By 1915, pioneer aviator Art Smith was as celebrated as any movie star might be today. He thrilled audiences with his barnstorming feats, doing "death spirals," sky writing, "loop-the-loops," and night flights using phosphorus fireworks. He was a consummate showman and had he not died in 1926, his name probably would be familiar to most Americans. He glamorized and popularized aviation while testing the boundaries of aeronautical principles. As a boy he longed to fly before he had ever seen an airplane. His parents believed in him, and he was fortunate to have a best friend named Al Wertman who helped him build an airplane. His fame spread around the globe and in 1916, the Japanese offered him $10,000 for a series of exhibitions. His flying skills inspired a young Wiley Post to a life of aviation. After Smith's death, when Lindbergh flew over Fort Wayne and dipped his wings, he gave credit to the "Bird Boy" Art Smith. The story of this rising star in American aviation is one of adventure, romance, scandal and history. Using Smith's own autobiographical writings, the story is also a factual account of events in early aviation. The book includes photographs and postcards in Art Smith's own handwriting mailed to Al Wertman.
Profiles of twelve trailblazing Regency Era women—from Jane Austen to Madame Tussaud—who took charge of their destinies and changed the world. In the nineteenth century, women faced challenges and constraints that many of us would find shocking by today’s standards. What Regency Women Did for Us tells the inspirational stories of twelve women who overcame entrenched institutional obstacles to achieve trailblazing success—women such as the German astronomer Caroline Herschel, who discovered a comet that bears her name; the French artist Marie Tussaud whose wax sculptures made her world famous; the great author Jane Austen whose novels continue to delight generations of readers. These women were pioneers, philanthropists, entrepreneurs, authors, scientists, and actresses—women who made an impact on their world and ours. Popular history blogger Rachel Knowles tells how each of these women challenged the limitations of their time and left an enduring legacy for future generations to follow. Two hundred years later, their stories remain powerful inspirations for us all. “Rachel’s fine book looks at how the women of Britain emerged from the shadows of their husbands during the Regency period, inspiring female writers, scientists, etc. to take hold of their own destinies and start to have an influence on the world. Brilliant.” —Books Monthly
The previously classified story of the eccentric researchers who invented cutting-edge underwater science to lead the Allies to D-Day victory In August 1942, more than 7,000 Allied troops rushed the beaches of Normandy, France, in an all but-forgotten landing. Only a small fraction survived unscathed. It was two summers before D-Day, and the Allies realized that they were in dire need of underwater intelligence if they wanted to stand a chance of launching another beach invasion and of winning the war. Led by the controversial biologists J. B. S. Haldane and Dr. Helen Spurway, an ingenious team of ragtag scientists worked out of homemade labs during the London Blitz. Beneath a rain of bombs, they pioneered thrilling advances in underwater reconnaissance through tests done on themselves in painful and potentially fatal experiments. Their discoveries led to the safe use of miniature submarines and breathing apparatuses, which ultimately let the Allies take the beaches of Normandy. Blast injury specialist Dr. Rachel Lance unpacks the harrowing narratives of these experiments while bringing to life the men and women whose brilliance and self-sacrifice shaped the outcome of the war, including their personal relationships with one another and the ways they faced skepticism and danger in their quest to enable Allied troops to breathe underwater. The riveting science leading up to D-Day has been classified for generations, but Chamber Divers finally brings these scientists’ stories—and their heroism—to light.
The book explores the claim that English local government exists in one of the most centralised relationships with national government. Such a position fundamentally undermines any notion of local self-government and makes the term ‘government’ in local government a misnomer. The book will examine how the erosion of the autonomy, powers, roles, functions and responsibilities of English local government came about, the arguments of centralisers and localisers to support their view of the constitutional status of local government, and its overall role in the government of England. The book offers an antidote to the onward march of centralisation by offering a new vision of local government which emphasises both ‘local’ and ‘government’.
In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanization that they faced. In response, proslavery southerners attempted to counter these messages either through idealization or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture, Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealized and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.
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