The internment of 'enemy aliens' during the Second World War was arguably the greatest stain on the Allied record of human rights on the home front. Internment during the Second World War compares and contrasts the experiences of foreign nationals unfortunate enough to be born in the 'wrong' nation when Great Britain, and later the USA, went to war. While the actions and policy of the governments of the time have been critically examined, Rachel Pistol examines the individual stories behind this traumatic experience. The vast majority of those interned in Britain were refugees who had fled religious or political persecution; in America, the majority of those detained were children. Forcibly removed from family, friends, and property, internees lived behind barbed wire for months and years. Internment initially denied these people the right to fight in the war and caused unnecessary hardships to individuals and families already suffering displacement because of Nazism or inherent societal racism. In the first comparative history of internment in Britain and the USA, memoirs, letters, and oral testimony help to put a human face on the suffering incurred during the turbulent early years of the war and serve as a reminder of what can happen to vulnerable groups during times of conflict. Internment during the Second World War also considers how these 'tragedies of democracy' have been remembered over time, and how the need for the memorialisation of former sites of internment is essential if society is not to repeat the same injustices.
Ten years ago, Rachel Abramowitz began interviewing the most powerful women in the movie-making business in an effort to discover how they had infiltrated this male-dominated world. From superstar actors to independent directors, women in all arenas opened up to her, and the result is extraordinary—together, these stories comprise the most comprehensive history to date of women in Hollywood. Here, in their own candid and provocative words, are Jodie Foster, Penny Marshall, Dawn Steel, Sherry Lansing, Barbra Streisand, Nora Ephron, Meryl Streep, Jane Campion, and many others—in short, one of the most talented casts ever assembled. Poignant, inspiring, scandalous, and hilarious, this is at once a landmark look at the evolution of women’s place in filmmaking and a glimpse inside one of the most powerful industries in American culture.
THE STORY: On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. MY NAME IS RACHEL CORRIE is a one-woman play
Deputy sheriff Lance Conroe plans to protect FBI agent Erin Sanders in his remote Wyoming home, but when the dangerous bomber finds their hideout, Erin and Lance must set their emotions aside and plan to catch the killer.
When Rachel Carson died of cancer in 1964, her four books, including the environmental classic Silent Spring, had made her one of the most famous people in America. This trove of previously uncollected writings is a priceless addition to our knowledge of Rachel Carson, her affinity with the natural world, and her life.
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From a poker game in Dodge City to a desolate ranch in the wilds of No Man's Land, three men and a young widow struggle to survive. In this harsh land they must contend with the harsh climate, Indians, cruel renegades, and each other. The story depicts the triumph of the human spirit over great odds.
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