Haunting and candid, A Girl's A Gun introduces a poet whose bold voice merges heightened lyricism with compelling narrative. Steeped in storytelling traditions, the poems in Rachel Danielle Peterson's debut collection exhibit linguistic dexterity and mastery of form as the poet mixes lyrical paragraphs, sonnets, and interview-style poems with free verse. Hey Yvonne! The memoree of some strangerhis shoulder's shadow plunges inta our place: thunk, thunk. Run! Mother's vowels pierce haze. Mother, can we distil the pink threads, fabric, black ball cap, the odor of Bud Light, fills the door she walks through, dust, Mamma. Dust is all we is Taken together, the poems present the coming-of-age story of a girl born in the mountains of rural eastern Kentucky, tracing her journey into a wider world of experience. While the early poems are steeped in Appalachian speech and culture -- a hybrid of a child's diction and regional dialect -- the language shifts as the collection progresses, becoming more standard. The speaker engages with hard issues surrounding gender and violence in contemporary life and explores what it means to be an artist in a culture that favors a literal interpretation of reality. Exploring issues of identity, place, and the call to create, this collection tackles subjects that will shock, touch, and bewilder readers while giving voice to an underrepresented and perhaps even unprecedented perspective in poetry.
Haunting and candid, A Girl's A Gun introduces a poet whose bold voice merges heightened lyricism with compelling narrative. Steeped in storytelling traditions, the poems in Rachel Danielle Peterson's debut collection exhibit linguistic dexterity and mastery of form as the poet mixes lyrical paragraphs, sonnets, and interview-style poems with free verse. Hey Yvonne! The memoree of some stranger his shoulder's shadow plunges inta our place: thunk, thunk. Run! Mother's vowels pierce haze. Mother, can we distil the pink threads, fabric, black ball cap, the odor of Bud Light, fills the door she walks through, dust, Mamma. Dust is all we is Taken together, the poems present the coming-of-age story of a girl born in the mountains of rural eastern Kentucky, tracing her journey into a wider world of experience. While the early poems are steeped in Appalachian speech and culture—a hybrid of a child's diction and regional dialect—the language shifts as the collection progresses, becoming more standard. The speaker engages with hard issues surrounding gender and violence in contemporary life and explores what it means to be an artist in a culture that favors a literal interpretation of reality. Exploring issues of identity, place, and the call to create, this collection tackles subjects that will shock, touch, and bewilder readers while giving voice to an underrepresented and perhaps even unprecedented perspective in poetry.
One of "The Most Fascinating Books WIRED Read in 2020" "One part science book, one part historical narrative, one part memoir . . . harrowing and inspiring.”—The Wall Street Journal How a determined scientist cracked the case of the first successful—and disastrous—submarine attack On the night of February 17, 1864, the tiny Confederate submarine HL Hunley made its way toward the USS Housatonic just outside Charleston harbor. Within a matter of hours, the Union ship’s stern was blown open in a spray of wood planks. The explosion sank the ship, killing many of its crew. And the submarine, the first ever to be successful in combat, disappeared without a trace. For 131 years the eight-man crew of the HL Hunley lay in their watery graves, undiscovered. When finally raised, the narrow metal vessel revealed a puzzling sight. There was no indication the blast had breached the hull, and all eight men were still seated at their stations—frozen in time after more than a century. Why did it sink? Why did the men die? Archaeologists and conservationists have been studying the boat and the remains for years, and now one woman has the answers. In the Waves is much more than just a military perspective or a technical account. It’s also the story of Rachel Lance’s single-minded obsession spanning three years, the story of the extreme highs and lows in her quest to find all the puzzle pieces of the Hunley. Balancing a gripping historical tale and original research with a personal story of professional and private obstacles, In the Waves is an enthralling look at a unique part of the Civil War and the lengths one scientist will go to uncover its secrets.
For thirteenth-century preacher, exorcist, and hagiographer Thomas of Cantimpré, the Southern Low Countries were a harbinger of the New Jerusalem. The Holy Spirit, he believed, was manifesting itself in the lives of lay and religious people alike. Thomas avidly sought out these new kinds of saints, writing accounts of their lives so that these models of sanctity might astound, teach, and trouble the convictions of his day. In Excessive Saints, Rachel J. D. Smith combines historical, literary, and theological approaches to offer a new interpretation of Thomas’s hagiographies, showing how they employ vivid narrative portrayals of typically female bodies to perform theological work in a rhetorically specific way. Written in an era of great religious experimentation, Thomas’s texts think with and through the bodies of particular figures: the narrative of the holy person’s life becomes a site of theological invention in a variety of registers, particularly the devotional, the mystical, and the dogmatic. Smith examines how these texts represent the lives and bodies of holy women to render them desirable objects of devotion for readers and how Thomas passionately narrates these lives even as he works through his uncertainties about the opportunities and dangers that these emerging forms of holiness present. Excessive Saints is the first book to consider Thomas’s narrative craft in relation to his theological projects, offering new visions for the study of theology, medieval Christianity, and medieval women’s history.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.