“Everyone is constructing themselves. I'm just conscious of doing it. More than that, I'm a sculptor of it. I am a fucking artist.” Finalist: Popcorn Writing Award 2021 Alex is a social success. Her Instagram boasts a montage of members-only rooftops, inexplicably sunny days and clinking glasses – like after like after like! When her father dies, Alex reluctantly joins a bereavement group. She shares a little, and then lies... a lot. And it feels good – like the 'likes', but live, and just like that, Alex is hooked. Please, Feel Free to Share by Rachel Causer is a dynamic, darkly comic, one-woman show about our personal addictions, the never-ending pursuit of 'likes' and our growing desire to share all. This play was developed by Scatterjam, a female-led production company that are committed to creating innovative shows that actively challenge commonly held preconceptions and celebrate the comedic potential of doing so. They are the makers of the Offie-Nominated play When It Happens.
“Everyone is constructing themselves. I'm just conscious of doing it. More than that, I'm a sculptor of it. I am a fucking artist.” Finalist: Popcorn Writing Award 2021 Alex is a social success. Her Instagram boasts a montage of members-only rooftops, inexplicably sunny days and clinking glasses – like after like after like! When her father dies, Alex reluctantly joins a bereavement group. She shares a little, and then lies... a lot. And it feels good – like the 'likes', but live, and just like that, Alex is hooked. Please, Feel Free to Share by Rachel Causer is a dynamic, darkly comic, one-woman show about our personal addictions, the never-ending pursuit of 'likes' and our growing desire to share all. This play was developed by Scatterjam, a female-led production company that are committed to creating innovative shows that actively challenge commonly held preconceptions and celebrate the comedic potential of doing so. They are the makers of the Offie-Nominated play When It Happens.
A clear introduction to lexical-functional grammar (LFG), this outstanding textbook sets out a formal approach to the study of language using a step-by-step approach and rich language data. Data from English and a range of other languages is used to illustrate the main concepts, allowing those students not accustomed to working with cross-linguistic data to familiarize themselves with the theory, while also enabling those interested in how the theory can account for more challenging data sets to extend their learning. Exercises ranging from simple technical questions to analyses of a data set, as well as a further resources section with a literature review complete each chapter. The book aims to equip readers with the skills to analyze new data sets and to begin to engage with the primary LFG literature.
Brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer. This book includes novels that confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity.
“In this entertaining academic history of these rival magazines, Mesch . . . explores the emergence of the working woman in France.” —Publishers Weekly At once deeply historical and surprisingly timely, Having It All in the Belle Epoque shows how the debates that continue to captivate high-achieving women in America and Europe can be traced back to the early 1900s in France. The first two photographic magazines aimed at women, Femina and La Vie Heureuse created a female role model who could balance age-old convention with new equalities. Often referred to simply as the “modern woman,” this captivating figure embodied the hopes and dreams as well as the most pressing internal conflicts of large numbers of French women during what was a period of profound change. Full of never-before-studied images of the modern French woman in action, Having It All shows how these early magazines exploited new photographic technologies, artistic currents, and literary trends to create a powerful model of French femininity, one that has exerted a lasting influence on French expression. This book introduces and explores the concept of Belle Epoque literary feminism, a product of the elite milieu from which the magazines emerged. Defined by its refusal of political engagement, this feminism was nevertheless preoccupied with expanding women’s roles, as it worked to construct a collective fantasy of female achievement. Through an astute blend of historical research, literary criticism, and visual analysis, Mesch’s study of women’s magazines and the popular writers associated with them offers an original window onto a bygone era that can serve as a framework for ongoing debates about feminism, femininity, and work-life tensions
Recent Advances in Surgery 40 is the latest volume in the recognised series reviewing current topics in general surgery and its major subspecialties. Divided into eight sections, the book begins with topics of general interest to surgeons, and surgical training. The following sections cover subspecialty surgeries including transplant, vascular, head and neck, breast, and abdominal. The final section reviews recent clinical trials.
Winner of the 2016 Marfield Prize In 1902, Rainer Maria Rilke—then a struggling poet in Germany—went to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship. Transporting readers to early twentieth-century Paris, Rachel Corbett’s You Must Change Your Life is a vibrant portrait of Rilke and Rodin and their circle, revealing how deeply Rodin’s ideas about art and creativity influenced Rilke’s classic Letters to a Young Poet.
THE STORY: On March 16, 2003, Rachel Corrie, a twenty-three-year-old American, was crushed to death by an Israeli Army bulldozer in Gaza as she was trying to prevent the demolition of a Palestinian home. MY NAME IS RACHEL CORRIE is a one-woman play
When Rachel Carson died of cancer in 1964, her four books, including the environmental classic Silent Spring, had made her one of the most famous people in America. This trove of previously uncollected writings is a priceless addition to our knowledge of Rachel Carson, her affinity with the natural world, and her life.
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