Who would have thought that I, Anne Whitmore, beloved daughter of a wealthy Boston businessman, would be bouncing along in this dirty, uncomfortable Conestoga wagon, wearing this dreadful, faded homespun dress and the most unfashionable bonnet I could have imagined? My hair is filthy and stringy. My nails are short and chipped. I have scratches and bug bites all over my body. I have become the family maid and caregiver to my ungrateful, complaining parents. We are headed West to who knows where with robbers, Indians, and broken wagon wheels for excitement. And now, how can I ever keep my promise to my grandmother? I want to remember my pleasant life in Boston with its fresh sea breezes, the refreshing carriage rides in the park, our fine home with a maid and butler, and hopefully, a proposal from the banker’s son—not the constant, choking, gritty dust of this hot, endless prairie as we ride into an unknown future. Yet I have watched the Quaker family who are at peace with each other. Eli the carpenter, their tall, handsome son with the sparkling blue eyes, is so kind to me in spite of my tatty appearance. How very different he is from the banker’s son.
Award-winning Rachel Hartman's newest YA is a tour de force and an exquisite fantasy for the #metoo movement. "Tess of the Road is astonishing and perfect. It's the most compassionate book I've read since George Eliot's Middlemarch." --NPR In the medieval kingdom of Goredd, women are expected to be ladies, men are their protectors, and dragons can be whomever they choose. Tess is none of these things. Tess is. . . different. She speaks out of turn, has wild ideas, and can't seem to keep out of trouble. Then Tess goes too far. What she's done is so disgraceful, she can't even allow herself to think of it. Unfortunately, the past cannot be ignored. So Tess's family decide the only path for her is a nunnery. But on the day she is to join the nuns, Tess chooses a different path for herself. She cuts her hair, pulls on her boots, and sets out on a journey. She's not running away, she's running towards something. What that something is, she doesn't know. Tess just knows that the open road is a map to somewhere else--a life where she might belong. Returning to the spellbinding world of the Southlands she created in the award-winning, New York Times bestselling novel Seraphina, Rachel Hartman explores self-reliance and redemption in this wholly original fantasy. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * BOSTON GLOBE * The Chicago Public Library * KIRKUS REVIEWS Four starred reviews! "The world building is gorgeous, the creatures are vivid and Hartman is a masterful storyteller. Pick up this novel, and savor every page." --Paste Magazine
Celebrate the beauty, diversity and expression of drawing with this second collection in the Strokes of Genius series - 140 examples of the finest drawing being done today. Fresh from the studios and sketchpads of 100 artists, these striking creations run the gamut from highly detailed, remarkably realistic images that were months in the making, to contour drawings, journal sketches and gestures captured in mere minutes. Selections feature original approaches to landscapes, portraits and other classic subjects, along with offbeat inspirations like vintage photos and washed-off watercolor paintings. In these pages you'll find: • A vast range of mediums and combinations, including charcoal, pencil, pastel, ink and more • An exciting mix of styles and techniques presented in subject-specific chapters: Portraits, Cityscapes, Animals, the Human Figure, Landscapes and Still Life • Firsthand perspective on the processes behind the work, offering expert insights on capturing atmosphere, telling a story, finding the right pose, achieving vitality of line, and much more With a special focus on the power of light and shadow, this work has an immediacy that is honest and engaging. Filled with strokes of poetry, precision and passion, this is a memorable collection of art as well as an inspiring survey of techniques that artists use to translate impressions to paper.
Seraphina took the literary world by storm with 8 starred reviews and numerous “Best of” lists. At last, her eagerly awaited sequel has arrived—and with it comes an epic battle between humans and dragons. The kingdom of Goredd: a world where humans and dragons share life with an uneasy balance, and those few who are both human and dragon must hide the truth. Seraphina is one of these, part girl, part dragon, who is reluctantly drawn into the politics of her world. When war breaks out between the dragons and humans, she must travel the lands to find those like herself—for she has an inexplicable connection to all of them, and together they will be able to fight the dragons in powerful, magical ways. As Seraphina gathers this motley crew, she is pursued by humans who want to stop her. But the most terrifying is another half dragon, who can creep into people’s minds and take them over. Until now, Seraphina has kept her mind safe from intruders, but that also means she’s held back her own gift. It is time to make a choice: Cling to the safety of her old life, or embrace a powerful new destiny? Praise for Seraphina: A New York Times Bestseller An Indie Bestseller Winner of the William C. Morris Debut Award Winner of the Cybil Award for Teen Fantasy and Science Fiction An Amazon Top 20 Teen Book of the Year A Chicago Public Library Best Book of the Year A Kirkus Reviews Best Teen Book of the Year A School Library Journal Best Book of the Year A Library Journal Best Young Adult Literature for Adults Selection A Booklist Editors’ Choice An ABA New Voices Pick A Publishers Weekly Flying Start Author An ALA-ALSC Notable Children’s Book An ALA-YALSA Top Ten Best Fiction for Young Adults Book Recipient of 8 Starred Reviews “Beautifully written, well-rounded characters, and some of the most interesting dragons I’ve read in fantasy for a long while. An impressive debut novel; I can’t wait to see what Rachel Hartman writes next.” —Christopher Paolini, New York Times bestselling author of Eragon “A novel that will appeal to both fans of Christopher Paolini’s Eragon series and Robin McKinley’s The Hero and the Crown.” —Entertainment Weekly
Hundreds of stunning images from Black history have been buried in the New York Times photo archives for decades. Four Times staff members unearth these overlooked photographs and investigate the stories behind them in this remarkable collection. New York Times photo editor Darcy Eveleigh made an unwitting discovery when she found dozens of never-before-published photographs from Black history in the crowded bins of the Times archives in 2016. She and three colleagues, Dana Canedy, Damien Cave, and Rachel L. Swarns, began exploring the often untold stories behind the images and chronicling them in a series entitled “Unpublished Black History” that was later published by the newspaper. Unseen showcases those photographs and digs even deeper into the Times’s archives to include 175 photographs and the stories behind them in this extraordinary collection. Among the entries is a 27-year-old Jesse Jackson leading an anti-discrimination rally in Chicago; Rosa Parks arriving at a Montgomery courthouse in Alabama; a candid shot of Aretha Franklin backstage at the Apollo Theater; Ralph Ellison on the streets of his Manhattan neighborhood; the firebombed home of Malcolm X; and a series by Don Hogan Charles, the first black photographer hired by the Times, capturing life in Harlem in the 1960s. Why were these striking photographs not published? Did the images not arrive in time to make the deadline? Were they pushed aside by the biases of editors, whether intentional or unintentional? Unseen dives deep into the Times’s archives to showcase this rare collection of photographs and stories for the very first time.
Designed for busy clinicians struggling to fit the critical issue of nutrition into their routine patient encounters, Nutrition in Clinical Practice translates the robust evidence base underlying nutrition in health and disease into actionable, evidence-based clinical guidance on a comprehensive array of nutrition topics. Authoritative, thoroughly referenced, and fully updated, the revised 4th edition covers the full scope of nutrition applications in clinical practice, spanning health promotion, risk factor modification, prevention, chronic disease management, and weight control – with a special emphasis on providing concisely summarized action steps within the clinical workflow. Edited by Dr. David L. Katz (a world-renowned expert in nutrition, preventive medicine, and lifestyle medicine) along with Drs. Kofi D. Essel, Rachel S.C. Friedman, Shivam Joshi, Joshua Levitt, and Ming-Chin Yeh, Nutrition in Clinical Practice is a must-have resource for practicing clinicians who want to provide well-informed, compassionate, and effective nutritional counseling to patients.
How can we know about children's everyday lives in a digitally saturated world? What is it like to grow up in and through new media? What happens between the ages of 7 and 15 and does it make sense to think of maturation as mediated? These questions are explored in this innovative book, which synthesizes empirical documentation of children's everyday lives with discussions of key theoretical and methodological concepts to provide a unique guide to researching childhood and youth. Researching Everyday Childhoods begins by asking what recent 'post-empirical' and 'post-digital' frameworks can offer researchers of children and young people's lives, particularly in researching and theorising how the digital remakes childhood and youth. The key ideas of time, technology and documentation are then introduced and are woven throughout the book's chapters. Research-led, the book is informed by two state of the art empirical studies – 'Face 2 Face' and 'Curating Childhoods' – and links to a dynamic multimedia archive generated by the studies.
From the critically acclaimed and bestselling author of Seraphina comes a piercing new fantasy adventure that champions our resilience and humility. MIND OF THE WORLD, OPEN YOUR EYES. At the bottom of the world lies a Serpent, the last of its kind. Finding the Serpent will change lives. Tess is a girl on a mission to save a friend. Spira is a dragon seeking a new identity. Marga is an explorer staking her claim on a man’s world. Jacomo is a priest searching for his soul. There are those who would give their lives to keep it hidden. And those who would destroy it. But the only people who will truly find the Serpent are those who have awakened to the world around them—with eyes open to the wondrous, the terrible, and the just. Discover more critically-acclaimed YA from Rachel Hartman! Seraphina Shadow Scale Tess of the Road
Promoting Well-Being in the Pre-School Years provides evidence-based research and real-life strategies that support social and emotional development and well-being for children aged 3–5 years. It places emphasis on nurturing social emotional competence through purposeful scaffolding activities and how these can be used by children and families to create a harmonious platform for building resilience and positive relationships with family and the community. Drawing on principles from Positive Psychology and Positive Education, it is illustrated throughout with examples of sustainable practice in diverse, global settings. Key topics explored include: Contemporary well-being concepts, including ‘grit’, ‘growth mindset’ and ‘gratitude’, as well as ‘classic’ constructs such as coping and self-efficacy The attitudes and skills that need to be developed to ensure that young children flourish Cognitive and sociocultural perspectives complemented by neuroscience and epigenetics Social Emotional Learning (SEL) in the early years curriculum Using visual tools – the Early Years Coping Cards How we measure young children’s coping The relationship between coping, stress and mental health Recognition of the importance of parents’ own coping skills How partnerships with communities can improve children’s SEL. Promoting Well-Being in the Pre-School Years shows how we can support young children to develop an understanding of what it means to be happy and to flourish as a socially responsible member of the family and wider community. It is essential reading for teachers, parents and professionals who work with young children, as well as academics in child development.
The notion that children constitute an important group of rights holders has gained increasing acceptance both domestically and internationally. Nevertheless, this rhetorical commitment to children's rights is not necessarily realised in practice. Now in its fourth edition, Fortin's Children's Rights and the Developing Law explores the extent to which law and policy in England promotes or undermines the rights of children. Fully revised and updated, this textbook uses current research on child development and welfare to reflect on the extent to which the law fulfils children's rights in a wide range of areas, including medical law, education and child poverty. These developments are measured again the domestic law and the UK's international obligations under, for example, the United Nations Convention on the Rights of the Child.
The Life and Works of Robert Wood (1717-1771) commemorates the Irish classicist and traveller on the 250th anniversary of his death and provides the general reader with a source book for the fascinating life and career of a much-neglected figure in the realm of Irish eighteenth-century travels and antiquarianism.
In Richard Pococke’s Letters from the East (1737-1740), Rachel Finnegan provides edited transcripts of the full run of correspondence from Richard Pococke’s famous eastern voyage from 1737-40, together with updated biographical accounts of the author and his correspondents (his mother, Elizabeth Pococke and his uncle and patron, Bishop Thomas Milles).
This book explores what art can tell us about "the self," or the sense of interiority that each of us, as separate individuals, experience. Today the "self" is often dismissed because it seems to ignore the ways in which we are all defined by structures and categories of identity (from capitalism and the family to constructs of gender and race). Yet, as Rachel Haidu observes, our feelings that we are singular and individuated--regardless of the structures we belong to--can be intensified, deepened, and negotiated by art. Artworks not only elicit feelings in the viewer that she is profoundly herself, but some even examine how interior lives come to feel private and unique. Haidu investigates this sense of interiority through the work of six contemporary artists who consciously want to provoke the experience in viewers: painters Philip Guston and Amy Sillman; film/media artists James Coleman and Steve McQueen; and contemporary dancers/choreographers Anne Teresa De Keersmaeker and Yvonne Rainer"--
Who would have thought that I, Anne Whitmore, beloved daughter of a wealthy Boston businessman, would be bouncing along in this dirty, uncomfortable Conestoga wagon, wearing this dreadful, faded homespun dress and the most unfashionable bonnet I could have imagined? My hair is filthy and stringy. My nails are short and chipped. I have scratches and bug bites all over my body. I have become the family maid and caregiver to my ungrateful, complaining parents. We are headed West to who knows where with robbers, Indians, and broken wagon wheels for excitement. And now, how can I ever keep my promise to my grandmother? I want to remember my pleasant life in Boston with its fresh sea breezes, the refreshing carriage rides in the park, our fine home with a maid and butler, and hopefully, a proposal from the banker’s son—not the constant, choking, gritty dust of this hot, endless prairie as we ride into an unknown future. Yet I have watched the Quaker family who are at peace with each other. Eli the carpenter, their tall, handsome son with the sparkling blue eyes, is so kind to me in spite of my tatty appearance. How very different he is from the banker’s son.
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