. Watch out, Strays—'cause I got claws, and I'm not afraid to use them… More Praise: "Well written, fresh, charming, great voice —Buffy meets Cat People. I loved it, and look forward to much more in the future from this talented author." —New York Times bestselling author Heather Graham "Rachel Vincent is a new author that I'm going to be watching." —New York Times bestselling author Kim Harrison "A highoctane plot with characters you can really care about. Vincent is a welcome addition to the genre!" —Kelley Armstrong, author of the Women of the Otherworld series Previously Published.
“A gritty, dangerous world of sorcerous bindings and forbidden love”—first in the Unbound series from the New York Times–bestselling author of Fat Cat (Shelf Awareness). By blood, by word, by magic . . . Most can’t touch the power. But Liv Warren is special—a paranormal tracker who follows the scent of blood. Liv makes her own rules, and the most important one is trust no one. But when her friend’s daughter goes missing, Liv has no choice but to find the girl. Thanks to a childhood oath, Liv can’t rest until the child is home safe. But that means trusting Cam Caballero, the former lover forbidden to her. Bound by oath and lost in desire for a man she cannot have, Liv is racing to save the child from a dark criminal underworld where secrets, lies, trauma and danger lurk around every corner . . . every touch . . . every kiss. And more blood will be spilled before it’s over . . . “With Blood Bound, Vincent has created an original new paranormal universe full of interesting characters with awesome powers or Skills, as they are called in the book. Readers will enjoy getting to know Liv, an exciting heroine with a complicated past.” —RT Book Reviews “Vincent weaves a most convincing world for her characters . . . Blood Bound is a strong, cohesive work founded on a unique paranormal premise and will lead nicely to the rest of the trilogy.” —Fresh Fiction “Action-packed, clever, and full of twists . . . a series into which everyone interested in the paranormal genre can sink their teeth.” —The Romance Reader Reviews
Mothering Mennonite marks the first scholarly attempt to incorporate religious groundings in interpretations of motherhood. The essays included here broaden our understanding of maternal identity as something not only constructed within the family and by society at large, but also influenced significantly by historical traditions and contemporary belief systems of religious communities. A multidisciplinary compilation of essays, this volume joins narrative and scholarly voices to address both the roles of mothering in Mennonite contexts and the ways in which Mennonite mothering intersects with and is shaped by the world at large. Contributors address cultural constructions of motherhood within ethnoreligious Mennonite communities, examining mother-daughter relationships and intergenerational influences, analyzing visual and literary representations of Mennonite mothers, challenging cultural constructions and expectations of motherhood, and tracing the effects of specific religious and cultural contexts on mothering in North and South America.’
Every now and then, a song inspires a cultural conversation that ends up looking like a brawl. Merle Haggard's Okie from Muskogee, released in 1969, is a prime example of that important role of popular music. Okie immediately helped to frame an ongoing discussion about region and class, pride and politics, culture and counterculture. But the conversation around the song, useful as it was, drowned out the song itself, not to mention the other songs on the live album-named for Okie and performed in Muskogee-that Haggard has carefully chosen to frame what has turned out to be his most famous song. What are the internal clues for gleaning the intended meaning of Okie? What is the pay-off of the anti-fandom that Okie sparked (and continues to spark) in some quarters? How has the song come to be a shorthand for expressing all manner of anti-working class attitudes? What was Haggard's artistic path to that stage in Oklahoma, and how did he come to shape the industry so profoundly at the moment when urban country singers were playing a major role on the American social and political landscape?
In this continuing action-packed paranormal fantasy series, new dangers demand a childish werecat grow up and face responsibility. Sometimes playing cat and mouse is no game . . . Play? Right. My Pride is under fire from all sides, my father’s authority is in question and my lover is in exile. Which means I haven’t laid eyes on Marc’s gorgeous face in months. And with a new mother and an I-know-everything teenager under my protection, I don’t exactly have time to fantasize about ever seeing him again. Then our long-awaited reunion is ruined by a vicious ambush by strays. Now our group is under attack, Marc is missing, and I will need every bit of skill and smarts to keep my family from being torn apart. Forever.
Since its publication in 1982, The Color Purple has polarized critics and generated controversy while delighting many readers around the world. Rachel Lister offers a clear, stimulating and wide-ranging exploration of the critical history of Alice Walker's best-selling novel, from contemporary reviews through to twenty-first-century readings. This Reader's Guide: - Opens with an overview of Walker's work - Provides a detailed consideration of the conception and reception of The Color Purple - Examines coverage of key critical issues and debates such as Walker's use of generic conventions, linguistic and narrative strategies, race, class, gender and sexual politics - Covers the reception and cultural impact of cinematic and musical adaptations, including Steven Spielberg's 1985 film and the recent Broadway production Lively and insightful, this is an indispensable volume for anyone studying, or simply interested in, Alice Walker and her most famous work.
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.
More than a hundred years ago, Freud made a new mythology by revising an old one: Oedipus, in Sophocles' tragedy the legendary perpetrator of shocking crimes, was an Everyman whose story of incest and parricide represented the fulfilment of universal and long forgotten childhood wishes. The Oedipus complex - child, mother, father - suited the nuclear families of the mid-twentieth century. But a century after the arrival of the psychoanalytic Oedipus, it might seem that modern lives are very much changed. Typical family formations and norms of sexual attachment are changing, while the conditions of sexual difference, both biologically and socially, have undergone far-reaching modifications. Today, it is possible to choose and live subjective stories that the first psychoanalytic patients could only dream of. Different troubles and enjoyments are speakable and unspeakable; different selves are rejected, discovered, or sought. Many kinds of hitherto unrepresented or unrepresentable identity have entered into the ordinary surrounding stories through which children and adults find their bearings in the world, while others have become obsolete. Biographical narratives that would previously have seemed unthinkable or incredible—'a likely story!'—have acquired the straightforward plausibility of a likely story. This book takes two Freudian routes to think about some of the present entanglements of identity. First, it follows Freud in returning to Greek tragedies - Oedipus and others - which may now appear strikingly different in the light of today's issues of family and sexuality. And second, it re-examines Freud's own theories from these newer perspectives, drawing out different strands of his stories of how children develop and how people change (or don't). Both kinds of mythology, the classical and the theoretical, may now, in their difference, illuminate some of the forming stories of our contemporary world of serial families, multiple sexualities, and new reproductive technologies.
I'm on trial for my life. Falsely accused of infecting my human ex-boyfriend—and killing him to cover up the crime. Infecting a human is one of three capital offenses recognized by the Pride—along with murder and disclosure of our existence to a human. I'm two for three. A goner. Now we've discovered a rogue stray terrorizing the mountainside, hunting a wild teenage tabbycat. It's up to us to find and stop him before a human discovers us. With my lover Marc's help, I think I can protect the vulnerable girl from both the ambitious rogue and the scheming of the territorial council. If I survive my own trial…
Dramatically refreshing the age-old debate about the novel's origins and purpose, Kent traces the origin of the modern novel to a late medieval fascination with the wounded, and often eroticized, body of Christ. A wide range of texts help to illustrate this discovery, ranging from medieval 'Pietàs' to Thomas Hardy to contemporary literary theory.
Explores the ways in which new forms of visual culture, such as such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster, worked to shape key Victorian aesthetic concepts.
The spectacular development of early consumer society in Britain, France and the United States had a profound impact on constructions of femininity and masculinity, and commercial and cultural values in the late nineteenth and early twentieth centuries. Focusing on novels by Theodore Dreiser, George Gissing and Emile Zola, Just Looking, first published in 1985, addresses itself to a central paradox of the period: the perceived antithesis of the terms "commerce" and "culture" which emerged at a time which saw the actual drawing together of commercial and cultural practices. Drawing on structural, psychoanalytic and Marxist-feminist theory, Rachel Bowlby retrieves a relatively neglected literary area for contemporary political and theoretical concerns, re-establishing the naturalist novel as a rich source for feminists, literary theorists and cultural historians.
Infanticide examines medical expert evidence in infanticide cases, focusing specifically on the shifting notion of "certainty" in medical testimony. Beginning in the Early Modern period and concluding in the mid-twentieth century, it considers how courts determined whether an infant died from natural causes or other reasons, including violence. The book explores expert evidence in cases of infanticide and examines the extent of certainty created by medical specialists who founded their testimony on anatomical exploration and science. As the book progresses, it becomes clear that medical specialists were unable to scientifically establish cause of death and in doing so conveyed uncertainty in court proceedings. Rather than being regarded as a professional failing, Dixon argues that the uncertainty created by medical specialists redirected the outcomes of infanticide cases. The combination of uncertainty and the changing perceptions of infanticidal women by the court lead juries to find infanticidal women not guilty of a capital offence in many cases. This book will be of great interest to students and scholars of Criminology, Law and History.
Rachel Bowlby's anthology of articles conjures up the enormous richness and variety of recent work that returns to Woolf not so much for final answers as for insights into questions about writing, literary traditions and the differences of the sexes. The collection includes pieces by such well-known writers as Gillian Beer, Mary Jacobus, Peggy Kamuf and Catharine Stimpson. With a substantial Introduction, headnotes to each piece and full supporting material, this volume provides an ideal guide to Woolf and her place in modern literary and cultural studies.
Introduction -- Subjectivity and the antiquarian object: Petrarch among the ruins of Rome -- Here comes objectivity: Spenser's 1590 the Faerie Queene, book 3 -- Playing with things: reification in Marlowe's Hero and Leander -- Feeling like a fragment: Shakespeare's the Rape of Lucrece -- Coda: make me not object
Tap into the tools, techniques, and resources necessary for enhancing the freshman library experience by utilizing this how-to guide that applies an innovative approach to literacy and library instruction for college freshmen. In recent years, educators have begun to realize the importance of learner-centered programs as pivotal in the academic success of students transitioning from high school to college. This practical guide provides you with detailed plans for designing user-centered literacy and library instruction in your higher education institution—regardless of size. The handbook covers a vast range of learning situations, technologies, and assessment strategies to suit most any environment. Written by seasoned information literacy and instruction librarians, this book addresses the challenges frequently encountered in library-based programs, including staffing deficits, faculty support, effective advocacy of program to campus constituents, and professional burn-out. Real-life examples from a variety of institutions illustrate successful methods for handling spacing, programming, curriculum design, outreach, training, and assessment, among other areas. Included worksheets, handouts, and further readings give you everything you need to create, grow, and sustain a user-based library instruction program.
From New York Times and USA Today bestselling author Rachel Van Dyken… She left. Two words I can't really get out of my head. She left us. Three more words that make it that much worse. Three being another word I can't seem to wrap my mind around. Three kids under the age of six, and she left because she missed it. Because her dream had never been to have a family, no her dream had been to marry a rockstar and live the high life. Moving my recording studio to Seaside Oregon seems like the best idea in the world right now especially since Seaside Oregon has turned into the place for celebrities to stay and raise families in between touring and producing. It would be lucrative to make the move, but I'm doing it for my kids because they need normal, they deserve normal. And me? Well, I just need a break and help, that too. I need a sitter and fast. Someone who won't flip me off when I ask them to sign an Iron Clad NDA, someone who won't sell our pictures to the press, and most of all? Someone who looks absolutely nothing like my ex-wife. He's tall. That was my first instinct when I saw the notorious Trevor Wood, drummer for the rock band Adrenaline, in the local coffee shop. He ordered a tall black coffee which made me smirk, and five minutes later I somehow agreed to interview for a nanny position. I couldn't help it; the smaller one had gum stuck in her hair while the eldest was standing on his feet and asking where babies came from. He looked so pathetic, so damn sexy and pathetic that rather than be star-struck, I took pity. I knew though; I knew the minute I signed that NDA, the minute our fingers brushed and my body became insanely aware of how close he was—I was in dangerous territory, I just didn't know how dangerous until it was too late. Until I fell for the star and realized that no matter how high they are in the sky—they're still human and fall just as hard. The Kristen Proby Crossover Collection features a new novel by Kristen Proby and six books by some of her favorite writers: Kristen Proby – Soaring with Fallon Sawyer Bennett – Wicked Force KL Grayson – Crazy Imperfect Love Laura Kaye – Worth Fighting For Monica Murphy – Nothing Without You Rachel Van Dyken – All Stars Fall Samantha Young – Hold On
From New York Times and USA Today bestselling authors Carly Phillips, Rebecca Zanetti, Rachel Van Dyken, Darynda Jones, and Skye Warren... Five Dark Tales. Five Sensual Stories. Five Page Turners. Dare to Tease by Carly Phillips Brianne Prescott, publicist for Dare Nation Sports Agency, grew up the only girl with four brothers, three of whom are sports royalty. She’s a pro not just at work but at being used by men who want access to her famous family. She’s learned the hard way that everyone wants something from her, always. When Dr. Hudson Northfield rescues Bri from a homeless man outside the clinic where he works, he really notices her for the first time. Soon she’s accompanying him to New York for a family wedding, and despite her siblings’ overprotective protests, they’re falling in love. Vampire by Rebecca Zanetti Dr. Mariana Lopez has finally stopped bailing friends out of difficult situations. Well, except for substituting as the leader for another anger management group, pitching in as a campaign strategist for a prospective sheriff, and babysitting three dogs. Even with such a full life, she can feel the danger around her—a sense that something isn’t right. Nightmares harass her, until the real thing comes to life, and only the dark and sexy male sitting in her group can save her. Mafia King by Rachel Van Dyken One of the first rules they give you when you're undercover—never fall for the enemy. I didn't just fall for the enemy. I became what I was supposed to hate. What's worse: I fell in love with one. I live a double life, and both sides know it's only a matter of time before I'm forced to choose. Rebirth through mafia blood. Or death at the hands of the very government I swore to protect. The Gravedigger's Son by Darynda Jones The job should have been easy. Get in. Assess the situation. Get out. But for veteran tracker Quentin Rutherford, things get sticky when the girl he’s loved since puberty shows up, conducting her own investigation into the strange occurrences of the small, New Mexico town. He knew it would be a risk coming back to the area, but he had no idea Amber Kowalski had become a bona fide PI, investigating things that go bump in the night. He shouldn’t be surprised, however. She can see through the dead as clearly as he can. The real question is, can she see through him? Finale by Skye Warren Francisco Castille, the exiled Duke of Linares, knows his duty. Even in modern times, the line must continue. So he'll marry and produce an heir. Yes, a wife will fit into his well-ordered life. Instead he ends up with the brilliant pianist Isabella. Strong. Spirited. And highly disobedient. She rebels against every custom and every rule, threatening his careful balance. Francisco never backs away from a challenge. Isabella never bows down to anyone. **Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you’ll enjoy each one as much as we do.**
A young woman makes a shocking self-discovery when she visits a traveling carnival in this dark contemporary fantasy by a New York Times bestseller. When Delilah Marlow visits a famous traveling carnival, Metzger’s Menagerie, she is an ordinary woman in a not-quite-ordinary world. But under the macabre circus big-top, she discovers a fierce, sharp-clawed creature lurking just beneath her human veneer. Captured and put on exhibition, Delilah is stripped of her worldly possessions, including her own name, as she’s forced to “perform” in town after town. But there is breathtaking beauty behind the seamy and grotesque reality of the carnival. Gallagher, her handler, is as kind as he is cryptic and strong. The other “attractions” —mermaids, minotaurs, griffins and kelpies—are strange, yes, but they share a bond forged by the brutal realities of captivity. And as Delilah struggles for her freedom, and for her fellow menagerie, she’ll discover a strength and a purpose she never knew existed. Renowned author Rachel Vincent weaves an intoxicating blend of carnival magic and startling humanity in this intricately woven and powerful tale. Praise for Menagerie “Well-paced, readable, and imaginative.” —New York Times Book Review “Delilah is magnificent in her defiance of injustice, and the well-wrought background for her world sets the stage for her future adventures in this captivating new fantasy series.” —Publishers Weekly “A dark tale of exploited and abused others, expertly told by Vincent.” —Library Journal, starred review “Vincent summons bold and vivid imagery with her writing, especially with the otherworld aspects of the carnival.” —Kirkus Reviews “Vincent creates a fantastic world that is destined to pique your curiosity . . . As Delilah Marlow slowly uncovers a side of herself that she never knew existed, you’ll sympathize with her . . . desperate to see her succeed.” —RT Book Reviews, Top Pick
Interweaving nuanced discussions of politics, visuality, and gender, Gender and Activism in a Little Magazine uncovers the complex ways that gender figures into the graphic satire created by artists for the New York City-based socialist journal, the Masses. This exceptional magazine was published between 1911 and 1917, during an unusually radical decade in American history, and featured cartoons drawn by artists of the Ashcan School and others, addressing questions of politics, gender, labor and class. Rather than viewing art from the Masses primarily in terms of its critical social stances or aesthetic choices, however, this study uses these images to open up new ways of understanding the complexity of early 20th-century viewpoints. By focusing on the activist images found in the Masses and studying their unique perspective on American modernity, Rachel Schreiber also returns these often-ignored images to their rightful place in the scholarship on American modernism. This book demonstrates that the centrality of the Masses artists' commitments to gender and class equality is itself a characterization of the importance of these issues for American moderns. Despite their alarmingly regular reliance on gender stereotypes?and regardless of any assessment of the efficacy of the artists' activism?the graphic satire of the Masses offers invaluable insights into the workings of gender and the role of images in activist practices at the beginning of the last century.
While the late Anglo-Saxons rarely recorded saints' posthumous miracles, a shift occurred as monastic writers of the late eleventh and twelfth centuries started to preserve hundreds of the stories they had heard of healings, acts of vengeance, resurrections, recoveries, and other miraculous deeds effected by their local saints. Indeed, Rachel Koopmans contends, the miracle collection quickly became a defining genre of high medieval English monastic culture. Koopmans surveys more than seventy-five collections and offers a new model for understanding how miracle stories were generated, circulated, and replicated. She argues that orally exchanged narratives carried far more propagandistic power than those preserved in manuscripts; stresses the literary and memorial roles of miracle collecting; and traces changes in form and content as the focus of the collectors shifted from the stories told by religious colleagues to those told by lay visitors to their churches. Wonderful to Relate highlights the importance of the two massive collections written by Benedict of Peterborough and William of Canterbury in the wake of the murder of Thomas Becket in 1170. Koopmans provides the first in-depth examination of the creation and influence of the Becket compilations, often deemed the greatest of all medieval miracle collections. In a final section, she ponders the decline of miracle collecting in the thirteenth century, which occurred with the advent of formalized canonization procedures and theological means of engaging with the miraculous.
This book provides a research-based analysis of the dynamics of several types of violence in families and close relationships, as well as a discussion of theories relating to the experiences of victims. Drawing on recent research data and case studies from their own clinical experiences, the authors examine causes, experiences, and interventions related to violence in various forms of relationships including children, elders, and dating or married couples. Among the topics covered: Causal factors in aggression and violence Theories of survivor coping and reactions to victimization Interventions for abused women and children Other forms of family violence: elder abuse, sibling abuse, and animal cruelty Societal responses to abuse in the family Dynamics of Family and Intimate Partner Violence is a crucial resource for practitioners and students in the fields of psychology and social work, vividly tying together theory and real-life case studies.
By 1915, pioneer aviator Art Smith was as celebrated as any movie star might be today. He thrilled audiences with his barnstorming feats, doing "death spirals," sky writing, "loop-the-loops," and night flights using phosphorus fireworks. He was a consummate showman and had he not died in 1926, his name probably would be familiar to most Americans. He glamorized and popularized aviation while testing the boundaries of aeronautical principles. As a boy he longed to fly before he had ever seen an airplane. His parents believed in him, and he was fortunate to have a best friend named Al Wertman who helped him build an airplane. His fame spread around the globe and in 1916, the Japanese offered him $10,000 for a series of exhibitions. His flying skills inspired a young Wiley Post to a life of aviation. After Smith's death, when Lindbergh flew over Fort Wayne and dipped his wings, he gave credit to the "Bird Boy" Art Smith. The story of this rising star in American aviation is one of adventure, romance, scandal and history. Using Smith's own autobiographical writings, the story is also a factual account of events in early aviation. The book includes photographs and postcards in Art Smith's own handwriting mailed to Al Wertman.
From New York Times and USA Today bestselling author Rachel Van Dyken comes a new story in her Mafia Royals series… One of the first rules they give you when you're undercover—never fall for the enemy. I didn't just fall for the enemy. I became what I was supposed to hate. What's worse: I fell in love with one. I live a double life, and both sides know it's only a matter of time before I'm forced to choose. Rebirth through mafia blood. Or death at the hands of the very government I swore to protect. I have one more job before my time's up. I just wish it was anything but babysitting a mafia princess who's half my size but knows how to pack such a brutal punch I worry about my ability to have children. Tin's small but terrifying. And I'm her new bodyguard while we all go on a much-needed vacation. I just have to stick to the plan. And remember rule number one. And stop kissing her. **Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you'll enjoy each one as much as we do.** Reviews for Mafia King: “I knew when I read the blurb I couldn't wait to read it and it did not disappoint in the least. This was so good! I'd definitely recommend it.” - Give Me All the Books “Love me some Mafia Royal. Rachel Van Dyken has done it again! 5 star and a must read!” - Reads to Breathe “This is a well written flawless fast paced story, which is filled with angst, secrets, loyalty, engaging and relatable characters, and love, which all leads to a steamy and enjoyable all-consuming read.” - Wendy’s Book Blog “For a novella there was a lot packed into these pages. I never tire of these five families!” - Mom’s Guilty Pleasure “This novella is filled with love, friendships, angst, twists, secrets and humour and I am certain that like me, you’ll not want to put this story down once you’ve started reading it.” - Literary Lust
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