In 2008, Rachel Escott and her husband set off on an adventure of self-discovery that would last most of the year and lead them through south England, around France and into Spain, to the cathedral in Santiago de Compostella. David and Rachel had jobs and a comfortable home. They lived normal lives. So why give up everything to take on the completely simple life? They used 5 pairs of boots between them, and 12 pairs of socks, 3 T-shirts and 2 pairs of trousers each ... Forced to experience a new side to their relationship, they were to find the strength to overcome the worst tribulations. This book, from Rachel's blogs during the 2289-mile journey, is an insight into the freedom we all secretly wish we had, a simple world of self-reflection, sightseeing and new discovery. There are tales within tales. As you walk this path with Rachel you understand why they made the journey. You feel her pain and her happiness and you reflect with her on broader conceptions of our lives.
What does it mean to live in harmony with all of God's creation? How might our spiritual practice contribute to the healing of this place we call home, and to our own healing along the way? Rachel Wheeler offers compelling testimony for the value--and the life-giving power--of "rewilding." For conservationists, rewilding is a strategy of human restraint, of letting the wild enact ecological repair on its own terms. The "wild" is a quality of life beyond the control of the human. For Christians, a rewilding spirituality restores the life-generating and life-sustaining norms in which we were created to dwell. Radical Kinship: A Christian Ecospirituality provides readers with both theoretical foundations for understanding a rewilded Christian spirituality for the twenty-first century and practical strategies for rewilding our own lives. Wheeler brings biblical foundations and the history of Christian spirituality into conversation with environmental ethics, ecopsychology, and ecopoetics. The frameworks she constructs bring Christian spiritual tradition back to its deepest foundations not only as a product of human culture, but as one shaped in large part by Christians in relationship with other-than-human members of the Earth community.
ÿRachel Vogeleisen is a professional photographer specialising in women's portraits and fashion. Her fascination with the Second World War was sparked by her discovery as a child that her grandfather, from Alsace, had had to fight for the Germans against Russia. This book, the culmination of ten years of research, is a collection of portraits and testimonials recording the experiences of 21 women who volunteered during World War II, interviewed by the author. The accounts have been left as far as possible in the women?s original words, so that their voices can be heard clearly and faithfully. The women featured in this book are among many who did much behind the scenes without much in the way of recognition. It was not until 2005 that their contribution to the war effort was recognised with a memorial dedicated to the women of World War Two in Whitehall, London. These women are some of the last alive to speak about their wartime experiences in their own words.
If you want to find out about your Yorkshire ancestors, you can visit the many unusual and fascinating archives in England's largest county. As well as tracing when your ancestors were born, married and died, you can explore how they lived, how they spent their leisure time and what their home life was like. Rachel Bellerby's invaluable guide will introduce you to places that hold a wealth of information about Yorkshire's past, and the records you find in these archives will bring your research to life. Whatever you wouldlike to discover more about, from fairground travellers to Romany gypsies, from working deep underground in a mine to making a living from the North Sea, there is so much to learn. The many different archives that welcome family history researchers are explored here and explained. Often these archives are overlooked, yet they contain revealing information about the people who called Yorkshire their home. Dozens of places, from tiny museum archives to large research centres, are open for your research. Tracing your Yorkshire ancestors has never been more exciting.
Visiting late Victorian debates about the morality of literature, this book reconsiders the ways in which novels engender an ethical orientation or response in their readers, explaining how the intersections of nation, family, and form in the late realist English novel produce a new ethics of hospitality.
A consideration of how contemporary art can offer a deeper understanding of selfhood. With Each One Another, Rachel Haidu argues that contemporary art can teach us how to understand ourselves as selves—how we come to feel oneness, to sense our own interiority, and to shift between the roles that connect us to strangers, those close to us, and past and future generations. Haidu looks to intergenerational pairings of artists to consider how three aesthetic vehicles––shape in painting, characters in film and video, and roles in dance––allow us to grasp selfhood. Better understandings of our selves, she argues, complement our thinking about identity and subjecthood. She shows how Philip Guston’s figurative works explore shapes’ descriptive capacities and their ability to investigate history, while Amy Sillman’s paintings allow us to rethink expressivity and oneness. Analyzing a 2004 video by James Coleman, Haidu explores how we enter characters through their interior monologues, and she also looks at how a 2011 film by Steve McQueen positions a protagonist’s refusal to speak as an argument for our right to silence. In addition, Haidu examines how Anne Teresa de Keersmaeker’s distribution of roles across dancers invites us to appreciate formal structures that separate us from one another while Yvonne Rainer’s choreography shows how such formal structures also bring us together. Through these examples, Each One Another reveals how artworks allow us to understand oneness, interiority, and how we become fluid agents in the world, and it invites us to examine—critically and forgivingly—our attachments to selfhood.
THE STORY: On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. MY NAME IS RACHEL CORRIE is a one-woman play
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