Poetry. In her debut poetry collection, Rachel Kaufman enters the archive's unconscious to reveal the melodies hidden within the language of the past. MANY TO REMEMBER unravels the histories of New Mexican crypto-Jews and the Mexican Inquisition alongside the poet's own family histories. Kaufman's poems follow "fleshed like fables" and "the past's near ending" to arrive at an "alphabet, gardened, growing," creased and longing to translate the past for the present.
Recent Advances in Surgery 40 is the latest volume in the recognised series reviewing current topics in general surgery and its major subspecialties. Divided into eight sections, the book begins with topics of general interest to surgeons, and surgical training. The following sections cover subspecialty surgeries including transplant, vascular, head and neck, breast, and abdominal. The final section reviews recent clinical trials.
In the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the “LA Look” or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. While the role of materials and processes in the advent of these truly indigenous Los Angeles art forms has often been commented on, it has never been studied in depth — until now. Made in Los Angeles focuses on four pioneers of West Coast Minimalism — Larry Bell, Robert Irwin, Craig Kauffman, and John McCracken — whose working methods, often borrowed from other industries, featured the use of synthetic paints and resins as well as industrial processes to create objects that are both painting and sculpture. Bell, for example, coated plate glass with films of material that alter the way the light is absorbed, reflected, and transmitted, while Kauffman employed a process usually reserved for commercial signs for his work. McCracken coated plywood with fiberglass then spray painted it with countless layers of automotive paints, and Irwin spray-painted discs of hammered aluminum or vacuum-formed plastics. The detailed study of each artist’s work is presented in the context of the emergence of modern art in Los Angeles, the burgeoning mid-twentieth-century gallery scene, and the light-infused LA cityscape. Initially undertaken as part of the Pacific Standard Time: Art in L.A.1945–1980 initiative, this volume combines technical art history and scientific analysis to investigate conservation issues associated with the work of these artists, which are often emblematic of issues in the conservation of contemporary art in general.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.