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THE STORY: On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. MY NAME IS RACHEL CORRIE is a one-woman play
When Rachel Carson died of cancer in 1964, her four books, including the environmental classic Silent Spring, had made her one of the most famous people in America. This trove of previously uncollected writings is a priceless addition to our knowledge of Rachel Carson, her affinity with the natural world, and her life.
From Eve to Esther, the Hebrew Bible is replete with gendered tales of trickery. A lie is uttered, a mask donned, a seduction staged, while redemption is propelled forward, guided by the divine hand. From the first 'female ruse' - Eve presenting the fruit of the tree of knowledge to Adam - humanity becomes embodied, engaged in history, moving from the Garden to exile, from wandering to homeland and redemption (and back again). Consider Rebekah dressing her beloved son in goatskins to steal the blessing from his blind father; Lot's daughters lying with their drunken father, and then conceiving the founding fathers of Ammon and Moab; Leah and Rachel, the mothers of the twelve tribes of Israel, duping Jacob on their wedding night; Tamar's seduction of Judah, her father-in-law, who then bears the progenitor of the Davidic line; Naomi sending Ruth to the threshing floor to seduce Boaz by night; Bathsheba invoking an oath that King David had supposedly made in order to forward Solomon, her son, as successor to the monarchy; and Queen Esther concealing her Jewish identity in the Persian imperial court. Over the course of nine chapters, the author traces these narratives of deception; in each case, God is in cahoots with these feminine agents in advancing the providential plan. A tension holds between the 'best laid plans' of men and the divine will as forwarded by women. Drawing on classic rabbinic sources and modern literary exegesis, the author exposes the conflict between the simple progression of genealogies and the process of selection through alliances of family and kin. Women are at the crux of that conflict, seemingly compelled to choose the indirect route while the deity appears to endorse their lie.
This book investigates the feminine traditions of the Hebrew Bible in a readable manner, pertinent to contemporary times. It is unique in its focus on the experiences of biblical women and not how they were perceived within a patriarchal context.Women on the Biblical Road explores, through an eco-feminist lens, female heroes, their journey cycles, and the oral tradition from which these stories originate. At the core of this look at women on the biblical road is the book of Ruth, the Bible's most complete tale of the female adventure. Caspi and Havrelock point out that the journey of Ruth and Naomi corresponds with a cycle of return and redemption, inseparable from Ruth's and Naomi's experience on the road. The authors also propose that this story of two women from distinctly different places who are able to fuse their goals and help each other survive, points to plausible cultural reconciliation in the Middle East and beyond. This book is intended for any university class studying the Hebrew Bible, courses at synagogues or churches, and women interested in tracing female spiritual traditions. Women on the Biblical Road is an important book for the Women's Spirituality Movement and will surely appeal to the contemporary woman interested in reconstructing women's traditions.
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