A biography of Chief Joseph, leader of the Nez Perce people in the late 1800s, including his childhood, the battles his tribe fought in hopes of remaining on their land, and their eventual removal to reservations.
Latter-day Saint families introducing youngsters to Joseph Smith and individuals wanting to know more about the prophet will be thrilled with this story that combines history with re-enactment photography to tell his story. From Smiths birth in Vermont, youll learn how he enjoyed playing in the snow and making maple syrupas well as how he struggled with deciding which church to join as he grew older after moving to Palmyra, New York. Jesus would tell Smith not to join a church, and he soon learned why: Smith would be tasked with bringing back the true church of Jesus Christ. Smith became a witness of God and Jesus Christ. Whether youre a child, adolescent, or adult, youll discover insights about the prophet and strengthen your testimony through this refreshing portrayal highlighting the beginnings of the Restoration. Discover how the Lord prepared his servant to reveal the true nature of God to the world in Joseph Smith Is a Prophet.
Jewish Feminism: What Have We Accomplished? What Is Still to Be Done? “When you are in the middle of the revolution you can’t really plan the next steps ahead. But now we can. The book is intended to open up a dialogue between the early Jewish feminist pioneers and the young women shaping Judaism today.... Read it, use it, debate it, ponder it.” —from the Introduction This empowering anthology looks at the growth and accomplishments of Jewish feminism and what that means for Jewish women today and tomorrow. It features the voices of women from every area of Jewish life—the Reform, Reconstructionist, Conservative, Orthodox and Jewish Renewal movements; rabbis, congregational leaders, artists, writers, community service professionals, academics, and chaplains, from the United States, Canada, and Israel—addressing the important issues that concern Jewish women: Women and Theology Women, Ritual and Torah Women and the Synagogue Women in Israel Gender, Sexuality and Age Women and the Denominations Leadership and Social Justice
Overconfident: How Economic and Health Fault Lines Left the Middle East and North Africa Ill-Prepared to Face COVID This report examines the region’s economic prospects in 2021, forecasting that the recovery will be both tenuous and uneven as per capita GDP level stays below pre-pandemic levels. COVID-19 was a stress-test for the region’s public health systems, which were already overwhelmed even before the pandemic. Indeed, a decade of lackluster economic reforms left a legacy of large public sectors and high public debt that effectively crowded out investments in social services such as public health. This edition points out that the region’s health systems were not only ill-prepared for the pandemic, but suffered from over-confidence, as authorities painted an overly optimistic picture in self-assessments of health system preparedness. Going forward, governments must improve data transparency for public health and undertake reforms to remedy historical underinvestment in public health systems.
In The Ecological Thought, eco-philosopher Timothy Morton has argued for the inclusion of “dark ecology” in our thinking about nature. Dark ecology, he argues, puts hesitation, uncertainty, irony, and thoughtfulness back into ecological thinking.” The ecological thought, he says, should include “negativity and irony, ugliness and horror.” Focusing on this concept of “dark ecology” and its invitation to add an anti-pastoral perspective to ecocriticism, this collection of essays on American literature and culture offers examples of how a vision of nature’s darker side can create a fuller understanding of humanity’s relation to nature. Included are essays on canonical American literature, on new voices in American literature, and on non-print American media. This is the first collection of essays applying the “dark ecology” principle to American literature.
This catalogue is published in conjunction with the exhibition Covered in Time and History: The Films of Ana Mendieta, organized by Lynn Lukkas and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota.
Motivated by a thirst for battle and conquest, the people of the island of Crete set their gaze upon the coastal plains of Southern Canaan. These men were fierce warriors who considered this invasion an opportunity to prove their nation's worth, as well as to tout their spiritual and physical invulnerability to the nations of the ancient world. The Caphtor army would leave no survivors, save those that would serve a particular purpose. Seized homes and harvest would be their means of beginning a new life in Canaan. An Avvim giant and a Canaanite are thrown together by this common enemy, seeking to do all in their power to halt the assault on Canaan. Unbreakable bonds form between these two unlikely friends as they travel across Canaan and into Egypt. Amidst bandit attacks, sandstorms, and the challenge of their basic belief system, these men persevere. Endeavoring in this quest to thwart the advance of Caphtor they encounter unexpected truth that transforms their lives forever.
Tony Conrad (1940-2016) was a pioneering American avant-garde video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer.Throughout his six-decade career he forged a unique path through numerous artistic movements and defined a vast range of culture, including rock music and public access television.In music, Conrad was an early member of the Theatre of Eternal Music (The Dream Syndicate), which included John Cale and La Monte Young. In the early 1960s he was also influential in the origins of the iconic band, The Velvet Underground. In film, Conrad was associated with the Structuralist movement which included filmmakers such as Paul Sharits and Hollis Frampton.This richly illustrated catalogue offers an in-depth introduction to Conrad's life and career: presenting his early Structuralist films projects in which he treated film as a sculptural and performative material; his Invented Acoustical Tools which presented as sculptures themselves; the ambitious films about power relations, set in the military and in prison; and his final sculptures and installations, which evoke and critique what he perceived as an emerging culture of surveillance, control, and containment.This book also includes Conrad's own writings writings from 1966 to 2016, as well as texts by curators, theorists and notable artists such as Tony Oursler, Christopher Müller, and Christopher Williams.Accompanying the exhibition, Introducing Tony Conrad: A Retrospective at Albright-Knox Art Gallery, Buffalo, New York (2018), MIT List Visual Arts Center and Carpenter Center for Visual Arts, Harvard University (2018/2019), and ICA, University of Pennsylvania (2019).
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