A friend of ours managed a student program at the University of Central Florida where students, both undergrad and post-grad got counseling on their start-up ideas. We were asked to speak to the group about “Serial Entrepreneurship”. She told us after the speech and Q&A “all they really wanted to know was how have you done it for so long?” This generation seems to shy away from long term commitments in life and in business. This was the basis for our book: “Fundamentals: A Conversation about a Sixty Year Partnership”
This book re-examines the relationship between Britain and colonial slavery in a crucial period in the birth of modern Britain. Drawing on a comprehensive analysis of British slave-owners and mortgagees who received compensation from the state for the end of slavery, and tracing their trajectories in British life, the volume explores the commercial, political, cultural, social, intellectual, physical and imperial legacies of slave-ownership. It transcends conventional divisions in history-writing to provide an integrated account of one powerful way in which Empire came home to Victorian Britain, and to reassess narratives of West Indian 'decline'. It will be of value to scholars not only of British economic and social history, but also of the histories of the Atlantic world, of the Caribbean and of slavery, as well as to those concerned with the evolution of ideas of race and difference and with the relationship between past and present.
Murder By Madness 9/11 is not just the history of the most notorious attack upon American shores, it is a banking caper. Just who are the financiers of terrorism? As always, follow the money.
The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black —A Times/Sunday Times Book of the Year —An Uncut Book of the Year —Long-Listed for the Penderyn Music Book Prize —A Louder Than War Book of the Year —A Blitzed Magazine Book of the Year In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.
Malcolm Dowd is almost positive he recognizes the freshman who shows up for a session at his office in Baxter College’s Center for Behavioral Health—he just can’t place her. When suddenly she stands, takes off her wig, and reveals herself as Noah, the young man Malcolm had been treating months earlier, it marks the start of a relationship that will change them both.After losing his wife at a young age, Malcolm dedicated himself to giving his two daughters the stable, predictable childhood he never had. But now nothing is predictable—not his young adult daughters, not himself, and certainly not Noah. Whether he’s attending class or rehearsing for the campus musical, Noah finds he’s often challenging everyone’s definition of gender. During the course of one semester, Noah’s and Malcolm’s lives become entwined in ways neither could ever have imagined.Told alternately from Malcolm’s and Noah’s perspectives, The Listener explores the ways in which we conceal and reveal our identities. As truth after truth is exposed, characters are forced to reconsider themselves and reorder their lives, with few easy answers to be found for anyone. The Listener is, ultimately, about the power of human connection and the many shapes that love can take.
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